This work synthesizes art-historical and anthropological methods in the analysis of a large corpus of indigenous figure pendants, commonly called “amulets,” from the Greater Antilles and Bahamas. Figure pendants, ubiquitous in Caribbean collections, are small carvings of spirit beings perforated for suspension against the body. The data are drawn from new photographs, measurements, and observations of 535 specimens compiled by the author during 2011-2018 in research visits to 34 museums and private collections in the Caribbean, the United States, and Europe.
In analyzing this corpus, the author documents high stylistic diversity within the region, naming nine new figure pendant styles and situating these in space and time. This high diversity of local styles and subject matter suggests a previously undocumented religious pluralism in the ancient Caribbean, in accord with emergent understandings of cultural and political diversity within the region. The author finds that the subject matter of figure pendants is unconnected with elite cohoba spiritualism as documented ethnohistorically, which leads to a search for what the phenomenon represents socially and religiously. Figure pendants generally are far more common than the paraphernalia of cohoba, probably documenting the existence of a religious institution existing at the village level. The author hypothesizes that they were commissioned from pendant carvers by initiates of secret societies dedicated to healing or warfare. In this scenario, the supernatural subjects of the pendants were the patrons of regional sodalities with distinct histories.
The book is intended for readers with interests in the indigenous art, religion and society of the ancient Caribbean and more broadly, Latin America.
Contents:
List of Figures
List of Tables
Acknowledgments
Abbreviations
1. Orientation
2. The Puerto Plata Style
3. Sequencing the Puerto Plata Style
4. The Yaguajay Style
5. The Madre Vieja Style
6. The Comendador Style
7. The Cibao Style
8. The Luquillo Style
9. Imbert and Related Styles
10. Miniatures: La Caleta, Altagracia, and Other Styles
11. Same Subjects, Additional Styles
12. Comparisons
13. Conclusions
Bibliography
Appendix: Figure Pendants in the Database and in the Sala de Arte Pre-Hispánico
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Vernon James Knight is Professor Emeritus of Anthropology and Curator Emeritus of American Archaeology at the University of Alabama and the Alabama Museum of Natural History. He is an archaeologist specializing in the North American Southeast and the Caribbean. His books include Mound Excavations at Moundville: Architecture, Elites, and Social Order (University of Alabama Press, 2010, winner of the 2011 Society for American Archaeology academic book prize), Archaeology of the Moundville Chiefdom (Smithsonian Institution Press, 1998), and Iconographic Method in New World Prehistory (Cambridge University Press, 2013). Knight is the author of a variety of published theoretical and substantive papers on archaeological style and iconography.
This work synthesizes art-historical and anthropological methods in the analysis of a large corpus of indigenous figure pendants, commonly called “amulets,” from the Greater Antilles and Bahamas. Figure pendants, ubiquitous in Caribbean collections, are small carvings of spirit beings perforated for suspension against the body. The data are drawn from new photographs, measurements, and observations of 535 specimens compiled by the author during 2011-2018 in research visits to 34 museums and private collections in the Caribbean, the United States, and Europe.
In analyzing this corpus, the author documents high stylistic diversity within the region, naming nine new figure pendant styles and situating these in space and time. This high diversity of local styles and subject matter suggests a previously undocumented religious pluralism in the ancient Caribbean, in accord with emergent understandings of cultural and political diversity within the region. The author finds that the subject matter of figure pendants is unconnected with elite cohoba spiritualism as documented ethnohistorically, which leads to a search for what the phenomenon represents socially and religiously. Figure pendants generally are far more common than the paraphernalia of cohoba, probably documenting the existence of a religious institution existing at the village level. The author hypothesizes that they were commissioned from pendant carvers by initiates of secret societies dedicated to healing or warfare. In this scenario, the supernatural subjects of the pendants were the patrons of regional sodalities with distinct histories.
The book is intended for readers with interests in the indigenous art, religion and society of the ancient Caribbean and more broadly, Latin America.
