How do museums and cinema shape the image of the Communist past in today's Central and Eastern Europe? This volume is the first systematic analysis of how visual techniques are used to understand and put into context the former regimes.
After history "ended" in the Eastern Bloc in 1989, museums and other memorials mushroomed all over the region. These efforts tried both to explain the meaning of this lost history, as well as to shape public opinion on their society's shared post-war heritage. Museums and films made political use of recollections of the recent past, and employed selected museum, memorial, and media tools and tactics to make its political intent historically credible. Thirteen essays from scholars around the region take a fresh look at the subject as they address the strategies of fashioning popular perceptions of the recent past.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Oksana Sarkisova is a Research Archivist at OSA Archivum, Central European University and Program Director of the International Documentary Film Festival Verzió. Péter Apor is permanent research fellow at the Institute of History, Humanities Research Center, Budapest.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Oriental Research Partners, Newtonville, MA, Etats-Unis
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Taschenbuch. Etat : Neu. Neuware - How do post-communist museums and cinema contribute to shaping the image of a communist past in contemporary Central and Eastern Europe This is the first systematic analysis of the use of visual techniques in grasping what the previous regime means. Museums and memorials started mushrooming all over East and Central Europe, in the former communist world, after the past was lost 1989. While reflecting on possible, actual meanings of the lost history the aim of shaping public opinion and discourse of the recent communist past also became apparent. Most of these undertakings--movies included--tried hard to make political use of recollections of the earlier world, and employed select tools from contemporary museological, memorializing and new-media practice to make their politicized intent historically credible. Thirteen essays from scholars in the region deal with the use of new media in shaping and fashioning popular perception of the previous era, and provide a fresh approach to the subject. N° de réf. du vendeur 9789639776050
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