As far as interaction with screens is concerned, the given technology of particular interactive devices entails an ambiguous status of screens: what is shown on the screen has to do with how one interacts with it, that is, we can almost literally see what we are doing. This study is devoted to a theoretical exploration of intersections between mobility and visuality from a historical-comparative perspective, addressing the mobility of visual experience and the screen-based access to such experiences in a range of case studies. The author develops the concept through five chapters and analyzes a variety of contemporary screen technologies and the cultural practices involving these screen-based configurations - the ways in which we engage with screens as interfaces with spatial, temporal, and haptic experiences.
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Nanna Verhoeff is associate professor of comparative media studies at Utrecht University. She is the author of The West in Early Cinema: After the Beginning, also with Amsterdam University Press.
Deze studie geeft een terugblik op vormen van schermmedia; van het negentiende--eeuwse panorama en het begin van de film, via snelwegpanorama's, schermen op straat, naar touchscreen-kunstinstallaties, draagbare spelcomputers en smartphones van vandaag de dag. Hoe kunnen we deze nieuwe technologieen bestuderen, in het licht van de voorgangers die ze
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