Contents:
List of Figures
List of Tables
Acknowledgments
Abbreviations
1. Orientation
2. The Puerto Plata Style
3. Sequencing the Puerto Plata Style
4. The Yaguajay Style
5. The Madre Vieja Style
6. The Comendador Style
7. The Cibao Style
8. The Luquillo Style
9. Imbert and Related Styles
10. Miniatures: La Caleta, Altagracia, and Other Styles
11. Same Subjects, Additional Styles
12. Comparisons
13. Conclusions
Bibliography
Appendix: Figure Pendants in the Database and in the Sala de Arte Pre-Hispánico
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This work synthesizes art-historical and anthropological methods in the analysis of a large corpus of indigenous figure pendants, commonly called 'amulets,' from the Greater Antilles and Bahamas. Figure pendants, ubiquitous in Caribbean collections, are small carvings of spirit beings perforated for suspension against the body. The data are drawn from new photographs, measurements, and observations of 535 specimens compiled by the author during 2011-2018 in research visits to 34 museums and private collections in the Caribbean, the United States, and Europe.In analyzing this corpus, the author documents high stylistic diversity within the region, naming nine new figure pendant styles and situating these in space and time. This high diversity of local styles and subject matter suggests a previously undocumented religious pluralism in the ancient Caribbean, in accord with emergent understandings of cultural and political diversity within the region. The author finds that the subject matter of figure pendants is unconnected with elite cohoba spiritualism as documented ethnohistorically, which leads to a search for what the phenomenon represents socially and religiously. Figure pendants generally are far more common than the paraphernalia of cohoba, probably documenting the existence of a religious institution existing at the village level. The author hypothesizes that they were commissioned from pendant carvers by initiates of secret societies dedicated to healing or warfare. In this scenario, the supernatural subjects of the pendants were the patrons of regional sodalities with distinct histories.The book is intended for readers with interests in the indigenous art, religion and society of the ancient Caribbean and more broadly, Latin America.ContentsList of FiguresList of TablesAcknowledgmentsAbbreviations1. Orientation2. The Puerto Plata Style3. Sequencing the Puerto Plata Style4. The Yaguajay Style5. The Madre Vieja Style6. The Comendador Style7. The Cibao Style8. The Luquillo Style9. Imbert and Related Styles10. Miniatures: La Caleta, Altagracia, and Other Styles11. Same Subjects, Additional Styles12. Comparisons13. ConclusionsBibliographyAppendix: Figure Pendants in the Database and in the Sala de Arte Pre-Hispánico 274 pp. Englisch. N° de réf. du vendeur 9789088908705
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This is the first major study of indigenous Caribbean figure pendants, an artistic genre of small carvings of spirit beings worn on the body.This work synthesizes art-historical and anthropological methods in the analysis of a large corpus of indigenous. N° de réf. du vendeur 367983977
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This work synthesizes art-historical and anthropological methods in the analysis of a large corpus of indigenous figure pendants, commonly called ?amulets,? from the Greater Antilles and Bahamas. Figure pendants, ubiquitous in Caribbean collections, are small carvings of spirit beings perforated for suspension against the body. The data are drawn from new photographs, measurements, and observations of 535 specimens compiled by the author during 2011-2018 in research visits to 34 museums and private collections in the Caribbean, the United States, and Europe. In analyzing this corpus, the author documents high stylistic diversity within the region, naming nine new figure pendant styles and situating these in space and time. This high diversity of local styles and subject matter suggests a previously undocumented religious pluralism in the ancient Caribbean, in accord with emergent understandings of cultural and political diversity within the region. The author finds that the subject matter of figure pendants is unconnected with elite cohoba spiritualism as documented ethnohistorically, which leads to a search for what the phenomenon represents socially and religiously. Figure pendants generally are far more common than the paraphernalia of cohoba, probably documenting the existence of a religious institution existing at the village level. The author hypothesizes that they were commissioned from pendant carvers by initiates of secret societies dedicated to healing or warfare. In this scenario, the supernatural subjects of the pendants were the patrons of regional sodalities with distinct histories. The book is intended for readers with interests in the indigenous art, religion and society of the ancient Caribbean and more broadly, Latin America. N° de réf. du vendeur 23237
