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Synopsis
In the final scenes of Jean Genet's The Balcony, a revolution collapses into farce: the brothel's clients step into the ruined city and are received, without irony, as the very bishop, judge, and general the revolution had just deposed. Costume becomes office; rehearsal becomes government. This book asks how that reversal works, and what it costs. Taking The Balcony as its central case—with The Blacks and The Screens as points of comparison—it argues that Genet's theatre achieves what it calls aesthetic politics: a mode of political effect that operates through the sensory organization of the stage itself, prior to and independent of anything the play says. Drawing on Deleuze and Guattari, Baudrillard, Rancière, and Mouffe, the book traces this mechanism across five sensory categories—identity, time, space, sight, and sound—before asking what its limits are, and what "emancipation" can mean for a theatre that redistributes perception without ever resolving conflict. A study for scholars and students of modern drama, political aesthetics, and performance theory.
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Jean Genet's The Balcony (Paperback)
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Paperback. Etat : new. Paperback. In the final scenes of Jean Genet's The Balcony, a revolution collapses into farce: the brothel's clients step into the ruined city and are received, without irony, as the very bishop, judge, and general the revolution had just deposed. Costume becomes office; rehearsal becomes government. This book asks how that reversal works, and what it costs. Taking The Balcony as its central case-with The Blacks and The Screens as points of comparison-it argues that Genet's theatre achieves what it calls aesthetic politics: a mode of political effect that operates through the sensory organization of the stage itself, prior to and independent of anything the play says. Drawing on Deleuze and Guattari, Baudrillard, Ranciere, and Mouffe, the book traces this mechanism across five sensory categories-identity, time, space, sight, and sound-before asking what its limits are, and what "emancipation" can mean for a theatre that redistributes perception without ever resolving conflict. A study for scholars and students of modern drama, political aesthetics, and performance theory. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9789999352215
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Jean Genet's The Balcony: The Politics of Perception Beyond Representation
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Jean Genet's The Balcony: The Politics of Perception Beyond Representation
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Jean Genet's The Balcony (Paperback)
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Paperback. Etat : new. Paperback. In the final scenes of Jean Genet's The Balcony, a revolution collapses into farce: the brothel's clients step into the ruined city and are received, without irony, as the very bishop, judge, and general the revolution had just deposed. Costume becomes office; rehearsal becomes government. This book asks how that reversal works, and what it costs. Taking The Balcony as its central case-with The Blacks and The Screens as points of comparison-it argues that Genet's theatre achieves what it calls aesthetic politics: a mode of political effect that operates through the sensory organization of the stage itself, prior to and independent of anything the play says. Drawing on Deleuze and Guattari, Baudrillard, Ranciere, and Mouffe, the book traces this mechanism across five sensory categories-identity, time, space, sight, and sound-before asking what its limits are, and what "emancipation" can mean for a theatre that redistributes perception without ever resolving conflict. A study for scholars and students of modern drama, political aesthetics, and performance theory. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9789999352215
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Jean Genet's The Balcony (Paperback)
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Paperback. Etat : new. Paperback. In the final scenes of Jean Genet's The Balcony, a revolution collapses into farce: the brothel's clients step into the ruined city and are received, without irony, as the very bishop, judge, and general the revolution had just deposed. Costume becomes office; rehearsal becomes government. This book asks how that reversal works, and what it costs. Taking The Balcony as its central case-with The Blacks and The Screens as points of comparison-it argues that Genet's theatre achieves what it calls aesthetic politics: a mode of political effect that operates through the sensory organization of the stage itself, prior to and independent of anything the play says. Drawing on Deleuze and Guattari, Baudrillard, Ranciere, and Mouffe, the book traces this mechanism across five sensory categories-identity, time, space, sight, and sound-before asking what its limits are, and what "emancipation" can mean for a theatre that redistributes perception without ever resolving conflict. A study for scholars and students of modern drama, political aesthetics, and performance theory. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9789999352215
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Jean Genet's The Balcony : The Politics of Perception Beyond Representation
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Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In the final scenes of Jean Genet's The Balcony, a revolution collapses into farce: the brothel's clients step into the ruined city and are received, without irony, as the very bishop, judge, and general the revolution had just deposed. Costume becomes office; rehearsal becomes government. This book asks how that reversal works, and what it costs. Taking The Balcony as its central case-with The Blacks and The Screens as points of comparison-it argues that Genet's theatre achieves what it calls aesthetic politics: a mode of political effect that operates through the sensory organization of the stage itself, prior to and independent of anything the play says. Drawing on Deleuze and Guattari, Baudrillard, Rancière, and Mouffe, the book traces this mechanism across five sensory categories-identity, time, space, sight, and sound-before asking what its limits are, and what 'emancipation' can mean for a theatre that redistributes perception without ever resolving conflict. A study for scholars and students of modern drama, political aesthetics, and performance theory. N° de réf. du vendeur 9789999352215
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Jean Genet's The Balcony | The Politics of Perception Beyond Representation
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Taschenbuch. Etat : Neu. Jean Genet's The Balcony | The Politics of Perception Beyond Representation | Wang Xiaoran (u. a.) | Taschenbuch | Englisch | 2026 | Eliva Press | EAN 9789999352215 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. N° de réf. du vendeur 136968995
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