This is the first study to focus on ikat of the Timor region from a technical perspective, including microscopy and design analysis of asymmetry, an understudied subject. Paradoxically this technical perspective highlights the human factor. Focused on the last century of the colonial period, we see the weaver’s decisions in close-up, as if we are sitting next to her. This yields rich insights, not just in materiality, but also in the weavers’ creativity.
Asymmetry is widely distributed in the region, yet has largely been ignored. This is curious, because asymmetry is highly interesting: it goes against ikat’s technical diktat (which prescribes the production of two identical panels in parallel), hence requires extra work. Seven distinct ways to achieve asymmetry are differentiated, including visual tricks and illusions, flagrant displays of virtuosity and intellectual superiority. On Sumba, women of the nobility made thrilling and amusing efforts to hide their virtuosity, dyeing into their men’s cloths tiny visual devices, secret keys, which revealed that their work was not just good, but luar biasa, out of the ordinary. Ironically, because these late 19th- and early 20th-century dyers were such great masters at hiding their virtuosity, it remained overlooked by generations of researchers.
Taking up Marie Jeanne Adams’s 1969 call, so far unheeded, to deepen the study of Indonesian ikat textiles by means of microscopy, the author shot thousands of micro-photographs, allowing a study of yarn development over time, as well as the differentiation of 21 distinct weave types, a number far exceeding expectation, and their distribution across 41 ikat weaving regions in the Indonesian archipelago.
In the final chapter the author analyses what may have spurred the weavers of the region to create their most intricate, most time consuming, feats of artistry, and develops a view of these women as far more inventive and intelligent than they have been credited with before – and more assertive, using ikat’s prestige to spin their men into a web of taboos and prescriptions.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
From 1968 to 1971 Dr. Peter ten Hoopen lived in and travelled through the Middle East and South Asia, conducting journalistic research and recording ethnic music in Afghanistan, now curated by the Smithsonian Institution (Washington, DC). During his extensive travels in 65 countries in subsequent years he witnessed the ongoing decline of numerous indigenous traditions. This experience affected him deeply and in 1976 led to his initiative to assemble a reference collection of particularly imperilled Indonesian ikat textiles – meticulously documented on a level not previously attempted. Since his retirement in 2010 Peter ten Hoopen has been focussing on documenting of the above-mentioned, by then extensive reference collection of Indonesian ikat textiles. This has led to major exhibitions at the Museu do Oriente in Lisbon (2014-2015 and 2019-2020) and at the Museum and Art Gallery, the University of Hong Kong (2017-2018), for which he authored or edited the catalogues. His collecting and documenting since the mid-1970s culminated in the publication of his Ikat Textiles of the Indonesian Archipelago (2018) and the research reported in the present PhD thesis.
This is the first study to focus on ikat of the Timor region from a technical perspective, including microscopy and design analysis of asymmetry, an understudied subject. Paradoxically this technical perspective highlights the human factor. Focused on the last century of the colonial period, we see the weaver’s decisions in close-up, as if we are sitting next to her. This yields rich insights, not just in materiality, but also in the weavers’ creativity.
Asymmetry is widely distributed in the region, yet has largely been ignored. This is curious, because asymmetry is highly interesting: it goes against ikat’s technical diktat (which prescribes the production of two identical panels in parallel), hence requires extra work. Seven distinct ways to achieve asymmetry are differentiated, including visual tricks and illusions, flagrant displays of virtuosity and intellectual superiority. On Sumba, women of the nobility made thrilling and amusing efforts to hide their virtuosity, dyeing into their men’s cloths tiny visual devices, secret keys, which revealed that their work was not just good, but luar biasa, out of the ordinary. Ironically, because these late 19th- and early 20th-century dyers were such great masters at hiding their virtuosity, it remained overlooked by generations of researchers.
Taking up Marie Jeanne Adams’s 1969 call, so far unheeded, to deepen the study of Indonesian ikat textiles by means of microscopy, the author shot thousands of micro-photographs, allowing a study of yarn development over time, as well as the differentiation of 21 distinct weave types, a number far exceeding expectation, and their distribution across 41 ikat weaving regions in the Indonesian archipelago.
