Set across two timelines spanning October 1912 and the present day, this story explores how a single week inside a grand hotel can echo across more than a century. In 1912, Milwaukee becomes a focal point of national tension as Theodore Roosevelt campaigns for an unprecedented third term. Among those arriving in the city is John Schrank, a quiet and increasingly isolated man whose beliefs about order, leadership, and responsibility have hardened into something unyielding. At the same time, Clara Weiss, a disciplined and observant Chicago reporter, is assigned to cover Roosevelt's visit. Her task is simple on paper but complex in practice. She is meant to capture not just events, but the mood surrounding them. Their paths intersect inside the Pfister Hotel, a place defined as much by its structure and rhythm as by its guests. Clara begins to notice Schrank's habits. His movements repeat with a precision that feels intentional. His attention settles on details others ignore. Over the course of several days, her professional curiosity deepens into unease. She recognizes a pattern forming, though she cannot yet define its purpose or outcome. The hotel itself becomes more than a setting. Its corridors, its upper floors, and its carefully controlled spaces create an environment where routine can take on meaning. Schrank's sense of purpose strengthens within this contained world. Clara, watching from a distance, senses that something is narrowing around him, but the rules of evidence and propriety prevent her from acting on instinct alone. When a sudden act of violence brings national attention to Milwaukee, the public narrative forms quickly. The event is explained, labeled, and absorbed into history. Yet Clara understands that the official version leaves something unresolved. Through her reporting, she reconstructs the quiet days that led up to that moment, preserving details that would otherwise be lost. In the present day, a modern guest encounters subtle disturbances within the same hotel, particularly on its upper floors. These experiences are not dramatic, but they repeat in ways that are difficult to dismiss. Over time, it becomes clear that the past has not disappeared. Instead, it lingers in patterns, in architecture, and in the stories that continue to be told.
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SCOTT HAMELE was born and raised in Kansas and has called the Kansas City area home since 1991. Married for more than thirty years, he treasures time with his two daughters and two grandchildren. Scott studied engineering at the University of Kansas, where he began writing articles and newsletters for university clubs. He was first published in an ASME engineering publication in 1992 and went on to author dozens of published articles in the commercial construction sector. In the 2000s, Hamele turned his research instincts toward historical fiction, developing more than a dozen story concepts, many of which have matured into his recent publishing journey. His work spans a wide range of genres, including historical fiction, near-future thrillers, historical mysteries, narrative biographies, and feel-good short stories. A prolific storyteller, Scott has more than three dozen works to his credit. https: //linktree.com/scotthamele
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Set across two timelines spanning October 1912 and the present day, this story explores how a single week inside a grand hotel can echo across more than a century. In 1912, Milwaukee becomes a focal point of national tension as Theodore Roosevelt campaigns for an unprecedented third term. Among those arriving in the city is John Schrank, a quiet and increasingly isolated man whose beliefs about order, leadership, and responsibility have hardened into something unyielding. At the same time, Clara Weiss, a disciplined and observant Chicago reporter, is assigned to cover Roosevelt's visit. Her task is simple on paper but complex in practice. She is meant to capture not just events, but the mood surrounding them.Their paths intersect inside the Pfister Hotel, a place defined as much by its structure and rhythm as by its guests. Clara begins to notice Schrank's habits. His movements repeat with a precision that feels intentional. His attention settles on details others ignore. Over the course of several days, her professional curiosity deepens into unease. She recognizes a pattern forming, though she cannot yet define its purpose or outcome.The hotel itself becomes more than a setting. Its corridors, its upper floors, and its carefully controlled spaces create an environment where routine can take on meaning. Schrank's sense of purpose strengthens within this contained world. Clara, watching from a distance, senses that something is narrowing around him, but the rules of evidence and propriety prevent her from acting on instinct alone.When a sudden act of violence brings national attention to Milwaukee, the public narrative forms quickly. The event is explained, labeled, and absorbed into history. Yet Clara understands that the official version leaves something unresolved. Through her reporting, she reconstructs the quiet days that led up to that moment, preserving details that would otherwise be lost.In the present day, a modern guest encounters subtle disturbances within the same hotel, particularly on its upper floors. These experiences are not dramatic, but they repeat in ways that are difficult to dismiss. Over time, it becomes clear that the past has not disappeared. Instead, it lingers in patterns, in architecture, and in the stories that continue to be told. N° de réf. du vendeur 9798295840753
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Paperback. Etat : new. Paperback. Set across two timelines spanning October 1912 and the present day, this story explores how a single week inside a grand hotel can echo across more than a century. In 1912, Milwaukee becomes a focal point of national tension as Theodore Roosevelt campaigns for an unprecedented third term. Among those arriving in the city is John Schrank, a quiet and increasingly isolated man whose beliefs about order, leadership, and responsibility have hardened into something unyielding. At the same time, Clara Weiss, a disciplined and observant Chicago reporter, is assigned to cover Roosevelt's visit. Her task is simple on paper but complex in practice. She is meant to capture not just events, but the mood surrounding them.Their paths intersect inside the Pfister Hotel, a place defined as much by its structure and rhythm as by its guests. Clara begins to notice Schrank's habits. His movements repeat with a precision that feels intentional. His attention settles on details others ignore. Over the course of several days, her professional curiosity deepens into unease. She recognizes a pattern forming, though she cannot yet define its purpose or outcome.The hotel itself becomes more than a setting. Its corridors, its upper floors, and its carefully controlled spaces create an environment where routine can take on meaning. Schrank's sense of purpose strengthens within this contained world. Clara, watching from a distance, senses that something is narrowing around him, but the rules of evidence and propriety prevent her from acting on instinct alone.When a sudden act of violence brings national attention to Milwaukee, the public narrative forms quickly. The event is explained, labeled, and absorbed into history. Yet Clara understands that the official version leaves something unresolved. Through her reporting, she reconstructs the quiet days that led up to that moment, preserving details that would otherwise be lost.In the present day, a modern guest encounters subtle disturbances within the same hotel, particularly on its upper floors. These experiences are not dramatic, but they repeat in ways that are difficult to dismiss. Over time, it becomes clear that the past has not disappeared. Instead, it lingers in patterns, in architecture, and in the stories that continue to be told. Every book includes Behind the Pages, a spoiler-safe companion with scene images, period maps, character backstories, timelines, and research notes. Dip in anytime for quick lookups, deep dives, or book-club chats without slowing the story. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9798295840753
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