To whom does a contemporary art institute belong? How are its stories told and untold? Could a staging of its exhibition history through traces, remains, and scars constitute an act of resistance against the tide of accumulation? This volume records a case study of how Bik Van der Pol created a temporary institute at the invitation of Witte de With director Defne Ayas, a process that gathers and reimagines perspectives on the city of Rotterdam through the art institute and vice versa. The subjective, site-sensitive project involved interviewing artists, staff, and graphic designers, as well as poring over bookshelves and boxes, uncovering both the physical space and dialogues.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
To whom does a contemporary art institute belong? How are its stories told and untold? Could a staging of its exhibition history through traces, remains, and scars constitute an act of resistance against the tide of accumulation? This volume records a case study of how Bik Van der Pol created a temporary institute at the invitation of Witte de With director Defne Ayas, a process that gathers and reimagines perspectives on the city of Rotterdam through the art institute and vice versa. The subjective, site-sensitive project involved interviewing artists, staff, and graphic designers, as well as poring over bookshelves and boxes, uncovering both the physical space and dialogues.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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