How should colonial film archives be read? How can historians and ethnographers use colonial film as a complement to conventional written sources? Sandeep Ray uses the case of Dutch colonial film in Indonesia to show how a critically, historically, and cinematically informed reading of colonial film in the archive can be a powerful and unexpected source--one that is more accessible than ever today because of digitization. The language of film and the conventions and forms of nonfiction film were still in formation in the first two decades of the twentieth century. Colonialism, Ray shows, was one of the drivers of this development, as the picturing of the native "other" in film was seen as an important tool to build support for missionary and colonial efforts. While social histories of photography in non-European contexts have been an area of great interest in recent years; Celluloid Colony for the first time brings moving images into the same scope of study.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Sandeep Ray is a filmmaker and a historian of Southeast Asia and is senior lecturer at the Singapore University of Technology and Design.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. How should colonial film archives be read? How can historians and ethnographers use colonial film as a complement to conventional written sources? Sandeep Ray uses the case of Dutch colonial film in Indonesia to show how a critically-, historically- and cinematically-informed reading of colonial film in the archive can be a powerful and unexpected source, and one more easily accessible today via digitisation.The language of film and the conventions and forms of non-fiction film were still in formation in the first two decades of the 20th century. Colonialism was one of the drivers of this development, as the picturing of the native "other" in film was seen as an important tool to build support for missionary and colonial efforts. While social histories of photography in non-European contexts have been an area of great interest in recent years; Celluloid Colony brings moving images into the same scope of study. N° de réf. du vendeur LU-9789813251380
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Paperback. Etat : new. Paperback. How should colonial film archives be read? How can historians and ethnographers use colonial film as a complement to conventional written sources? Sandeep Ray uses the case of Dutch colonial film in Indonesia to show how a critically-, historically- and cinematically-informed reading of colonial film in the archive can be a powerful and unexpected source, and one more easily accessible today via digitisation.The language of film and the conventions and forms of non-fiction film were still in formation in the first two decades of the 20th century. Colonialism was one of the drivers of this development, as the picturing of the native "other" in film was seen as an important tool to build support for missionary and colonial efforts. While social histories of photography in non-European contexts have been an area of great interest in recent years; Celluloid Colony brings moving images into the same scope of study. Uses the case of Dutch colonial film in Indonesia to show how a critically-, historically- and cinematically-informed reading of colonial film in the archive can be a powerful and unexpected source, and one more easily accessible today via digitisation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9789813251380
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Vendeur : Asia Bookroom ANZAAB/ILAB, Canberra, ACT, Australie
Black and white photographic illustrations, 218pp, bibliography, index, paperback. "How should colonial film archives be read? How can historians and ethnographers use colonial film as a complement to conventional written sources? Sandeep Ray uses the case of Dutch colonial film in Indonesia to show how a critically-, historically- and cinematically-informed reading of colonial film in the archive can be a powerful and unexpected source, and one more easily accessible today via digitisation. The language of film and the conventions and forms of non-fiction film were still in formation in the first two decades of the 20th century. Colonialism was one of the drivers of this development, as the picturing of the native "other" in film was seen as an important tool to build support for missionary and colonial efforts. While social histories of photography in non-European contexts have been an area of great interest in recent years; Celluloid Colony brings moving images into the same scope of study." (Publisher's description). N° de réf. du vendeur 173667
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