Colourful surface treatments form an integral element of vernacular and élite architecture of ancient societies. This is also true for the various regions of the Eastern Mediterranean in the 2nd millennium B.C.E., where elaborate wall paintings furnished temples, tombs, palatial buildings, and in general more elaborate houses. From a present-day perspective, these rich images provide invaluable insights into past realities as well as interconnections between different visual systems. However, beyond stunning images, the materiality of wall paintings implicates a whole range of specific technical choices and gestures executed during the artistic process. The bodies of knowledge immanent in the practice of plaster and pigment preparation, in the application of paint and in the conception and execution of compositions allow us to compare the wall painting corpora of the Eastern Mediterranean on a technical level and to trace differences and similarities in a cross-cultural perspective.
Evolved from an interdisciplinary workshop held at the 10th ICAANE in Vienna, this volume provides insights into the various technical approaches and underlying bodies of knowledge in the different wall painting traditions of the Eastern Mediterranean and West Asia and throws light on the way and extent of their possible interwovenness. Moreover, it seeks to overcome regional as well as disciplinary isolation of technical studies by bringing together authors of different scientific backgrounds ranging between Conservational Studies, Archaeometry, Prehistory, Egyptology, as well as Western Asiatic and Classical Archaeology. In doing so, the book permits an interdisciplinary perspective on this field of study.
This book is equally intended for archaeologists, art historians, conservators and the interested layperson and hopes to stimulate more research in this direction in future.
Contents:
Tracing Technoscapes in the Production of Eastern Mediterranean Wall Paintings. An Introduction
Constance von Rüden, Johannes Jungfleisch, and Johannes Becker
Western Asia
Wall Painting Techniques in Early Bronze Syria. Clues of Parallelisms with the
Traditions of the Mediterranean and Mesopotamian Regions
Alessandro di Ludovico and Marco Ramazotti
Contextes techniques et historiques des peintures murales du grand palais royal de Mari. Une mise au point
Béatrice Muller
Preliminary Remarks on the Technical and Iconographical Aspects of the Middle Bronze Age Wall Paintings from Tell el-Burak (Lebanon) in Relation to the Aegean and Egypt
Julia Bertsch
The Advantages of Visible Induced Luminescence Technique for the Investigation of Aegean-style Wall Painting. A Case Study from Tel Kabri, Israel
Ravit Linn, Eric Cline, and Assaf Yasur-Landau
Egypt
Original Painting Techniques. Methods and Materials in 18th Dynasty Tombs, in the Valley of the Nobles, Egypt
Bianca Madden and Hugues Tavier
Malqata - The Painted Palace
Peter Lacovara and Alexandra Winkels
How to Paint a Landscape. Technical Perspectives on the 'Aegean'-style Landscape Paintings from Tell el-Dab'a
Johannes Becker
For Further Information Please See the Back of the Plaster. Architectural Impressions in the 'Aegean'-style Wall Paintings from Tell el-Dab'a
Johannes Jungfleisch
Between Common Craft Tradition and Deviation. The Making of Stucco Reliefs in the Eastern Mediterranean
Constance von Rüden and Tobias Skowronek
The Aegean
Forming the Image. Approaches to Painting at Ayia Irini, Kea and Tell el-Dab'a
Lyvia Morgan
The Find Contexts of Knossian Palatial Wall Paintings. Some Ramifications
Matthew Haysom
Bronze Age Wall Paintings from Thebes. Technical Aspects and State of Conservation
Sofia Michailoglou, Maria Kaoglou, and Asterios Bakolas
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Johannes Becker Studied Classical Archaeology And Ancient History At The University Of Freiburg. After His Graduation, He Became A Phd-Student At Heidelberg University. Furthermore, He Has Been A Research Assistant At The Ruhr-University Bochum Since 2012. His Research Interests Lie In The Aegean And The Interconnections Within The Eastern Mediterranean Bronze Age. Within The Scope Of His Phd-Project, He Studies The Large-Scale Landscape Paintings From Tell El-Dab'a.
