Garrett Bradley explores how images help shape our view of the world. She is particularly interested in the ways America is represented through visual culture. Spanning narrative, documentary, and experimental forms of filmmaking, the publication Garrett Bradley reflects the artist’s turn towards abstraction and the increasingly sculptural nature of her work. Her work invites us to take a step back and consider the question: what are we actually looking at? In doing so, Bradley makes the viewer aware of the pitfalls of representation and unpacks the mechanisms that influence how we perceive ourselves and others.
With a rich selection of film stills and contributions by Rebecca Matalon (curator Contemporary Arts Museum Houston) and Vincent van Velsen (Head of Exhibitions at Eye), this publication offers not only insight into Bradley’s oeuvre, but also into the mechanisms that shape our perception.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Garrett Bradley explores how images help shape our view of the world. She is particularly interested in the ways America is represented through visual culture. Spanning narrative, documentary, and experimental forms of filmmaking, the publication Garrett Bradley reflects the artist’s turn towards abstraction and the increasingly sculptural nature of her work. Her work invites us to take a step back and consider the question: what are we actually looking at? In doing so, Bradley makes the viewer aware of the pitfalls of representation and unpacks the mechanisms that influence how we perceive ourselves and others.
With a rich selection of film stills and contributions by Rebecca Matalon (curator Contemporary Arts Museum Houston) and Vincent van Velsen (Head of Exhibitions at Eye), this publication offers not only insight into Bradley’s oeuvre, but also into the mechanisms that shape our perception.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. A contemporary critical examination of film history from the visionary behind the Academy Award-nominated documentary TimeNew York-born, New Orleans-based filmmaker Garrett Bradley (born 1986) explores how images help shape our view of the world. She is particularly interested in the ways America is represented through visual culture. Spanning narrative, documentary and experimental forms of filmmaking, Revolutions reflects the artist's turn towards abstraction and the increasingly sculptural nature of her work. Her work invites us to take a step back and consider the question: what are we actually looking at? In doing so, Bradley makes the viewer aware of the pitfalls of representation and unpacks the mechanisms that influence how we perceive ourselves and others. With a rich selection of film stills and contributions by curators Rebecca Matalon and Vincent van Velsen, this publication offers not only insight into Bradley's oeuvre, but also into the mechanisms that shape our perception. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9789462089327
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Taschenbuch. Etat : Neu. Neuware - A contemporary critical examination of film history from the visionary behind the Academy Award-nominated documentary TimeNew York-born, New Orleans-based filmmaker Garrett Bradley (born 1986) explores how images help shape our view of the world. She is particularly interested in the ways America is represented through visual culture. Spanning narrative, documentary and experimental forms of filmmaking, Revolutions reflects the artist's turn towards abstraction and the increasingly sculptural nature of her work. Her work invites us to take a step back and consider the question: what are we actually looking at In doing so, Bradley makes the viewer aware of the pitfalls of representation and unpacks the mechanisms that influence how we perceive ourselves and others. With a rich selection of film stills and contributions by curators Rebecca Matalon and Vincent van Velsen, this publication offers not only insight into Bradley's oeuvre, but also into the mechanisms that shape our perception. N° de réf. du vendeur 9789462089327
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Paperback. Etat : new. Paperback. A contemporary critical examination of film history from the visionary behind the Academy Award-nominated documentary TimeNew York-born, New Orleans-based filmmaker Garrett Bradley (born 1986) explores how images help shape our view of the world. She is particularly interested in the ways America is represented through visual culture. Spanning narrative, documentary and experimental forms of filmmaking, Revolutions reflects the artist's turn towards abstraction and the increasingly sculptural nature of her work. Her work invites us to take a step back and consider the question: what are we actually looking at? In doing so, Bradley makes the viewer aware of the pitfalls of representation and unpacks the mechanisms that influence how we perceive ourselves and others. With a rich selection of film stills and contributions by curators Rebecca Matalon and Vincent van Velsen, this publication offers not only insight into Bradley's oeuvre, but also into the mechanisms that shape our perception. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9789462089327
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