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How Stage Playwrights Saved the British Cinema, 1930-1956: The Well-Made Screenplay - Couverture souple
Synopsis
The book examines the screenwriting of British stage playwrights between 1930 and 1956, with special focus on Shaw, Coward, Rattigan, and R. C. Sherriff, to examine the way that the structures of the well-made play became the basis of modern film scriptwriting.
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À propos de l'auteur
David Cottis is Senior Lecturer in Scriptwriting and Director of Programmes for Film, Photography, Animation and Games at Middlesex University, UK. He is also a theatre director, writer, critic, and dramaturg. He has edited A Dirty Broth and A Ladder of Words, two anthologies of twentieth-century Welsh plays in English, and wrote chapters for The Oxford Handbook of the British Musical and The Oxford Handbook of the Global Musical.
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How Stage Playwrights Saved the British Cinema, 1930-1956
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How Stage Playwrights Saved the British Cinema, 1930-1956
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How Stage Playwrights Saved the British Cinema, 1930-1956 (Paperback)
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Paperback. Etat : new. Paperback. Examines the film careers and work of British playwrights who worked as screenwriters between 1930-1956.During the period between the 1927 Cinematograph Films Act and the new drama of the 1950s, many British writers associated with the stage also wrote for films, bringing the techniques of the well-made play with them. Some, like Bernard Shaw, Noel Coward, and Terence Rattigan were screenwriter-stars, part of the publicity of the films they worked on Pygmalion, Brief Encounter, The Way to the Stars. Others were less celebrated but had long, successful screen careers, such as R. C. Sherriff, author of Journeys End, who worked on films as different as The Invisible Man, The Four Feathers and The Dam Busters. Using the authors original archives, this book follows the way in which these writers adapted their stage skills for the screen, contributing to the post-war Golden Age of the British cinema, and creating the classic form of screenplay that continues today. The book examines the screenwriting of British stage playwrights between 1930 and 1956, with special focus on Shaw, Coward, Rattigan, and R. C. Sherriff, to examine the way that the structures of the well-made play became the basis of modern film scriptwriting. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9798765101100
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How Stage Playwrights Saved the British Cinema, 1930-1956 : The Well-Made Screenplay
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Taschenbuch. Etat : Neu. Neuware - Examines the film careers and work of British playwrights who worked as screenwriters between 1930-1956.During the period between the 1927 Cinematograph Films Act and the 'new drama' of the 1950s, many British writers associated with the stage also wrote for films, bringing the techniques of the well-made play with them. Some, like Bernard Shaw, Noel Coward, and Terence Rattigan were screenwriter-stars, part of the publicity of the films they worked on - Pygmalion, Brief Encounter, The Way to the Stars. Others were less celebrated but had long, successful screen careers, such as R. C. Sherriff, author of Journey's End, who worked on films as different as The Invisible Man, The Four Feathers and The Dam Busters. Using the authors' original archives, this book follows the way in which these writers adapted their stage skills for the screen, contributing to the post-war 'Golden Age 'of the British cinema, and creating the classic form of screenplay that continues today. N° de réf. du vendeur 9798765101100
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How Stage Playwrights Saved the British Cinema, 1930-1956 | The Well-Made Screenplay
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Taschenbuch. Etat : Neu. How Stage Playwrights Saved the British Cinema, 1930-1956 | The Well-Made Screenplay | David Cottis | Taschenbuch | Englisch | 2026 | Bloomsbury Academic | EAN 9798765101100 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. N° de réf. du vendeur 135912606
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