This publication and the related exhibition at the Rubin Museum of Art, in September 2013, are the culmination of a long but intermittent story that began with the acquisition of fifty-four paintings directly from an elderly priest, who had served in the Belgian mission in Inner Mongolia for many years, beginning in the 1920s. Father Raphael Verbois gave the paintings in 1977 to the then Director of the Ethnographic Museum in Antwerp, Dr. Adriaan Claerhout. The set of paintings, what we refer to as the Antwerp album, forms the core of the current project. While initially they were thought to represent the life of the Buddha and some unknown tantric rituals, there is now scholarly unanimity about the fact that the life of the Buddha is just a small part of what the album represents. The major part deals with the meditation on the mandala of Sarvavid Vairocana, who is the central Buddha in the constellation of the five Dhyani Buddhas, or Meditation Buddhas. Sarvavid is Sanskrit, meaning "All-knowing."
Although some initial research was done to thus clarify the import of the album, it has been little seen or published since its acquisition by the Ethnographic Museum. With this publication, the curators at the Rubin Museum offer new research and further clarification: the album's possible historical context (Karl Debreczeny), meanings and ritual use (Elena Pakhoutova), and the rise of Buddha Vairocana and the connection to Esoteric Buddhism (Christian Luczanits). These essays should read as the reopening of a scholarly conversation on the album, and it is hoped that with this publication new information will come to light on this fascinating and unusual set of paintings
In addition to the fifty-four plates with commentary by the Rubin Museum curators, the three essays are illustrated with approximately twenty-five additional images of the All-knowing Buddha and related material.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Christian Luczanits is David L. Snellgrove Senior Lecturer in Tibetan and Buddhist Art in the Department of History of Art and Archaeology at School of Oriental and African Studies (SOAS), University of London. He is the author of Buddhist Sculpture in Clay: Early Western Himalayan Art, Late 10th to Early 13th Centuries (Serindia, 2004); and coeditor of Tibetan Art and Architecture in Context (International Institute for Tibetan Studies, 2010) and Inscriptions from the Tabo Main Temple: Texts and Translations (Istituto Italiano per l’Africa e l’Oriente, 1999).
This publication and the related exhibition at the Rubin Museum of Art, in September 2013, are the culmination of a long but intermittent story that began with the acquisition of fifty-four paintings directly from an elderly priest, who had served in the Belgian mission in Inner Mongolia for many years, beginning in the 1920s. Father Raphael Verbois gave the paintings in 1977 to the then Director of the Ethnographic Museum in Antwerp, Dr. Adriaan Claerhout. The set of paintings, what we refer to as the Antwerp album, forms the core of the current project. While initially they were thought to represent the life of the Buddha and some unknown tantric rituals, there is now scholarly unanimity about the fact that the life of the Buddha is just a small part of what the album represents. The major part deals with the meditation on the mandala of Sarvavid Vairocana, who is the central Buddha in the constellation of the five Dhyani Buddhas, or Meditation Buddhas. Sarvavid is Sanskrit, meaning "All-knowing."
Although some initial research was done to thus clarify the import of the album, it has been little seen or published since its acquisition by the Ethnographic Museum. With this publication, the curators at the Rubin Museum offer new research and further clarification: the album's possible historical context (Karl Debreczeny), meanings and ritual use (Elena Pakhoutova), and the rise of Buddha Vairocana and the connection to Esoteric Buddhism (Christian Luczanits). These essays should read as the reopening of a scholarly conversation on the album, and it is hoped that with this publication new information will come to light on this fascinating and unusual set of paintings
In addition to the fifty-four plates with commentary by the Rubin Museum curators, the three essays are illustrated with approximately twenty-five additional images of the All-knowing Buddha and related material.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Black Cat Books, Shelter Island, NY, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : No Jacket, As Issued. Hardbound, no dust jacket, as issued. N° de réf. du vendeur 97918
Quantité disponible : 1 disponible(s)
Vendeur : Independent Books, Long Beach, WA, Etats-Unis
Cloth. Etat : Fine. No Jacket. Devoted to a series of 54 miniature paintings related to Sarvavid Vairocana, the All-knowing Buddha. It reveals a meditation process that is rarely depicted. From the collection of Sanje (Frank) Elliott, Buddhist mentor, artist, and friend to many. Condition notes: 176 numbered pp; HB no DJ. Pages: clean, bright, tight, pale yellow eps. Cover: color artwork and white titles front/spine; minimal shelfwear, bottom corners bumped. N° de réf. du vendeur 039276
Quantité disponible : 1 disponible(s)
Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Hardcover. Etat : New. N° de réf. du vendeur 107851
Quantité disponible : 2 disponible(s)