- considers the relationship of El Greco, Velázquez, and Rembrandt to Italy in more neutral terms than has been traditional, with Italy neither the epitome of style against which all should be judged, nor the proverbial elephant in the room, ignored so as to craft national histories sealed off from the world around. - considers anew the relationship of art writing to art production. - expands our understanding of how our response to works of visual art is not necessarily limited to the sense of sight, but can also encompass touch.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Giles Knox is Associate Professor in the Department of Art History at Indiana University. He has edited, together with Tanya J. Tiffany: Velázquez Re-Examined: Theory, History, Poetry, and Theatre, Brepols, 2017. He is the author of The Late Paintings of Velázquez: Theorizing Painterly Performance, Ashgate, 2009.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Marcus Campbell Art Books, London, Royaume-Uni
Hardcover. Etat : Near fine. No dj, as issued. First Edition. 17 x 25cm 233pp several chapters plus black and white reproductions. N° de réf. du vendeur 17274
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Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
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Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : New. N° de réf. du vendeur 35914991-n
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur FT-9789463725712
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. Giles Knox examines how El Greco, Velaizquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist art histories in order to see the period as one of fruitful exchange. Across Europe during the seventeenth century, artists read Italian-inspired writings on art and these texts informed how they contemplated their practice. Knox demonstrates how these three artists engaged dynamically with these writings, incorporating or rejecting the theoretical premises to which they were exposed. Additionally, this study significantly expands our understanding of how paintings can activate the sense of touch. Knox discusses how Velaizquez and Rembrandt, though in quite different ways, sought to conjure for viewers thoughts about touching that resonated directly with the subject matter they depicted. Giles Knox examines how El Greco, Velaizquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9789463725712
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Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 35914991
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. N° de réf. du vendeur 389541411
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Vendeur : Books Puddle, Woodside, NY, Etats-Unis
Etat : New. Illustrated edition NO-PA16APR2015-KAP. N° de réf. du vendeur 26390091260
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