Johannes Jungfleisch Has Been Employed As Research Assistant At The Ruhr-University Bochum Since 2012. He Studied Classical Archaeology And West Asiatic Archaeology At The University Of Freiburg. Currently, He Is In The Final Stages Of His Phd-Project At Free University Of Berlin, In Which He Examines The Large-Scale Simulations Of Architecture Of The Wall Paintings From 'Palace G' At Tell El-Dab'a And Their Reception In The Local Egyptian Context. As An Archaeologist, He Has Worked In Greece, Turkey, Lebanon And Egypt.
Constance Von Rüden Is Currently Junior Professor For Prehistory At The Ruhr-University Bochum With A Special Focus On Mediterranean Prehistory And Theory. Previously She Held Post-Doc Positions At The German Archaeological Institute In Athens, At The Centre For Mediterranean Studies At Bochum And At Heidelberg University.
She Has Edited Several Volumes, Published The Wall Paintings From Tall Mishrife/Qatna With An Investigation Of Their Interregional Relations (2011) And Issued The Book "Feasting, Craft And Depositional Practice In Late Bronze Age Palaepaphos" Together With Artemis Georgiou, Ariane Jacobs And Paul Halstead. Since 2010, She Has Been Co-Director Of The Tell El-Dab'a Wall Painting Project In The Eastern Nile Delta In Egypt (Together With Manfred Bietak) And, Since 2017, The Director Of A Survey Project In Sant'antioco/Sardinia.
Colourful surface treatments form an integral element of vernacular and élite architecture of ancient societies. This is also true for the various regions of the Eastern Mediterranean in the 2nd millennium B.C.E., where elaborate wall paintings furnished temples, tombs, palatial buildings, and in general more elaborate houses. From a present-day perspective, these rich images provide invaluable insights into past realities as well as interconnections between different visual systems. However, beyond stunning images, the materiality of wall paintings implicates a whole range of specific technical choices and gestures executed during the artistic process. The bodies of knowledge immanent in the practice of plaster and pigment preparation, in the application of paint and in the conception and execution of compositions allow us to compare the wall painting corpora of the Eastern Mediterranean on a technical level and to trace differences and similarities in a cross-cultural perspective.
Evolved from an interdisciplinary workshop held at the 10th ICAANE in Vienna, this volume provides insights into the various technical approaches and underlying bodies of knowledge in the different wall painting traditions of the Eastern Mediterranean and West Asia and throws light on the way and extent of their possible interwovenness. Moreover, it seeks to overcome regional as well as disciplinary isolation of technical studies by bringing together authors of different scientific backgrounds ranging between Conservational Studies, Archaeometry, Prehistory, Egyptology, as well as Western Asiatic and Classical Archaeology. In doing so, the book permits an interdisciplinary perspective on this field of study.
This book is equally intended for archaeologists, art historians, conservators and the interested layperson and hopes to stimulate more research in this direction in future.
Contents:
Tracing Technoscapes in the Production of Eastern Mediterranean Wall Paintings. An Introduction
Constance von Rüden, Johannes Jungfleisch, and Johannes Becker
Western Asia
Wall Painting Techniques in Early Bronze Syria. Clues of Parallelisms with the
Traditions of the Mediterranean and Mesopotamian Regions
Alessandro di Ludovico and Marco Ramazotti
Contextes techniques et historiques des peintures murales du grand palais royal de Mari. Une mise au point
Béatrice Muller
Preliminary Remarks on the Technical and Iconographical Aspects of the Middle Bronze Age Wall Paintings from Tell el-Burak (Lebanon) in Relation to the Aegean and Egypt
Julia Bertsch
The Advantages of Visible Induced Luminescence Technique for the Investigation of Aegean-style Wall Painting. A Case Study from Tel Kabri, Israel
Ravit Linn, Eric Cline, and Assaf Yasur-Landau
Egypt
Original Painting Techniques. Methods and Materials in 18th Dynasty Tombs, in the Valley of the Nobles, Egypt
Bianca Madden and Hugues Tavier
Malqata - The Painted Palace
Peter Lacovara and Alexandra Winkels
How to Paint a Landscape. Technical Perspectives on the 'Aegean'-style Landscape Paintings from Tell el-Dab'a
