Waarom maakt een fotograaf net die ene foto? Wat zorgt ervoor dat wij zo geraakt worden door net dat ene beeld? Fotografie beïnvloedt de manier waarop we naar de werkelijkheid kijken. De realiteit ziet er anders uit door een cameralens of op een foto; de visie van de fotograaf bepaalt het beeld. The Eye of the Photographer illustreert hoe fotografen van vroeger en nu te werk gaan. Naar gelang de fotografische blik - objectiverend of subjectiverend, publiek of privaat - krijgt de lezer verschillende interpretaties van de werkelijkheid te zien. The Eye of the Photographer werpt een nieuwe, thematische blik op de geschiedenis van de fotografie. Deze uitgave bevat ruim 150 hoogtepunten uit de rijke en internationale foto- en cameracollectie van het FoMu, waaronder Édouard Baldus, Dirk Braeckman, Claude Cahun, Robert Capa, Henri Cartier-Bresson, Robert Doisneau, Francis Frith, William Klein, Eadweard Muybridge, Nadar, Stephen Shore, Edward Steichen, Alfred Stieglitz en anderen. Daarnaast beschrijft het boek de werking van de belangrijkste cameratypes en biedt het een overzichtelijke tijdslijn waarin de meest voorkomende fotografische technieken worden uitgelegd in de context van de technologische evolutie. Photography influences the way we look at reality. When seen through a camera lens, or in a photograph, the world looks different; the vision of the photographer determines the image. The Eye of the Photographer illustrates how photographers, both past and present, have worked. According to the photographic perspective - objectifying or subjectifying, public or private - the reader is presented with different interpretations of reality. The Eye of the Photographer takes a new, thematic look at the history of photography. This publication contains over 150 highlights from the rich and international photography and camera collection of FoMu, including work by Édouard Baldus, Dirk Braeckman, Claude Cahun, Robert Capa, Henri Cartier-Bresson, Robert Doisneau, Francis Frith, William Klein, Eadweard Muybridge, Nadar, Stephen Shore, Edward Steichen, Alfred Stieglitz and others. In addition, the book describes how the main camera types function and offers a well-organized timeline in which the most common photographic techniques are explained in the context of the technological evolution.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Waarom maakt een fotograaf net die ene foto? Wat zorgt ervoor dat wij zo geraakt worden door net dat ene beeld? Fotografie beïnvloedt de manier waarop we naar de werkelijkheid kijken. De realiteit ziet er anders uit door een cameralens of op een foto; de visie van de fotograaf bepaalt het beeld. The Eye of the Photographer illustreert hoe fotografen van vroeger en nu te werk gaan. Naar gelang de fotografische blik - objectiverend of subjectiverend, publiek of privaat - krijgt de lezer verschillende interpretaties van de werkelijkheid te zien. The Eye of the Photographer werpt een nieuwe, thematische blik op de geschiedenis van de fotografie. Deze uitgave bevat ruim 150 hoogtepunten uit de rijke en internationale foto- en cameracollectie van het FoMu, waaronder Édouard Baldus, Dirk Braeckman, Claude Cahun, Robert Capa, Henri Cartier-Bresson, Robert Doisneau, Francis Frith, William Klein, Eadweard Muybridge, Nadar, Stephen Shore, Edward Steichen, Alfred Stieglitz en anderen. Daarnaast beschrijft het boek de werking van de belangrijkste cameratypes en biedt het een overzichtelijke tijdslijn waarin de meest voorkomende fotografische technieken worden uitgelegd in de context van de technologische evolutie. Photography influences the way we look at reality. When seen through a camera lens, or in a photograph, the world looks different; the vision of the photographer determines the image. The Eye of the Photographer illustrates how photographers, both past and present, have worked. According to the photographic perspective - objectifying or subjectifying, public or private - the reader is presented with different interpretations of reality. The Eye of the Photographer takes a new, thematic look at the history of photography. This publication contains over 150 highlights from the rich and international photography and camera collection of FoMu, including work by Édouard Baldus, Dirk Braeckman, Claude Cahun, Robert Capa, Henri Cartier-Bresson, Robert Doisneau, Francis Frith, William Klein, Eadweard Muybridge, Nadar, Stephen Shore, Edward Steichen, Alfred Stieglitz and others. In addition, the book describes how the main camera types function and offers a well-organized timeline in which the most common photographic techniques are explained in the context of the technological evolution.
