Carmen by Prosper Mérimée, originally published 1845. The novella first appeared in 1845 in the French journal Revue des Deux Mondes, with an expanded book version following in 1846. Mérimée's cool, reportorial narration makes the collision between Carmen's fierce autonomy and Don José's possessiveness more disturbing than romantic. Its concentrated study of freedom, desire, and fatal jealousy became the source for Bizet's opera and many later retellings.
This is a Liftable Edition: Clearview caps paper-plus-binding weight at 1 kilogram (2.2 pounds) for every Liftable title, so it stays comfortable to hold and read for extended periods -- a physical accessibility standard most large-print publishers do not set at all.
For collection development: this is a large-print edition intended for low-vision and aging patrons, and for any reader who finds standard trade print tiring over a long sitting. It suits large-print and accessibility collections, adult and young-adult general collections where the text is a standard, and reading-room copies where a durable case binding matters. Each volume is held under 1 kilogram (2.2 pounds) of paper and binding, so it can be read at a table or in a lap without a stand. The text is unabridged and reproduced from a public-domain source without modernisation.
Algorithmic Quality Assurance: this edition was checked by 123 deterministic tests covering typography, pagination, colour, cover geometry and metadata, then read by frontier language models for semantic review and holistic evaluation. What was checked, and what those results do and do not mean, is explained in the back of the book.
This Clearview Editions hardcover is built on a production standard that significantly exceeds the industry norm for large-print publishing. The body text is set at 18-point Atkinson Hyperlegible Next on 27-point leading, 1.5 line spacing --- the minimum WCAG 2.2 Level AAA Success Criterion 1.4.8 sets for a block of text, and the figure UKAAF's large-print guidance gives as well. The leading North American large-print hardcover imprints typically set their body text at 16 point, and most large-print trade paperbacks release at 14 to 16 point. At 18 point, Clearview Editions offers text that is measurably larger than every other major large-print publisher, specifically for readers with low vision, macular degeneration, glaucoma, diabetic retinopathy, or any visual condition that makes standard trade print frustrating or impossible to read for long stretches. The trim size is equally generous. Clearview Editions is printed on a 7x10-inch page, substantially larger than the 6x9 hardcover that is standard in the large-print industry and roughly 50 percent larger by area than the 5x8 trade paperback trim most legacy large-print paperback imprints use.
The extra page area is deliberate: it allows the 18-point body to set at the 50-to-55 character line length that reading-fatigue research identifies as optimal, without the narrow text columns and cramped margins that plague smaller-trim large-print books. The body font, Atkinson Hyperlegible Next, was developed by the Braille Institute of America specifically to maximize letter recognition for readers with low vision, macular degeneration, and visual processing differences. It distinguishes between commonly-confused letter pairs - lowercase l versus uppercase I, the digit 0 versus uppercase O, b versus d, p versus q - using distinctive shape features that preserve readability even under eye strain. Text is set ragged right with no word division: WCAG 2.2 1.4.8 and UKAAF both advise against justifying large-print text, since the uneven word spacing it creates is harder to track, and against breaking a word across a line ending, since the reader then has to reassemble it.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Prosper Mérimée (1803-1870) occupies a secure but comparatively narrow place in the French canon: a master stylist of the novella and short story, an early and skilled practitioner of literary realism blended with exoticism, and an official inspector of historical monuments whose antiquarian travels fed directly into his fiction. He was elected to the Académie française in 1844, a formal seal on a reputation built on economy rather than volume - his fiction is comparatively slight in quantity but has proven unusually durable. Carmen (1845) is the reason Mérimée is still read outside French departments at all: Georges Bizet's 1875 opera adapted it directly, and the opera's fame has long since eclipsed the novella that gave it its plot, its Spanish setting, and its fatal, unrepentant heroine. That makes Carmen an unusual case for a library shelf - a source text whose adaptation is more famous than the original, which is itself reason enough to keep the original findable. Mérimée's Carmen is harder and less romantic than the opera's popular image of her: an independent, self-determined Roma woman narrated by a French scholar-outsider whose own limitations the text quietly exposes. For readers arriving by way of the opera, or curious what a "femme fatale" looked like in French fiction before the term existed, the novella delivers on its reputation in under a hundred pages: brisk, close to reportage, unsentimental about violence and desire alike. It is also a natural pairing for any library collection strong in opera or music history. This Clearview Editions large-print printing - 18-point Atkinson Hyperlegible Next, ragged-right, no word-division - makes a compact classic fully readable to patrons who would otherwise need to squint through a paperback's small type.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Buch. Etat : Neu. Carmen | Prosper Mérimée | Buch | Most Downloaded | Englisch | 2026 | Clearview Editions | EAN 9798259517905 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. N° de réf. du vendeur 136774536
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