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Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -This work synthesizes art-historical and anthropological methods in the analysis of a large corpus of indigenous figure pendants, commonly called ¿amulets,¿ from the Greater Antilles and Bahamas. Figure pendants, ubiquitous in Caribbean collections, are small carvings of spirit beings perforated for suspension against the body. The data are drawn from new photographs, measurements, and observations of 535 specimens compiled by the author during 2011-2018 in research visits to 34 museums and private collections in the Caribbean, the United States, and Europe.In analyzing this corpus, the author documents high stylistic diversity within the region, naming nine new figure pendant styles and situating these in space and time. This high diversity of local styles and subject matter suggests a previously undocumented religious pluralism in the ancient Caribbean, in accord with emergent understandings of cultural and political diversity within the region. The author finds that the subject matter of figure pendants is unconnected with elite cohoba spiritualism as documented ethnohistorically, which leads to a search for what the phenomenon represents socially and religiously. Figure pendants generally are far more common than the paraphernalia of cohoba, probably documenting the existence of a religious institution existing at the village level. The author hypothesizes that they were commissioned from pendant carvers by initiates of secret societies dedicated to healing or warfare. In this scenario, the supernatural subjects of the pendants were the patrons of regional sodalities with distinct histories.The book is intended for readers with interests in the indigenous art, religion and society of the ancient Caribbean and more broadly, Latin America.ContentsList of FiguresList of TablesAcknowledgmentsAbbreviations1. Orientation2. The Puerto Plata Style3. Sequencing the Puerto Plata Style4. The Yaguajay Style5. The Madre Vieja Style6. The Comendador Style7. The Cibao Style8. The Luquillo Style9. Imbert and Related Styles10. Miniatures: La Caleta, Altagracia, and Other Styles11. Same Subjects, Additional Styles12. Comparisons13. ConclusionsBibliographyAppendix: Figure Pendants in the Database and in the Sala de Arte Pre-HispánicoBooks on Demand GmbH, Überseering 33, 22297 Hamburg 274 pp. Englisch. N° de réf. du vendeur 9789088908705
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Taschenbuch. Etat : Neu. Caribbean Figure Pendants: Style and Subject Matter | Vernon James Knight | Taschenbuch | 274 S. | Englisch | 2020 | Sidestone Press Academics | EAN 9789088908705 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu Print on Demand. N° de réf. du vendeur 118308656
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Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This work synthesizes art-historical and anthropological methods in the analysis of a large corpus of indigenous figure pendants, commonly called 'amulets,' from the Greater Antilles and Bahamas. Figure pendants, ubiquitous in Caribbean collections, are small carvings of spirit beings perforated for suspension against the body. The data are drawn from new photographs, measurements, and observations of 535 specimens compiled by the author during 2011-2018 in research visits to 34 museums and private collections in the Caribbean, the United States, and Europe.In analyzing this corpus, the author documents high stylistic diversity within the region, naming nine new figure pendant styles and situating these in space and time. This high diversity of local styles and subject matter suggests a previously undocumented religious pluralism in the ancient Caribbean, in accord with emergent understandings of cultural and political diversity within the region. The author finds that the subject matter of figure pendants is unconnected with elite cohoba spiritualism as documented ethnohistorically, which leads to a search for what the phenomenon represents socially and religiously. Figure pendants generally are far more common than the paraphernalia of cohoba, probably documenting the existence of a religious institution existing at the village level. The author hypothesizes that they were commissioned from pendant carvers by initiates of secret societies dedicated to healing or warfare. In this scenario, the supernatural subjects of the pendants were the patrons of regional sodalities with distinct histories.The book is intended for readers with interests in the indigenous art, religion and society of the ancient Caribbean and more broadly, Latin America.ContentsList of FiguresList of TablesAcknowledgmentsAbbreviations1. Orientation2. The Puerto Plata Style3. Sequencing the Puerto Plata Style4. The Yaguajay Style5. The Madre Vieja Style6. The Comendador Style7. The Cibao Style8. The Luquillo Style9. Imbert and Related Styles10. Miniatures: La Caleta, Altagracia, and Other Styles11. Same Subjects, Additional Styles12. Comparisons13. ConclusionsBibliographyAppendix: Figure Pendants in the Database and in the Sala de Arte Pre-Hispánico. N° de réf. du vendeur 9789088908705
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