Johannes Becker
For Further Information Please See the Back of the Plaster. Architectural Impressions in the 'Aegean'-style Wall Paintings from Tell el-Dab'a
Johannes Jungfleisch
Between Common Craft Tradition and Deviation. The Making of Stucco Reliefs in the Eastern Mediterranean
Constance von Rüden and Tobias Skowronek
The Aegean
Forming the Image. Approaches to Painting at Ayia Irini, Kea and Tell el-Dab'a
Lyvia Morgan
The Find Contexts of Knossian Palatial Wall Paintings. Some Ramifications
Matthew Haysom
Bronze Age Wall Paintings from Thebes. Technical Aspects and State of Conservation
Sofia Michailoglou, Maria Kaoglou, and Asterios Bakolas
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : moluna, Greven, Allemagne
Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The book provides insights into the various technical approaches and underlying bodies of knowledge in the different wall painting traditions of the Eastern Mediterranean Bronze Age and sheds light on how these may have been interwoven.Colourful surface. N° de réf. du vendeur 257130602
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Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Colourful surface treatments form an integral element of vernacular and élite architecture of ancient societies. This is also true for the various regions of the Eastern Mediterranean in the 2nd millennium B.C.E., where elaborate wall paintings furnished temples, tombs, palatial buildings, and in general more elaborate houses. From a present-day perspective, these rich images provide invaluable insights into past realities as well as interconnections between different visual systems. However, beyond stunning images, the materiality of wall paintings implicates a whole range of specific technical choices and gestures executed during the artistic process. The bodies of knowledge immanent in the practice of plaster and pigment preparation, in the application of paint and in the conception and execution of compositions allow us to compare the wall painting corpora of the Eastern Mediterranean on a technical level and to trace differences and similarities in a cross-cultural perspective.Evolved from an interdisciplinary workshop held at the 10th ICAANE in Vienna, this volume provides insights into the various technical approaches and underlying bodies of knowledge in the different wall painting traditions of the Eastern Mediterranean and West Asia and throws light on the way and extent of their possible interwovenness. Moreover, it seeks to overcome regional as well as disciplinary isolation of technical studies by bringing together authors of different scientific backgrounds ranging between Conservational Studies, Archaeometry, Prehistory, Egyptology, as well as Western Asiatic and Classical Archaeology. In doing so, the book permits an interdisciplinary perspective on this field of study.This book is equally intended for archaeologists, art historians, conservators and the interested layperson and hopes to stimulate more research in this direction in future.ContentsTracing Technoscapes in the Production of Eastern Mediterranean Wall Paintings. An IntroductionConstance von Rüden, Johannes Jungfleisch, and Johannes BeckerWestern AsiaWall Painting Techniques in Early Bronze Syria. Clues of Parallelism with the Traditions of the Mediterranean and Mesopotamian RegionsAlessandro Di Ludovico and Marco RamazzottiContextes techniques et historiques des peintures murales du grand palais royal de Mari. Une mise au pointBéatrice MullerPreliminary Remarks on the Technical and Iconographical Aspects of the Middle Bronze Age Wall Paintings from Tell el-Burak (Lebanon) in Relation to the Aegean and EgyptJulia BertschThe Advantages of Visible Induced Luminescence Technique for the Investigation of Aegean-style Wall Painting. A Case Study from Tel Kabri, IsraelRavit Linn, Eric Cline, and Assaf Yasur-LandauEgyptOriginal Painting Techniques. Methods and Materials in 18th Dynasty Tombs, in the Valley of the Nobles, EgyptBianca Madden and Hugues TavierMalqata - The Painted PalacePeter Lacovara and Alexandra WinkelsHow to Paint a Landscape. Technical Perspectives on the 'Aegean'-style Landscape Paintings from Tell el-Dab'aJohannes BeckerFor Further Information Please See the Back of the Plaster. Architectural Impressions in the 'Aegean'-style Wall Paintings from Tell el-Dab'aJohannes JungfleischBetween Common Craft Tradition and Deviation. The Making of Stucco Reliefs in the Eastern MediterraneanConstance von Rüden and Tobias SkowronekThe AegeanForming the Image. Approaches to Painting at Ayia Irini, Kea and Tell el-Dab'aLyvia MorganThe Find Contexts of Knossian Relief Wall Paintings. Some RamificationsMatthew HaysomBronze Age Wall Paintings from Thebes. Technical Aspects and State of ConservationSofia Michailoglou, Maria Kaoglou, and Asterios Bakolas 298 pp. Englisch. N° de réf. du vendeur 9789088906886