Waarom maakt een fotograaf net die ene foto? Wat zorgt ervoor dat wij zo geraakt worden door net dat ene beeld? Fotografie beïnvloedt de manier waarop we naar de werkelijkheid kijken. De realiteit ziet er anders uit door een cameralens of op een foto; de visie van de fotograaf bepaalt het beeld. The Eye of the Photographer illustreert hoe fotografen van vroeger en nu te werk gaan. Naar gelang de fotografische blik - objectiverend of subjectiverend, publiek of privaat - krijgt de lezer verschillende interpretaties van de werkelijkheid te zien. The Eye of the Photographer werpt een nieuwe, thematische blik op de geschiedenis van de fotografie. Deze uitgave bevat ruim 150 hoogtepunten uit de rijke en internationale foto- en cameracollectie van het FoMu, waaronder Édouard Baldus, Dirk Braeckman, Claude Cahun, Robert Capa, Henri Cartier-Bresson, Robert Doisneau, Francis Frith, William Klein, Eadweard Muybridge, Nadar, Stephen Shore, Edward Steichen, Alfred Stieglitz en anderen. Daarnaast beschrijft het boek de werking van de belangrijkste cameratypes en biedt het een overzichtelijke tijdslijn waarin de meest voorkomende fotografische technieken worden uitgelegd in de context van de technologische evolutie. Photography influences the way we look at reality. When seen through a camera lens, or in a photograph, the world looks different; the vision of the photographer determines the image. The Eye of the Photographer illustrates how photographers, both past and present, have worked. According to the photographic perspective - objectifying or subjectifying, public or private - the reader is presented with different interpretations of reality. The Eye of the Photographer takes a new, thematic look at the history of photography. This publication contains over 150 highlights from the rich and international photography and camera collection of FoMu, including work by Édouard Baldus, Dirk Braeckman, Claude Cahun, Robert Capa, Henri Cartier-Bresson, Robert Doisneau, Francis Frith, William Klein, Eadweard Muybridge, Nadar, Stephen Shore, Edward Steichen, Alfred Stieglitz and others. In addition, the book describes how the main camera types function and offers a well-organized timeline in which the most common photographic techniques are explained in the context of the technological evolution.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. At the end of 2011, the exhibition FoMu: the collection opened. It presented an outstanding selection of works from the collections of the FotoMuseum Antwerp (FoMu), after years of relative invisibility. An entire wing of the museum building is devoted to an impressive ensemble of masterpieces, interspersed with unknown gems. FoMu has produced this publication, to document this wonderful anthology. Making a choice from the multitude of photographic prints, negatives (some 500,000 pieces in total) and cameras (around 23,000 examples) owned by the museum was no mean feat. In the space of fifty years, FoMu has assembled a collection of international importance. Virtually all camera types and technical innovations are represented. The collection of photographs has also greatly expanded and diversified. The presentation of the collection is thematic rather than strictly chronological, and takes 'the eye of the photographer' as a starting point. This book mirrors the exhibition and presents four possible photographic visions: the objectifying versus the subjective gaze, and the public versus the private. Each of the four photographic gazes is extensively illustrated with both photographic images and cameras. All those who read the images closely will immediately see how rich and layered the medium of photography is. This book constitutes the first in what will become a series of publications about the FoMu collection - a collection that is so large and diverse that a single catalogue cannot possibly suffice. Text in English & Dutch. SELLING POINTS: A new, thematically ordered history of photography, illustrated with photos of the FoMu in Antwerp THE EYE OF THE PHOTOGRAPHER illustrates how photographers work. Photography can be objective or subjective, public or private; four different interpretations of reality FoMu is one of the most important photography museums in Europe With works by Eduard Baldus, Francis Frith, Edward Muybridge, August Sander, Stephen Shore, Edward Steichen, Alfred Stieglitz, Man Ray, William Klein, Claude Cahun, Henri Cartier-Bresson, Robert Capa, Irving Penn, Weegee, Robert Doisneau and others ILLUSTRATIONS: 100 colour & 100 b/w photographs A new, thematically ordered history of photography, illustrated with photos of the FoMu in Antwerp. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9789401405041
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Paperback. Etat : new. Paperback. At the end of 2011, the exhibition FoMu: the collection opened. It presented an outstanding selection of works from the collections of the FotoMuseum Antwerp (FoMu), after years of relative invisibility. An entire wing of the museum building is devoted to an impressive ensemble of masterpieces, interspersed with unknown gems. FoMu has produced this publication, to document this wonderful anthology. Making a choice from the multitude of photographic prints, negatives (some 500,000 pieces in total) and cameras (around 23,000 examples) owned by the museum was no mean feat. In the space of fifty years, FoMu has assembled a collection of international importance. Virtually all camera types and technical innovations are represented. The collection of photographs has also greatly expanded and diversified. The presentation of the collection is thematic rather than strictly chronological, and takes 'the eye of the photographer' as a starting point. This book mirrors the exhibition and presents four possible photographic visions: the objectifying versus the subjective gaze, and the public versus the private. Each of the four photographic gazes is extensively illustrated with both photographic images and cameras. All those who read the images closely will immediately see how rich and layered the medium of photography is. This book constitutes the first in what will become a series of publications about the FoMu collection - a collection that is so large and diverse that a single catalogue cannot possibly suffice. Text in English & Dutch. SELLING POINTS: A new, thematically ordered history of photography, illustrated with photos of the FoMu in Antwerp THE EYE OF THE PHOTOGRAPHER illustrates how photographers work. Photography can be objective or subjective, public or private; four different interpretations of reality FoMu is one of the most important photography museums in Europe With works by Eduard Baldus, Francis Frith, Edward Muybridge, August Sander, Stephen Shore, Edward Steichen, Alfred Stieglitz, Man Ray, William Klein, Claude Cahun, Henri Cartier-Bresson, Robert Capa, Irving Penn, Weegee, Robert Doisneau and others ILLUSTRATIONS: 100 colour & 100 b/w photographs A new, thematically ordered history of photography, illustrated with photos of the FoMu in Antwerp. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9789401405041
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Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
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