This book is a study of six films made between 1958–1963 in pre-independence Singapore, as told through the fictional persona of Remy Shah. In his story, Shah applies characteristics of both fiction and theoretical essays, along timestamps and still images of film sequences. It is a book of autotheory; a kind of meta-novel which is at once a diary, a thesis, and a meditation. The artist novel addresses how we perceive both images in films through the lens of time, and coloniality and history through the lens of film.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
This book is a study of six films made between 1958–1963 in pre-independence Singapore, as told through the fictional persona of Remy Shah. In his story, Shah applies characteristics of both fiction and theoretical essays, along timestamps and still images of film sequences. It is a book of autotheory; a kind of meta-novel which is at once a diary, a thesis, and a meditation. The artist novel addresses how we perceive both images in films through the lens of time, and coloniality and history through the lens of film.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized. N° de réf. du vendeur M9083404137Z3
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Paperback. Etat : new. Paperback. A meditative, research-driven narrative dive into the history of Malayan filmmakingAn experimental novel intertwining 1950s Malayan film scripts and film narratives, a fictionalized autobiographic diary, film theory and more, Slander! brings voice to the culture of Southeast Asia's Hollywood counterpart. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9789083404134
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