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Buch. Etat : Neu. Tracing Technoscapes | Johannes Becker (u. a.) | Buch | 298 S. | Englisch | 2018 | Sidestone Press | EAN 9789088906886 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu Print on Demand. N° de réf. du vendeur 113916204
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Buch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -Colourful surface treatments form an integral element of vernacular and élite architecture of ancient societies. This is also true for the various regions of the Eastern Mediterranean in the 2nd millennium B.C.E., where elaborate wall paintings furnished temples, tombs, palatial buildings, and in general more elaborate houses. From a present-day perspective, these rich images provide invaluable insights into past realities as well as interconnections between different visual systems. However, beyond stunning images, the materiality of wall paintings implicates a whole range of specific technical choices and gestures executed during the artistic process. The bodies of knowledge immanent in the practice of plaster and pigment preparation, in the application of paint and in the conception and execution of compositions allow us to compare the wall painting corpora of the Eastern Mediterranean on a technical level and to trace differences and similarities in a cross-cultural perspective.Evolved from an interdisciplinary workshop held at the 10th ICAANE in Vienna, this volume provides insights into the various technical approaches and underlying bodies of knowledge in the different wall painting traditions of the Eastern Mediterranean and West Asia and throws light on the way and extent of their possible interwovenness. Moreover, it seeks to overcome regional as well as disciplinary isolation of technical studies by bringing together authors of different scientific backgrounds ranging between Conservational Studies, Archaeometry, Prehistory, Egyptology, as well as Western Asiatic and Classical Archaeology. In doing so, the book permits an interdisciplinary perspective on this field of study.This book is equally intended for archaeologists, art historians, conservators and the interested layperson and hopes to stimulate more research in this direction in future.ContentsTracing Technoscapes in the Production of Eastern Mediterranean Wall Paintings. An IntroductionConstance von Rüden, Johannes Jungfleisch, and Johannes BeckerWestern AsiaWall Painting Techniques in Early Bronze Syria. Clues of Parallelism with the Traditions of the Mediterranean and Mesopotamian RegionsAlessandro Di Ludovico and Marco RamazzottiContextes techniques et historiques des peintures murales du grand palais royal de Mari. Une mise au pointBéatrice MullerPreliminary Remarks on the Technical and Iconographical Aspects of the Middle Bronze Age Wall Paintings from Tell el-Burak (Lebanon) in Relation to the Aegean and EgyptJulia BertschThe Advantages of Visible Induced Luminescence Technique for the Investigation of Aegean-style Wall Painting. A Case Study from Tel Kabri, IsraelRavit Linn, Eric Cline, and Assaf Yasur-LandauEgyptOriginal Painting Techniques. Methods and Materials in 18th Dynasty Tombs, in the Valley of the Nobles, EgyptBianca Madden and Hugues TavierMalqata ¿ The Painted PalacePeter Lacovara and Alexandra WinkelsHow to Paint a Landscape. Technical Perspectives on the ¿Aegean¿-style Landscape Paintings from Tell el-Dab¿aJohannes BeckerFor Further Information Please See the Back of the Plaster. Architectural Impressions in the ¿Aegean¿-style Wall Paintings from Tell el-Dab¿aJohannes JungfleischBetween Common Craft Tradition and Deviation. The Making of Stucco Reliefs in the Eastern MediterraneanConstance von Rüden and Tobias SkowronekThe AegeanForming the Image. Approaches to Painting at Ayia Irini, Kea and Tell el-Dab¿aLyvia MorganThe Find Contexts of Knossian Relief Wall Paintings. Some RamificationsMatthew HaysomBronze Age Wall Paintings from Thebes. Technical Aspects and State of ConservationSofia Michailoglou, Maria Kaoglou, and Asterios BakolasBooks on Demand GmbH, Überseering 33, 22297 Hamburg 298 pp. Englisch. N° de réf. du vendeur 9789088906886
