Articles liés à Own the Masters: How the Fights, Buybacks, and Refusals...
Own the Masters: How the Fights, Buybacks, and Refusals Over Recorded Music Built and Broke Fortunes - Couverture souple
Livre 2 sur 3: The Money Playbook
Synopsis
Every song is two pieces of property, and almost nobody outside the music business can name both.
The composition is the song as written. The master is one recorded performance of it. They are owned separately, sold separately, and paid separately, and the seam between them is where fortunes were made and lost.
Own the Masters dissects ten cases in which that seam decided everything. Not biographies. Deal anatomy: who owned what, how the paper was written, what it paid across the decades, and the principle you can use at your own scale.
Inside: the catalog its own writers could not afford to buy back, and the right of first refusal one of them declined. The songwriter who refused to hand over half a copyright and collected eighteen years later. The twenty-year contract war won by a statute rather than a protest. The re-recordings built to compete with the originals. The quiet buybacks that cost a fraction of the public fights. The generation that negotiated ownership at signing. The estates earning more dead than most artists earn alive. The sellers who cashed out at the top and were right. And the fund that bought a century of songs and could not make the price work.
Four moves exist: buy it, refuse to sell it, fight for it, or rebuild it. Each is examined at its clearest, alongside the case for selling everything, because a book about ownership that never argues the other side is advertising.
Every figure is labeled disclosed, reported, or estimated, with ranges where credible sources conflict. No lyrics are reproduced. Where the participants have given incompatible accounts of the same events, all of them appear.
It ends on the gap. Copyright protects the composition and the recording. It does not protect a voice.
The Money Playbook, Book Two.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Résultats de recherche pour Own the Masters: How the Fights, Buybacks, and Refusals...
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Own the Masters (Paperback)
impression à la demandeVendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Paperback. Etat : new. Paperback. Every song is two pieces of property, and almost nobody outside the music business can name both. The composition is the song as written. The master is one recorded performance of it. They are owned separately, sold separately, and paid separately, and the seam between them is where fortunes were made and lost. Own the Masters dissects ten cases in which that seam decided everything. Not biographies. Deal anatomy: who owned what, how the paper was written, what it paid across the decades, and the principle you can use at your own scale. Inside: the catalog its own writers could not afford to buy back, and the right of first refusal one of them declined. The songwriter who refused to hand over half a copyright and collected eighteen years later. The twenty-year contract war won by a statute rather than a protest. The re-recordings built to compete with the originals. The quiet buybacks that cost a fraction of the public fights. The generation that negotiated ownership at signing. The estates earning more dead than most artists earn alive. The sellers who cashed out at the top and were right. And the fund that bought a century of songs and could not make the price work. Four moves exist: buy it, refuse to sell it, fight for it, or rebuild it. Each is examined at its clearest, alongside the case for selling everything, because a book about ownership that never argues the other side is advertising. Every figure is labeled disclosed, reported, or estimated, with ranges where credible sources conflict. No lyrics are reproduced. Where the participants have given incompatible accounts of the same events, all of them appear. It ends on the gap. Copyright protects the composition and the recording. It does not protect a voice. The Money Playbook, Book Two. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9798170135462
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Own the Masters: How the Fights, Buybacks, and Refusals Over Recorded Music Built and Broke Fortunes (The Money Playbook)
impression à la demandeVendeur : California Books, Miami, FL, Etats-Unis
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Own the Masters
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
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PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur L2-9798170135462
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Own the Masters : How the Fights, Buybacks, and Refusals Over Recorded Music Built and Broke Fortunes
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Évaluation du vendeur 5 sur 5 étoiles
Taschenbuch. Etat : Neu. Neuware - Every song is two pieces of property, and almost nobody outside the music business can name both. The composition is the song as written. The master is one recorded performance of it. They are owned separately, sold separately, and paid separately, and the seam between them is where fortunes were made and lost. Own the Masters dissects ten cases in which that seam decided everything. Not biographies. Deal anatomy: who owned what, how the paper was written, what it paid across the decades, and the principle you can use at your own scale. Inside: the catalog its own writers could not afford to buy back, and the right of first refusal one of them declined. The songwriter who refused to hand over half a copyright and collected eighteen years later. The twenty-year contract war won by a statute rather than a protest. The re-recordings built to compete with the originals. The quiet buybacks that cost a fraction of the public fights. The generation that negotiated ownership at signing. The estates earning more dead than most artists earn alive. The sellers who cashed out at the top and were right. And the fund that bought a century of songs and could not make the price work. Four moves exist: buy it, refuse to sell it, fight for it, or rebuild it. Each is examined at its clearest, alongside the case for selling everything, because a book about ownership that never argues the other side is advertising. Every figure is labeled disclosed, reported, or estimated, with ranges where credible sources conflict. No lyrics are reproduced. Where the participants have given incompatible accounts of the same events, all of them appear. It ends on the gap. Copyright protects the composition and the recording. It does not protect a voice. The Money Playbook, Book Two. N° de réf. du vendeur 9798170135462
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EUR 24,67
Expédition à EUR 35
Expédition depuis Allemagne vers Etats-Unis
Expédition depuis Allemagne vers Etats-Unis
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Own the Masters (Paperback)
impression à la demandeVendeur : CitiRetail, Stevenage, Royaume-Uni
Évaluation du vendeur 5 sur 5 étoiles
Paperback. Etat : new. Paperback. Every song is two pieces of property, and almost nobody outside the music business can name both. The composition is the song as written. The master is one recorded performance of it. They are owned separately, sold separately, and paid separately, and the seam between them is where fortunes were made and lost. Own the Masters dissects ten cases in which that seam decided everything. Not biographies. Deal anatomy: who owned what, how the paper was written, what it paid across the decades, and the principle you can use at your own scale. Inside: the catalog its own writers could not afford to buy back, and the right of first refusal one of them declined. The songwriter who refused to hand over half a copyright and collected eighteen years later. The twenty-year contract war won by a statute rather than a protest. The re-recordings built to compete with the originals. The quiet buybacks that cost a fraction of the public fights. The generation that negotiated ownership at signing. The estates earning more dead than most artists earn alive. The sellers who cashed out at the top and were right. And the fund that bought a century of songs and could not make the price work. Four moves exist: buy it, refuse to sell it, fight for it, or rebuild it. Each is examined at its clearest, alongside the case for selling everything, because a book about ownership that never argues the other side is advertising. Every figure is labeled disclosed, reported, or estimated, with ranges where credible sources conflict. No lyrics are reproduced. Where the participants have given incompatible accounts of the same events, all of them appear. It ends on the gap. Copyright protects the composition and the recording. It does not protect a voice. The Money Playbook, Book Two. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9798170135462
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EUR 22,74
Expédition à EUR 43,02
Expédition depuis Royaume-Uni vers Etats-Unis
Expédition depuis Royaume-Uni vers Etats-Unis
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