New technological media such as film, photography and computers have altered the way we perceive possible relations between stillness and motion in the visual arts. Traditionally, cinema theory saw cinema and especially the 'illusion of motion' as part of the ideological swindle of the basic cinematic apparatus. This collection of essays by acclaimed international scholars including Tom Gunning, Thomas Elsaesser, Mark B.N. Hansen, George Baker, Ina Blom and Christa Blümlinger, starts out from a different premise to analyse stillness and motion as part of a larger ecology of images and media. They argue that the strategic uses of stillness and motion in art and entertainment since the 1850s illuminate and renegotiate urgent issues within both aesthetics, film, art and media history on the one hand, and, on the other, new perspectives on affects, memories and the contemporary patterns of communication and image circulation.
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Eivind Røssaak is associate professor in the research department at the National Library of Norway in Oslo.
Paperback versie, hardback verkrijgbaar onder het ISBN 9789089642134 Het in de jaren zeventig opkomende debat binnen de filmwetenschappen over stilstaand ('still') tegenover bewegend beeld ('moving') werd gevoed door de 'apparatus theory' en het idee van verstilde beweging door belichting. Filmische beweging was een illusie, luidde het axioma; bewe
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. N° de réf. du vendeur M9089642129Z3
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Etat : New. New technological media such as film, photography and computers have altered the way we perceive possible relations between stillness and motion in the visual arts. Traditionally, cinema theory saw cinema and especially the 'illusion of motion' as part of the ideological swindle of the basic cinematic apparatus. This collection of essays by acclaim Series: Film Culture in Transition. Num Pages: 244 pages, 10 black and white illustrations. BIC Classification: APFA. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 166 x 235 x 16. Weight in Grams: 420. . 2012. paperback. Not a first edition copy. . . . Books ship from the US and Ireland. N° de réf. du vendeur 9789089642127
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. New technological media such as film, photography and computers have altered the way we perceive possible relations between stillness and motion in the visual arts. Traditionally, cinema theory saw cinema and especially the 'illusion of motion' as part of the ideological swindle of the basic cinematic apparatus. This collection of essays by acclaim Series: Film Culture in Transition. Num Pages: 244 pages, 10 black and white illustrations. BIC Classification: APFA. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 166 x 235 x 16. Weight in Grams: 420. . 2012. paperback. Not a first edition copy. . . . N° de réf. du vendeur 9789089642127
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