Develops a program for undertaking figural analysis of narrative film by drawing on the work of Bernard Stiegler and other philosophers and film analysts in terms of mnemotechnics.
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Warwick Mules is Adjunct Associate Professor at Southern Cross University, Australia. He is the author of With Nature: Nature Philosophy as Poetics through Schelling, Heidegger, Benjamin and Nancy (2014) and publishes in the philosophies of film and visual technology, informed by eco-critique.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. Film Figures develops a figural account of the memory structure of films.Employing theoretical concepts drawn from a range of sources, including French post-humanist philosophy and German Idealism, the book undertakes an organology of film guided by the work of Bernard Stiegler whose philosophy of mnemotechnesis provides the framework of analysis. Situating films in the quantum field of spacetime relativity as a field of cosmic views, inquiry into film figures begins with disturbances in the experience of films themselves, posing questions of the relation between the dead past and the living future in film story-telling. By breaking the facade of the continuing present through self-questioning, we open films to their figural dimensions in the counter-movement of drive as negentropic resistance. Following the back-movement of drive switches our perception to the figural register in which characters become figures probing blindly for what the film will have been in another time a time yet to be lived. By following the anterior possibilities of this other time, we open films to the archival future in which a new future comes forth. This book provides theoretical and analytical concepts as well as strategies for taking a step into this future, guided by questions of the right path to take given the relativity of views in which the film can be experienced. Films analysed include Murnaus The Last Laugh, Capras Its a Wonderful Life, Hitchcocks Rear Window, Welless The Lady from Shanghai, Fellinis Intervista, Antonionis LEclisse, Bressons Une Femme Douce, and Zellers The Father. Develops a program for undertaking figural analysis of narrative film by drawing on the work of Bernard Stiegler and other philosophers and film analysts in terms of mnemotechnics. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9798765112465
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Paperback. Etat : new. Paperback. Film Figures develops a figural account of the memory structure of films.Employing theoretical concepts drawn from a range of sources, including French post-humanist philosophy and German Idealism, the book undertakes an organology of film guided by the work of Bernard Stiegler whose philosophy of mnemotechnesis provides the framework of analysis. Situating films in the quantum field of spacetime relativity as a field of cosmic views, inquiry into film figures begins with disturbances in the experience of films themselves, posing questions of the relation between the dead past and the living future in film story-telling. By breaking the facade of the continuing present through self-questioning, we open films to their figural dimensions in the counter-movement of drive as negentropic resistance. Following the back-movement of drive switches our perception to the figural register in which characters become figures probing blindly for what the film will have been in another time a time yet to be lived. By following the anterior possibilities of this other time, we open films to the archival future in which a new future comes forth. This book provides theoretical and analytical concepts as well as strategies for taking a step into this future, guided by questions of the right path to take given the relativity of views in which the film can be experienced. Films analysed include Murnaus The Last Laugh, Capras Its a Wonderful Life, Hitchcocks Rear Window, Welless The Lady from Shanghai, Fellinis Intervista, Antonionis LEclisse, Bressons Une Femme Douce, and Zellers The Father. Develops a program for undertaking figural analysis of narrative film by drawing on the work of Bernard Stiegler and other philosophers and film analysts in terms of mnemotechnics. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9798765112465
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Taschenbuch. Etat : Neu. Film Figures | An Organological Approach | Warwick Mules | Taschenbuch | Englisch | 2025 | Bloomsbury Academic | EAN 9798765112465 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. N° de réf. du vendeur 133882503
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