"What's the point in listening to us doing it when you can listen to Slim Harpo doing it?" Mick Jagger asked that about a different Louisiana bluesman. He could just as easily have said it about Little Milton.
James Milton Campbell Jr. started with a piece of wire nailed to the side of a Mississippi farmhouse and cotton-field wages saved up for a mail-order guitar. He ended up with a number-one record that became a Civil Rights anthem, a signature song that's still a blues-festival singalong forty years on, and a guitar tone sharp enough to sit in the same sentence as B.B. King's - without ever once sounding like an imitation of it.
In between, he got eclipsed at Sun Records by a kid from Tupelo named Elvis. He watched two labels collapse out from under him. He hustled day work and one-nighters on the chitlin' circuit even after he'd had a hit record, because that's what the business asked of a Black bluesman in his generation, hit or no hit. And every single time, he picked his guitar back up and found the next stage.
Little Milton: The Blues Is Alright follows that whole fifty-two-year run - Sun to Bobbin to Chess to Stax to Malaco, Nelson Street juke joints to the Montreux Jazz Festival to a final tour shared with the Allman Brothers - with the same steady, unshowy attention Milton brought to every gig he ever played. This is a book for blues fans who already know his name, and for anyone who's never heard it and wants to know why they should.
He never got the one crossover hit that makes a legend. He got something harder, and better: five decades of showing up. Put the record on. Start anywhere. The blues is alright.
Know the story. Hear the blues differently.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Simon Godfrey is a lifelong blues enthusiast and avid listener whose deep knowledge of the genre comes from decades spent following the music wherever it led. He now writes to put that knowledge into stories, researching each subject in depth so the history behind the music gets the same care as the music itself.
His work is written for blues fan, and curious newcomers alike, with one aim: to help readers discover and understand the music through deeply researched, engaging stories that connect the artists, songs, recordings, and influences that shaped the blues - so they can uncover forgotten treasures, understand why the music matters, and hear the blues in a whole new way.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. "What's the point in listening to us doing it when you can listen to Slim Harpo doing it?" Mick Jagger asked that about a different Louisiana bluesman. He could just as easily have said it about Little Milton.James Milton Campbell Jr. started with a piece of wire nailed to the side of a Mississippi farmhouse and cotton-field wages saved up for a mail-order guitar. He ended up with a number-one record that became a Civil Rights anthem, a signature song that's still a blues-festival singalong forty years on, and a guitar tone sharp enough to sit in the same sentence as B.B. King's - without ever once sounding like an imitation of it.In between, he got eclipsed at Sun Records by a kid from Tupelo named Elvis. He watched two labels collapse out from under him. He hustled day work and one-nighters on the chitlin' circuit even after he'd had a hit record, because that's what the business asked of a Black bluesman in his generation, hit or no hit. And every single time, he picked his guitar back up and found the next stage.Little Milton: The Blues Is Alright follows that whole fifty-two-year run - Sun to Bobbin to Chess to Stax to Malaco, Nelson Street juke joints to the Montreux Jazz Festival to a final tour shared with the Allman Brothers - with the same steady, unshowy attention Milton brought to every gig he ever played. This is a book for blues fans who already know his name, and for anyone who's never heard it and wants to know why they should.He never got the one crossover hit that makes a legend. He got something harder, and better: five decades of showing up. Put the record on. Start anywhere. The blues is alright.Know the story. Hear the blues differently. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9798235048997
