Before Robert Johnson's devil haunted the crossroads, Peetie Wheatstraw was already laughing with the Devil's daughter.
Born William Bunch, the son of Arkansas sharecroppers, Wheatstraw arrived in East St. Louis in 1929 with little more than a self-taught knowledge of piano and guitar-and a shrewd understanding of how to make himself heard. Within a year, he had transformed himself into "Peetie Wheatstraw, the Devil's Son-in-Law, the High Sheriff from Hell," one of the most distinctive and commercially successful blues personalities of the 1930s.
With more than 160 recordings to his name, Wheatstraw worked alongside some of the era's finest musicians, including Charley Jordan, Kokomo Arnold, Lonnie Johnson, Charlie McCoy, and Teddy Bunn. His rolling piano, relaxed baritone, sly humour, unforgettable "Oh, well, well!" falsetto, and sharp portraits of love, gambling, drinking, hard times, violence, and survival made him a major recording artist-and inspired musicians who followed, including Robert Johnson.
Yet history has remembered Wheatstraw very differently. Where Johnson became an enduring symbol of mystery and tragedy, Wheatstraw's devil was comic, confident, and deliberately theatrical. His success, his influence, his relationship to Johnson's music, and even the circumstances of his death have too often been obscured by later myths.
Drawing on recordings, discographical evidence, historical sources, and the surviving recollections of those who knew his world, Peetie Wheatstraw: The High Sheriff from Hell restores William Bunch to his rightful place in blues history. It is the story of a gifted performer, a pioneering self-made brand, and an artist who understood that in a hard and unforgiving world, a great joke could be its own kind of power.
Know the story. Hear the blues differently.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Simon Godfrey is a lifelong blues enthusiast and avid listener whose deep knowledge of the genre comes from decades spent following the music wherever it led. He now writes to put that knowledge into stories, researching each subject in depth so the history behind the music gets the same care as the music itself.
His work is written for blues fan, and curious newcomers alike, with one aim: to help readers discover and understand the music through deeply researched, engaging stories that connect the artists, songs, recordings, and influences that shaped the blues - so they can uncover forgotten treasures, understand why the music matters, and hear the blues in a whole new way.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. Before Robert Johnson's devil haunted the crossroads, Peetie Wheatstraw was already laughing with the Devil's daughter.Born William Bunch, the son of Arkansas sharecroppers, Wheatstraw arrived in East St. Louis in 1929 with little more than a self-taught knowledge of piano and guitar-and a shrewd understanding of how to make himself heard. Within a year, he had transformed himself into "Peetie Wheatstraw, the Devil's Son-in-Law, the High Sheriff from Hell," one of the most distinctive and commercially successful blues personalities of the 1930s.With more than 160 recordings to his name, Wheatstraw worked alongside some of the era's finest musicians, including Charley Jordan, Kokomo Arnold, Lonnie Johnson, Charlie McCoy, and Teddy Bunn. His rolling piano, relaxed baritone, sly humour, unforgettable "Oh, well, well!" falsetto, and sharp portraits of love, gambling, drinking, hard times, violence, and survival made him a major recording artist-and inspired musicians who followed, including Robert Johnson.Yet history has remembered Wheatstraw very differently. Where Johnson became an enduring symbol of mystery and tragedy, Wheatstraw's devil was comic, confident, and deliberately theatrical. His success, his influence, his relationship to Johnson's music, and even the circumstances of his death have too often been obscured by later myths.Drawing on recordings, discographical evidence, historical sources, and the surviving recollections of those who knew his world, Peetie Wheatstraw: The High Sheriff from Hell restores William Bunch to his rightful place in blues history. It is the story of a gifted performer, a pioneering self-made brand, and an artist who understood that in a hard and unforgiving world, a great joke could be its own kind of power.Know the story. Hear the blues differently. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9798237592085
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Paperback. Etat : new. Paperback. Before Robert Johnson's devil haunted the crossroads, Peetie Wheatstraw was already laughing with the Devil's daughter.Born William Bunch, the son of Arkansas sharecroppers, Wheatstraw arrived in East St. Louis in 1929 with little more than a self-taught knowledge of piano and guitar-and a shrewd understanding of how to make himself heard. Within a year, he had transformed himself into "Peetie Wheatstraw, the Devil's Son-in-Law, the High Sheriff from Hell," one of the most distinctive and commercially successful blues personalities of the 1930s.With more than 160 recordings to his name, Wheatstraw worked alongside some of the era's finest musicians, including Charley Jordan, Kokomo Arnold, Lonnie Johnson, Charlie McCoy, and Teddy Bunn. His rolling piano, relaxed baritone, sly humour, unforgettable "Oh, well, well!" falsetto, and sharp portraits of love, gambling, drinking, hard times, violence, and survival made him a major recording artist-and inspired musicians who followed, including Robert Johnson.Yet history has remembered Wheatstraw very differently. Where Johnson became an enduring symbol of mystery and tragedy, Wheatstraw's devil was comic, confident, and deliberately theatrical. His success, his influence, his relationship to Johnson's music, and even the circumstances of his death have too often been obscured by later myths.Drawing on recordings, discographical evidence, historical sources, and the surviving recollections of those who knew his world, Peetie Wheatstraw: The High Sheriff from Hell restores William Bunch to his rightful place in blues history. It is the story of a gifted performer, a pioneering self-made brand, and an artist who understood that in a hard and unforgiving world, a great joke could be its own kind of power.Know the story. Hear the blues differently. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9798237592085
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Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Before Robert Johnson's devil haunted the crossroads, Peetie Wheatstraw was already laughing with the Devil's daughter.Born William Bunch, the son of Arkansas sharecroppers, Wheatstraw arrived in East St. Louis in 1929 with little more than a self-taught knowledge of piano and guitar-and a shrewd understanding of how to make himself heard. Within a year, he had transformed himself into 'Peetie Wheatstraw, the Devil's Son-in-Law, the High Sheriff from Hell,' one of the most distinctive and commercially successful blues personalities of the 1930s.With more than 160 recordings to his name, Wheatstraw worked alongside some of the era's finest musicians, including Charley Jordan, Kokomo Arnold, Lonnie Johnson, Charlie McCoy, and Teddy Bunn. His rolling piano, relaxed baritone, sly humour, unforgettable 'Oh, well, well!' falsetto, and sharp portraits of love, gambling, drinking, hard times, violence, and survival made him a major recording artist-and inspired musicians who followed, including Robert Johnson.Yet history has remembered Wheatstraw very differently. Where Johnson became an enduring symbol of mystery and tragedy, Wheatstraw's devil was comic, confident, and deliberately theatrical. His success, his influence, his relationship to Johnson's music, and even the circumstances of his death have too often been obscured by later myths.Drawing on recordings, discographical evidence, historical sources, and the surviving recollections of those who knew his world, Peetie Wheatstraw: The High Sheriff from Hell restores William Bunch to his rightful place in blues history. It is the story of a gifted performer, a pioneering self-made brand, and an artist who understood that in a hard and unforgiving world, a great joke could be its own kind of power.Know the story. Hear the blues differently. N° de réf. du vendeur 9798237592085
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Paperback. Etat : new. Paperback. Before Robert Johnson's devil haunted the crossroads, Peetie Wheatstraw was already laughing with the Devil's daughter.Born William Bunch, the son of Arkansas sharecroppers, Wheatstraw arrived in East St. Louis in 1929 with little more than a self-taught knowledge of piano and guitar-and a shrewd understanding of how to make himself heard. Within a year, he had transformed himself into "Peetie Wheatstraw, the Devil's Son-in-Law, the High Sheriff from Hell," one of the most distinctive and commercially successful blues personalities of the 1930s.With more than 160 recordings to his name, Wheatstraw worked alongside some of the era's finest musicians, including Charley Jordan, Kokomo Arnold, Lonnie Johnson, Charlie McCoy, and Teddy Bunn. His rolling piano, relaxed baritone, sly humour, unforgettable "Oh, well, well!" falsetto, and sharp portraits of love, gambling, drinking, hard times, violence, and survival made him a major recording artist-and inspired musicians who followed, including Robert Johnson.Yet history has remembered Wheatstraw very differently. Where Johnson became an enduring symbol of mystery and tragedy, Wheatstraw's devil was comic, confident, and deliberately theatrical. His success, his influence, his relationship to Johnson's music, and even the circumstances of his death have too often been obscured by later myths.Drawing on recordings, discographical evidence, historical sources, and the surviving recollections of those who knew his world, Peetie Wheatstraw: The High Sheriff from Hell restores William Bunch to his rightful place in blues history. It is the story of a gifted performer, a pioneering self-made brand, and an artist who understood that in a hard and unforgiving world, a great joke could be its own kind of power.Know the story. Hear the blues differently. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9798237592085
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Taschenbuch. Etat : Neu. Peetie Wheatstraw | The High Sheriff from Hell | Simon Godfrey | Taschenbuch | The Roots of the Blues | Englisch | 2026 | Simon Godfrey | EAN 9798237592085 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. N° de réf. du vendeur 136959836
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