The Nobel Prize-winning author here adapts Dostoyevsky's masterpiece for the stage--a rousing invective against nihilism that brings together two of the great literary minds of the last two centuries
When Albert Camus first read Dostoyevsky as a twenty-year-old philosophy student, it was a "soul-shaking experience." The Possessed, in particular, had a profound effect on the young writer and thinker, who found in the novel an echo of his own disdain for the philosophy of nihilism and its potentially disastrous effects. "In many ways," he writes in the foreword to the play, "I can claim that I grew up on it and took sustenance from it. For almost twenty years, in any event, I have visualized its characters on the stage." To complete this labor of love, Camus drew on hundreds of pages from Dostoyevsky's The Notebooks for The Possessed, which document the Russian master's torturous writing process, taking care all the while to preserve the "thread of suffering and affection that makes Dostoyevsky's universe so close to each of us." As a result, he breathed new life into the enigmatic Stavrogin, the gentle Shatov, and the God-haunted Kirilov, bringing us face to face with Dostoyevsky's creations. When it was finally performed, in 1959--with Camus himself directing--the play ran to four hours long and was an artistic and technical triumph, featuring thirty-three actors and seven sets. The last finished work before Camus's death, The Possessed stands as an enduring literary statement about human existence in which the conscience of the twentieth century meets and defines in contemporary terms the conscience of the nineteenth century.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Born in Algeria in 1913, ALBERT CAMUS published The Stranger--now one of the most widely read novels of this century--in 1942. He was awarded the Nobel Prize in Literature in 1957. On January 4, 1960, he was killed in a car accident.
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Paperback. Etat : new. Paperback. The Nobel Prizewinning author here adapts Dostoyevskys masterpiece for the stagea rousing invective against nihilism that brings together two of the great literary minds of the last two centuriesWhen Albert Camus first read Dostoevsky as a twenty-year-old philosophy student, it was, he said, a soul-shaking experience. The Possessed, with its disdain for nihilism, became a lifelong touchstone; for almost twenty years, he writes in the foreword to this adaptation, I have visualized its characters on the stage. The enigmatic Stavrogin, the gentle Shatov, and the God-haunted Kirilov are here reinvigorated by Camuss own moral conviction. Drawing on hundreds of pages from Dostoevskys notebooks, he sought to preserve the thread of suffering and affection that makes Dostoevskys universe so close to each of us.The last finished work before Camuss death, The Possessed premiered in 1959with Camus himself directing. The play ran for four hours, with thirty-three actors and seven sets, and was an artistic and technical triumph. More than six decades later, its themes of political violence and ideological extremism are no less potent. As Adam Gopnik concludes in a new introduction: A play written as a summation of the madness of the middle of the twentieth century, The Possessed remains a warning to the first quarter of our own. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9798217008193
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