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Paperback. Etat : new. Paperback. "What's the point in listening to us doing it when you can listen to Slim Harpo doing it?" Mick Jagger asked that about a different Louisiana bluesman. He could just as easily have said it about Little Milton.James Milton Campbell Jr. started with a piece of wire nailed to the side of a Mississippi farmhouse and cotton-field wages saved up for a mail-order guitar. He ended up with a number-one record that became a Civil Rights anthem, a signature song that's still a blues-festival singalong forty years on, and a guitar tone sharp enough to sit in the same sentence as B.B. King's - without ever once sounding like an imitation of it.In between, he got eclipsed at Sun Records by a kid from Tupelo named Elvis. He watched two labels collapse out from under him. He hustled day work and one-nighters on the chitlin' circuit even after he'd had a hit record, because that's what the business asked of a Black bluesman in his generation, hit or no hit. And every single time, he picked his guitar back up and found the next stage.Little Milton: The Blues Is Alright follows that whole fifty-two-year run - Sun to Bobbin to Chess to Stax to Malaco, Nelson Street juke joints to the Montreux Jazz Festival to a final tour shared with the Allman Brothers - with the same steady, unshowy attention Milton brought to every gig he ever played. This is a book for blues fans who already know his name, and for anyone who's never heard it and wants to know why they should.He never got the one crossover hit that makes a legend. He got something harder, and better: five decades of showing up. Put the record on. Start anywhere. The blues is alright.Know the story. Hear the blues differently. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9798235048997
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Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - 'What's the point in listening to us doing it when you can listen to Slim Harpo doing it ' Mick Jagger asked that about a different Louisiana bluesman. He could just as easily have said it about Little Milton.James Milton Campbell Jr. started with a piece of wire nailed to the side of a Mississippi farmhouse and cotton-field wages saved up for a mail-order guitar. He ended up with a number-one record that became a Civil Rights anthem, a signature song that's still a blues-festival singalong forty years on, and a guitar tone sharp enough to sit in the same sentence as B.B. King's - without ever once sounding like an imitation of it.In between, he got eclipsed at Sun Records by a kid from Tupelo named Elvis. He watched two labels collapse out from under him. He hustled day work and one-nighters on the chitlin' circuit even after he'd had a hit record, because that's what the business asked of a Black bluesman in his generation, hit or no hit. And every single time, he picked his guitar back up and found the next stage.Little Milton: The Blues Is Alright follows that whole fifty-two-year run - Sun to Bobbin to Chess to Stax to Malaco, Nelson Street juke joints to the Montreux Jazz Festival to a final tour shared with the Allman Brothers - with the same steady, unshowy attention Milton brought to every gig he ever played. This is a book for blues fans who already know his name, and for anyone who's never heard it and wants to know why they should.He never got the one crossover hit that makes a legend. He got something harder, and better: five decades of showing up. Put the record on. Start anywhere. The blues is alright.Know the story. Hear the blues differently. N° de réf. du vendeur 9798235048997
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Paperback. Etat : new. Paperback. "What's the point in listening to us doing it when you can listen to Slim Harpo doing it?" Mick Jagger asked that about a different Louisiana bluesman. He could just as easily have said it about Little Milton.James Milton Campbell Jr. started with a piece of wire nailed to the side of a Mississippi farmhouse and cotton-field wages saved up for a mail-order guitar. He ended up with a number-one record that became a Civil Rights anthem, a signature song that's still a blues-festival singalong forty years on, and a guitar tone sharp enough to sit in the same sentence as B.B. King's - without ever once sounding like an imitation of it.In between, he got eclipsed at Sun Records by a kid from Tupelo named Elvis. He watched two labels collapse out from under him. He hustled day work and one-nighters on the chitlin' circuit even after he'd had a hit record, because that's what the business asked of a Black bluesman in his generation, hit or no hit. And every single time, he picked his guitar back up and found the next stage.Little Milton: The Blues Is Alright follows that whole fifty-two-year run - Sun to Bobbin to Chess to Stax to Malaco, Nelson Street juke joints to the Montreux Jazz Festival to a final tour shared with the Allman Brothers - with the same steady, unshowy attention Milton brought to every gig he ever played. This is a book for blues fans who already know his name, and for anyone who's never heard it and wants to know why they should.He never got the one crossover hit that makes a legend. He got something harder, and better: five decades of showing up. Put the record on. Start anywhere. The blues is alright.Know the story. Hear the blues differently. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9798235048997
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