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Buch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Colourful surface treatments form an integral element of vernacular and élite architecture of ancient societies. This is also true for the various regions of the Eastern Mediterranean in the 2nd millennium B.C.E., where elaborate wall paintings furnished temples, tombs, palatial buildings, and in general more elaborate houses. From a present-day perspective, these rich images provide invaluable insights into past realities as well as interconnections between different visual systems. However, beyond stunning images, the materiality of wall paintings implicates a whole range of specific technical choices and gestures executed during the artistic process. The bodies of knowledge immanent in the practice of plaster and pigment preparation, in the application of paint and in the conception and execution of compositions allow us to compare the wall painting corpora of the Eastern Mediterranean on a technical level and to trace differences and similarities in a cross-cultural perspective.Evolved from an interdisciplinary workshop held at the 10th ICAANE in Vienna, this volume provides insights into the various technical approaches and underlying bodies of knowledge in the different wall painting traditions of the Eastern Mediterranean and West Asia and throws light on the way and extent of their possible interwovenness. Moreover, it seeks to overcome regional as well as disciplinary isolation of technical studies by bringing together authors of different scientific backgrounds ranging between Conservational Studies, Archaeometry, Prehistory, Egyptology, as well as Western Asiatic and Classical Archaeology. In doing so, the book permits an interdisciplinary perspective on this field of study.This book is equally intended for archaeologists, art historians, conservators and the interested layperson and hopes to stimulate more research in this direction in future.ContentsTracing Technoscapes in the Production of Eastern Mediterranean Wall Paintings. An IntroductionConstance von Rüden, Johannes Jungfleisch, and Johannes BeckerWestern AsiaWall Painting Techniques in Early Bronze Syria. Clues of Parallelism with the Traditions of the Mediterranean and Mesopotamian RegionsAlessandro Di Ludovico and Marco RamazzottiContextes techniques et historiques des peintures murales du grand palais royal de Mari. Une mise au pointBéatrice MullerPreliminary Remarks on the Technical and Iconographical Aspects of the Middle Bronze Age Wall Paintings from Tell el-Burak (Lebanon) in Relation to the Aegean and EgyptJulia BertschThe Advantages of Visible Induced Luminescence Technique for the Investigation of Aegean-style Wall Painting. A Case Study from Tel Kabri, IsraelRavit Linn, Eric Cline, and Assaf Yasur-LandauEgyptOriginal Painting Techniques. Methods and Materials in 18th Dynasty Tombs, in the Valley of the Nobles, EgyptBianca Madden and Hugues TavierMalqata - The Painted PalacePeter Lacovara and Alexandra WinkelsHow to Paint a Landscape. Technical Perspectives on the 'Aegean'-style Landscape Paintings from Tell el-Dab'aJohannes BeckerFor Further Information Please See the Back of the Plaster. Architectural Impressions in the 'Aegean'-style Wall Paintings from Tell el-Dab'aJohannes JungfleischBetween Common Craft Tradition and Deviation. The Making of Stucco Reliefs in the Eastern MediterraneanConstance von Rüden and Tobias SkowronekThe AegeanForming the Image. Approaches to Painting at Ayia Irini, Kea and Tell el-Dab'aLyvia MorganThe Find Contexts of Knossian Relief Wall Paintings. Some RamificationsMatthew HaysomBronze Age Wall Paintings from Thebes. Technical Aspects and State of ConservationSofia Michailoglou, Maria Kaoglou, and Asterios Bakolas. N° de réf. du vendeur 9789088906886
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Hardcover. Etat : Brand New. 1st edition. 297 pages. 10.00x7.25x0.75 inches. In Stock. N° de réf. du vendeur __9088906882
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