Conversations with Christian Metz - Couverture souple

 
9789089648259: Conversations with Christian Metz
Couverture souple
ISBN 10 : 9089648259 ISBN 13 : 9789089648259
Editeur : Routledge, 2017

Synopsis

From 1968 to 1991 the acclaimed film theorist Christian Metz wrote several remarkable books on film theory: Essais sur la signification au cinema, tome 1 et 2; Langage et cinéma; Le signifiant imaginaire; and L'Enonciation impersonnelle. These books set the agenda of academic film studies during its formative period. Metz's ideas were taken up, digested, refined, reinterpreted, criticized, and sometimes dismissed, but rarely ignored.

This volume collects and translates into English for the first time a series of interviews with Metz, who offers readable summaries, elaborations, and explanations of his sometimes complex and demanding theories of film. He speaks informally of the most fundamental concepts that constitute the heart of film theory as an academic discipline - concepts borrowed from linguistics, semiotics, rhetoric, narratology, and psychoanalysis.

Within the colloquial language of the interview, we witness Metz's initial formation, development, and application of these concepts. The interviewers act as curious readers who pose probing questions to Metz about his books, and seek clarification and elaboration of his key concepts. Metz also reveals a series of curious and unusual insights, including the contents of his unpublished (and now apparently 'lost') manuscript, the social networks operative in the French intellectual community during the 1970s and 1980s, Metz's relation to the Filmology movement, and his views on Gilles Deleuze's film theory.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

À propos de l'auteur

Warren Bucklandis Reader in Film Studies at Oxford Brookes University. He is the author/editor of ten books, including The Routledge Encyclopedia of Film Theory (with Edward Branigan, 2013), Film Theory: Rational Reconstructions (2012), and The Cognitive Semiotics of Film (2000).

Daniel Fairfax is a doctoral candidate in Film Studies and Comparative Literature at Yale University and a regular contributor to Senses of Cinema.

À propos de la quatrième de couverture

From 1968 to 1991 the acclaimed film theorist Christian Metz wrote several remarkable books on film theory: Essais sur la signification au cinema, tome 1 et 2; Langage et cinéma; Le signifiant imaginaire; and L'Enonciation impersonnelle. These books set the agenda of academic film studies during its formative period. Metz's ideas were taken up, digested, refined, reinterpreted, criticized, and sometimes dismissed, but rarely ignored.

This volume collects and translates into English for the first time a series of interviews with Metz, who offers readable summaries, elaborations, and explanations of his sometimes complex and demanding theories of film. He speaks informally of the most fundamental concepts that constitute the heart of film theory as an academic discipline - concepts borrowed from linguistics, semiotics, rhetoric, narratology, and psychoanalysis.

Within the colloquial language of the interview, we witness Metz's initial formation, development, and application of these concepts. The interviewers act as curious readers who pose probing questions to Metz about his books, and seek clarification and elaboration of his key concepts. Metz also reveals a series of curious and unusual insights, including the contents of his unpublished (and now apparently 'lost') manuscript, the social networks operative in the French intellectual community during the 1970s and 1980s, Metz's relation to the Filmology movement, and his views on Gilles Deleuze's film theory.

À propos de la deuxième de couverture

From 1968 to 1991 the acclaimed film theorist Christian Metz wrote several remarkable books on film theory: Essais sur la signification au cinema, tome 1 et 2; Langage et cinéma; Le signifiant imaginaire; and L'Enonciation impersonnelle. These books set the agenda of academic film studies during its formative period. Metz's ideas were taken up, digested, refined, reinterpreted, criticized, and sometimes dismissed, but rarely ignored. This volume collects and translates into English for the first time a series of interviews with Metz, who offers readable summaries, elaborations, and explanations of his sometimes complex and demanding theories of film. He speaks informally of the most fundamental concepts that constitute the heart of film theory as an academic discipline - concepts borrowed from linguistics, semiotics, rhetoric, narratology, and psychoanalysis. Within the colloquial language of the interview, we witness Metz's initial formation, development, and application of these concepts. The interviewers act as curious readers who pose probing questions to Metz about his books, and seek clarification and elaboration of his key concepts. Metz also reveals a series of curious and unusual insights, including the contents of his unpublished (and now apparently 'lost') manuscript, the social networks operative in the French intellectual community during the 1970s and 1980s, Metz's relation to the Filmology movement, and his views on Gilles Deleuze's film theory.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Éditeur
Routledge
Date d'édition
2017
Langue
anglais
ISBN 10 
9089648259
ISBN 13 
9789089648259
Reliure
Broché
Nombre de pages
310
Éditeur
Buckland Warren, Fairfax Daniel
Coordonnées du fabricant
non disponible
Personne responsable
gpsr@libri.de
gpsr@libri.de

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