In the final chapter the author analyses what may have spurred the weavers of the region to create their most intricate, most time consuming, feats of artistry, and develops a view of these women as far more inventive and intelligent than they have been credited with before – and more assertive, using ikat’s prestige to spin their men into a web of taboos and prescriptions.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The first technical study on ikat of the Timor region.This is the first study to focus on ikat of the Timor region from a technical perspective, including microscopy and design analysis of asymmetry, an understudied subject. Paradoxically this technical. N° de réf. du vendeur 497307957
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Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This is the first study to focus on ikat of the Timor region from a technical perspective, including microscopy and design analysis of asymmetry, an understudied subject. Paradoxically this technical perspective highlights the human factor. Focused on the last century of the colonial period, we see the weaver's decisions in close-up, as if we are sitting next to her. This yields rich insights, not just in materiality, but also in the weavers' creativity.Asymmetry is widely distributed in the region, yet has largely been ignored. This is curious, because asymmetry is highly interesting: it goes against ikat's technical diktat (which prescribes the production of two identical panels in parallel), hence requires extra work. Seven distinct ways to achieve asymmetry are differentiated, including visual tricks and illusions, flagrant displays of virtuosity and intellectual superiority. On Sumba, women of the nobility made thrilling and amusing efforts to hide their virtuosity, dyeing into their men's cloths tiny visual devices, secret keys, which revealed that their work was not just good, but luar biasa, out of the ordinary. Ironically, because these late 19th- and early 20th-century dyers were such great masters at hiding their virtuosity, it remained overlooked by generations of researchers.Taking up Marie Jeanne Adams's 1969 call, so far unheeded, to deepen the study of Indonesian ikat textiles by means of microscopy, the author shot thousands of micro-photographs, allowing a study of yarn development over time, as well as the differentiation of 21 distinct weave types, a number far exceeding expectation, and their distribution across 41 ikat weaving regions in the Indonesian archipelago.In the final chapter the author analyses what may have spurred the weavers of the region to create their most intricate, most time consuming, feats of artistry, and develops a view of these women as far more inventive and intelligent than they have been credited with before - and more assertive, using ikat's prestige to spin their men into a web of taboos and prescriptions.ContentsPreface1. Angles of investigation2. Yarn and weave types3. Distribution of shared motifs4. Asymmetry - in defiance of ikat's technical diktat5. Ikat in its social context6. Conclusion: technical research highlights female talents 318 pp. Englisch. N° de réf. du vendeur 9789464280135
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Buch. Etat : Neu. Ikat from Timor and its outer Islands | Peter Ten Hoopen | Buch | Englisch | 2022 | Sidestone Press Dissertations | EAN 9789464280135 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu Print on Demand. N° de réf. du vendeur 120345534
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Buch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -This is the first study to focus on ikat of the Timor region from a technical perspective, including microscopy and design analysis of asymmetry, an understudied subject. Paradoxically this technical perspective highlights the human factor. Focused on the last century of the colonial period, we see the weaver¿s decisions in close-up, as if we are sitting next to her. This yields rich insights, not just in materiality, but also in the weavers¿ creativity.Asymmetry is widely distributed in the region, yet has largely been ignored. This is curious, because asymmetry is highly interesting: it goes against ikat¿s technical diktat (which prescribes the production of two identical panels in parallel), hence requires extra work. Seven distinct ways to achieve asymmetry are differentiated, including visual tricks and illusions, flagrant displays of virtuosity and intellectual superiority. On Sumba, women of the nobility made thrilling and amusing efforts to hide their virtuosity, dyeing into their men¿s cloths tiny visual devices, secret keys, which revealed that their work was not just good, but luar biasa, out of the ordinary. Ironically, because these late 19th- and early 20th-century dyers were such great masters at hiding their virtuosity, it remained overlooked by generations of researchers.Taking up Marie Jeanne Adams¿s 1969 call, so far unheeded, to deepen the study of Indonesian ikat textiles by means of microscopy, the author shot thousands of micro-photographs, allowing a study of yarn development over time, as well as the differentiation of 21 distinct weave types, a number far exceeding expectation, and their distribution across 41 ikat weaving regions in the Indonesian archipelago.In the final chapter the author analyses what may have spurred the weavers of the region to create their most intricate, most time consuming, feats of artistry, and develops a view of these women as far more inventive and intelligent than they have been credited with before ¿ and more assertive, using ikat¿s prestige to spin their men into a web of taboos and prescriptions.ContentsPreface1. Angles of investigation2. Yarn and weave types3. Distribution of shared motifs4. Asymmetry ¿ in defiance of ikat¿s technical diktat5. Ikat in its social context6. Conclusion: technical research highlights female talentsBooks on Demand GmbH, Überseering 33, 22297 Hamburg 318 pp. Englisch. N° de réf. du vendeur 9789464280135
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Buch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This is the first study to focus on ikat of the Timor region from a technical perspective, including microscopy and design analysis of asymmetry, an understudied subject. Paradoxically this technical perspective highlights the human factor. Focused on the last century of the colonial period, we see the weaver's decisions in close-up, as if we are sitting next to her. This yields rich insights, not just in materiality, but also in the weavers' creativity.Asymmetry is widely distributed in the region, yet has largely been ignored. This is curious, because asymmetry is highly interesting: it goes against ikat's technical diktat (which prescribes the production of two identical panels in parallel), hence requires extra work. Seven distinct ways to achieve asymmetry are differentiated, including visual tricks and illusions, flagrant displays of virtuosity and intellectual superiority. On Sumba, women of the nobility made thrilling and amusing efforts to hide their virtuosity, dyeing into their men's cloths tiny visual devices, secret keys, which revealed that their work was not just good, but luar biasa, out of the ordinary. Ironically, because these late 19th- and early 20th-century dyers were such great masters at hiding their virtuosity, it remained overlooked by generations of researchers.Taking up Marie Jeanne Adams's 1969 call, so far unheeded, to deepen the study of Indonesian ikat textiles by means of microscopy, the author shot thousands of micro-photographs, allowing a study of yarn development over time, as well as the differentiation of 21 distinct weave types, a number far exceeding expectation, and their distribution across 41 ikat weaving regions in the Indonesian archipelago.In the final chapter the author analyses what may have spurred the weavers of the region to create their most intricate, most time consuming, feats of artistry, and develops a view of these women as far more inventive and intelligent than they have been credited with before - and more assertive, using ikat's prestige to spin their men into a web of taboos and prescriptions.ContentsPreface1. Angles of investigation2. Yarn and weave types3. Distribution of shared motifs4. Asymmetry - in defiance of ikat's technical diktat5. Ikat in its social context6. Conclusion: technical research highlights female talents. N° de réf. du vendeur 9789464280135
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