Synopsis
Redefines the theoretical and thematic contents of world literature by considering it in connection with film.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
À propos des auteurs
Robin Truth Goodman is Professor of English at Florida State University, USA. Her many previous publications include Gender Commodity: Marketing Feminist Identities and the Promise of Security (Bloomsbury, 2022), The Bloomsbury Handbook of 21st Century Feminist Theory (Bloomsbury, 2019); Promissory Notes: On the Literary Conditions of Debt (2018); Gender for the Warfare State: Literature of Women in Combat (2017); and Literature and the Development of Feminist Theory (2016).
Thomas O. Beebee is Distinguished Professor of Comparative Literature and German, Penn State University, USA. He is the author of Millennial Literatures of the Americas, 1492-2002 (2008), Epistolary Fiction in Europe (1999), The Ideology of Genre: A Comparative Study of Generic Instability (1994) and Clarissa on the Continent: Translation and Seduction (1990).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Film As World Literature
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Film as World Literature
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Hardback. Etat : New. Redefines the theoretical and thematic contents of world literature by considering it in connection with film.What gets lost when we understand film as essentially different from literature? What gets lost when we think them essentially the same? Does the constructed difference between literature and film also create social and political exclusions, exclusions that may exacerbate class struggle or exclusions of certain ways of thinking the future as different? Film as World Literature seeks to undo disciplines and disciplinarity: the division between film and literature, indeed, conceals the possibilities of "world" by bracketing out "undisciplined" parts. Contributors apply ideas of "translatability" and "untranslatability" not just as a linguistic exercise of transfers between language groups, cultures, and national origins but also as an approach to media and transfers between media. Is film a visual acknowledgement that literary language is, by definition, multilingual - that is, is film a place where political conflicts, as Bakhtin observed, can be rendered visible? Chapters discuss film's relation to world literature not only by considering literary adaptations across nations, regions, languages, ideologies, and contexts but also by exploring film's intersections with literary theory, narrative, history, genre, and experimentation.Film as World Literature calls for recognition that while the category of "world" demands a radical defense in the face of risks to democracy, the world that literature and film combined bring forth must interrogate the conditions for a future politics of interaction, engagement, belonging, and difference. N° de réf. du vendeur LU-9798765113400
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Film as World Literature (Literatures as World Literature)
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Film As World Literature
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Film as World Literature (Hardcover)
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Hardcover. Etat : new. Hardcover. Redefines the theoretical and thematic contents of world literature by considering it in connection with film.What gets lost when we understand film as essentially different from literature? What gets lost when we think them essentially the same? Does the constructed difference between literature and film also create social and political exclusions, exclusions that may exacerbate class struggle or exclusions of certain ways of thinking the future as different? Film as World Literature seeks to undo disciplines and disciplinarity: the division between film and literature, indeed, conceals the possibilities of world by bracketing out undisciplined parts. Contributors apply ideas of translatability and untranslatability not just as a linguistic exercise of transfers between language groups, cultures, and national origins but also as an approach to media and transfers between media. Is film a visual acknowledgement that literary language is, by definition, multilingual that is, is film a place where political conflicts, as Bakhtin observed, can be rendered visible? Chapters discuss films relation to world literature not only by considering literary adaptations across nations, regions, languages, ideologies, and contexts but also by exploring films intersections with literary theory, narrative, history, genre, and experimentation.Film as World Literature calls for recognition that while the category of world demands a radical defense in the face of risks to democracy, the world that literature and film combined bring forth must interrogate the conditions for a future politics of interaction, engagement, belonging, and difference. Redefines the theoretical and thematic contents of world literature by considering it in connection with film. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9798765113400
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FILM AS WORLD LITERATURE
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