The book presents an interdisciplinary collection of analyses that discuss the impact of market economy on our culture in the post-Berlin Wall era. It contains two parts. The first focuses on the commercialisation of science and education. The second elaborates on the multiple and diverse relation between art and capital.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Robrecht Vanderbeeken received his Ph-D in philosophy at Ghent University in 2003 on a subject in philosophy of science (i.e. the explanation of human action). Afterwards he was a researcher at the theory department of the Jan van Eyck Academie in Maastricht. During this two-year-project he worked on the philosophy of G. Deleuze and S. Zizek. From 2005 till 2007 he was a postdoctoral fellow at the philosophy department of Ghent University working on topics in analytic metaphysics and technoscience critique. His current areas of research are the philosophical implications of media art, the interpretation of video art.
Christel Stalpaert is professor at the Department of Performance Studies and Film at the University of Ghent (Belgium). Her main field of study is performing arts at the crossroads of Gilles Deleuze's aesthetics of intensities and Luce Irigaray's corporeal philosophy.
Frederik Le Roy is a PhD student affiliated with the Department of Performance Studies and Film at Ghent University. He holds degrees from the Catholic University of Leuven (licentiate in Philosophy, 2003) and Ghent University (candidate in Philosophy, 2001; licentiate in Theatre Studies, 2005). During the spring semester of 2006 he was a visiting research student at the Department of Theatre, Dance and Performance Studies of UC Berkeley. His research, which is funded by the Flemish Research Foundation (PhD fellowship - FWO-Vlaanderen), explores ways in which traditional concepts and methods of history are put into question by aesthetic and performative means in contemporary performing arts.
Diederik Aerts is professor at the 'Brussels Free University' and director of the 'Leo Apostel Centre (CLEA)', an interdisciplinary and interuniversity (VUB, UGent, KULeuven) research centre, where researchers of different disciplines work on interdisciplinary projects. He is also head of the research group 'Foundations of the ExactSciences (FUND)' at the VUB. He is secretary of the 'International Quantum Structures Association (IQSA)' and editor of the international journal 'Foundations of Science (FOS)'. He is a board member of the 'Worldviews group', founded by the philosopher Leo Apostel, which investigates the possibility of constructing integrated worldviews, taking into account the recent scientific findings. He was the scientific and artistic coordinator of the 'Einstein meets Magritte' conference, where the world's leading scientists and artists gathered to reflect about science, nature, human action and society.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
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Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This interdisciplinary collection of analyses discusses the impact of market economy on art and science in the post-wall era. The first part, Science for Sale, focuses on the new alliances of contemporary science and education with commercial funding and the commodification of knowledge. Do economical powers eclipse of freedom of knowledge When science and education become enterprises, what are the risks for a sell out of patented knowledge, a rhetoric abuse for business purposes or a commercialisation of symbolic power The second part, Buy Buy Art, elaborates on the multiple and ambiguous relation between art and capital. Contemporary art claims to be autonomous. But art costs money and artists cannot live from their love for art alone. How do artists respond to the increase of economical conditions in our culture in general and the art market in particular If works of art become investments, can art still be critical with respect to economical injustice What role is there left for the artist in a global late capitalist society 204 pp. Englisch. N° de réf. du vendeur 9789400720817
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Gebunden. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. State of the art analyses of the contemporary relation between economy and academic researchCritical overview of how artists deal with the multiple relation between art and marketinterdisciplinary study of contemporary Western culture in a . N° de réf. du vendeur 5825772
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Buch. Etat : Neu. Drunk on Capitalism. An Interdisciplinary Reflection on Market Economy, Art and Science | Robrecht Vanderbeeken (u. a.) | Buch | Einstein Meets Magritte: An Interdisciplinary Reflection on Science, Nature, Art, Human Action and Society | xxiv | Englisch | 2011 | Springer | EAN 9789400720817 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu Print on Demand. N° de réf. du vendeur 106952752
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Buch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -The book presents an interdisciplinary collection of analyses that discuss the impact of market economy on our culture in the post-Berlin Wall era. It contains two parts. The first focuses on the commercialisation of science and education. The second elaborates on the multiple and diverse relation between art and capital.Springer-Verlag KG, Sachsenplatz 4-6, 1201 Wien 204 pp. Englisch. N° de réf. du vendeur 9789400720817
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