Articles liés à Lace
Synopsis
Lace s\x27intéresse aux développements de la dentelle à Anvers, de son appartion au XVIIIe siècle à ses formes les contemporaines. La finesse de sa texture et de sa fabrication en fond un matériau de choix pour les styliste, qui joue sur le rapport entre textile et espace. Ce catalogue contient notamment nombres de pièces rares et précieuses produites à Anvers, et un regard sur les techniques contemporaines telles que l\x27impression 3D.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
À propos de l'auteur
Frieda Sorber is the curator of the historical collection of the Fashion Museum (ModeMuseum, or MoMu) in Antwerp. In 1976 she obtained her master's degree in Art History and Archaeology, after which she started working as the curator of the provincial Costume and Textiles Museum in Vrieselhof, Antwerp. Her research ranges from the European Middle Ages to the early 20th century, and to fieldwork in North Africa, Indonesia, South America, Central Asia, Japan and China. Kaat Debo has been the director of MoMu since 2008. She is an expert in Belgian fashion and has curated more than 20 exhibitions.
À propos de la quatrième de couverture
With 'P.LACE.S - Looking Through Flemish Lace', MoMu - Fashion Museum Antwerp highlights the socio-economic and artistic importance of the lace that was long created and traded in Antwerp. By bringing together and contextualizing historical lace, paintings and archival documents from European and American collections, this book and the corresponding exhibition reveal how, for centuries, Flemish lace was a prominent presence in fashion, interior design and religion.
MoMu, moreover, presents this rich history in an exciting dialogue with contemporary, often high-tech fashion creations that specifically refer to lace in form or concept.
From the mid-sixteenth to the mid eighteenth century, Antwerp played a leading role in the creation and distribution of lace - without the city's name being attached to any single type of lace. Fired by an inspired mercantile spirit, lace production of all kinds was developed and sold to a diverse and international clientele, as Antwerp adapted to the specific needs of the importing countries. In contrast to Brussels, Bruges or Mechelen, for example, this lack of 'name branding' is one of the reasons why publications on lace often only mention Antwerp in passing. 'P.LACE.S - Looking Through Flemish Lace' highlights the vital role the city played in the production and trade of lace.
In the corresponding exhibition, 'P.LACE.S - Looking Through Antwerp Lace', from 24 September 2021 to 2 January 2022, MoMu highlights and connects five historical locations - or 'places' - in Antwerp that were essential to this tale.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Résultats de recherche pour Lace
Image d'archives
Places: Looking Through Flemish Lace
Edité par
Lannoo Publishers, 2021
ISBN 10 : 9401474338
ISBN 13 : 9789401474337
Ancien ou d'occasion
Couverture rigide
Vendeur : ANARTIST, New York, NY, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Hardcover without dustjacket as issued, 256 pages, small crimps to right corners of covers; otherwise as new condition; clean and crisp; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur PlDeLa45
Acheter D'occasion
EUR 41,58
Expédition à EUR 4,49
Expédition nationale : Etats-Unis
Expédition nationale : Etats-Unis
Quantité disponible : 1 disponible(s)
Image fournie par le vendeur
Lace: P.Lace.S - Looking Through Antwerp Lace
Edité par
Lannoo Publishers, 2021
ISBN 10 : 9401474338
ISBN 13 : 9789401474337
Ancien ou d'occasion
Couverture rigide
Vendeur : Book Grocer, Tullamarine, VIC, Australie
Évaluation du vendeur 5 sur 5 étoiles
Hardback. Kaat Debo, Lannoo Publishers. Lace has been a luxury item, sought after by royalty and the aristocracy, since the early 1600s. Fashion has traditionally driven lace production, and in the 17th and 18th centuries the lace trade was a significant contributor to the economies of many European countries. This exhibition catalogue for a show at MoMu, the Antwerp fashion museum, focuses on the venerable tradition of lace-making in Flanders, but places it within the larger context of the history of lace from the 16th century to the present. Historic pieces from international museums, including the Met (New York), the V&A (London) and the Rijksmuseum (Amsterdam) are complemented by contemporary fashion (Van Herpen, Dior, Alaia, Prada, Loewe, Givenchy). These pieces, and their cutting edge production techniques, bring the history of Flemish-made lace up to the 21st century. AUTHOR: Frieda Sorber is the curator of the historical collection of the Fashion Museum (ModeMuseum, or MoMu) in Antwerp. In 1976 she obtained her master's degree in Art History and Archaeology, after which she started working as the curator of the provincial Costume and Textiles Museum in Vrieselhof, Antwerp. Her research ranges from the European Middle Ages to the early 20th century, and to fieldwork in North Africa, Indonesia, South America, Central Asia, Japan and China. Kaat Debo has been the director of MoMu since 2008. She is an expert in Belgian fashion and has curated more than 20 exhibitions. SELLING POINTS: . With a focus on lace-making in Flanders, this sweeping history of lace documents an exhibition at MoMu, the Antwerp fashion museum . Explores lace-making techniques from the 16th century to the present, from meticulous handicraft to laser-cut 3D design . Includes historical pieces from world-renowned institutions, such as the Metropolitan Museum of Art in New York, the V&A Museum in London and the Rijksmuseum in Amsterdam 200 colour, 75 b/w illustrations. Hardback. N° de réf. du vendeur 9789401474337-RETAIL
Acheter D'occasion
EUR 67,43
Expédition à EUR 26,91
Expédition depuis Australie vers Etats-Unis
Expédition depuis Australie vers Etats-Unis
Quantité disponible : 1 disponible(s)