This edited collection considers The Nightmare Before Christmas as a milestone in animation and film history, considering the different layers of meaning and history of the film from pre-production to the present day. The Nightmare Before Christmas (Henry Selick, 1993) has become a key point of reference in negotiations of genre and the boundaries between mainstream and cult cultures, both on screen and in the spaces of fandom, and in original and retrospective reception contexts where it often becomes tangled with nostalgia. Contributors to this edited collection consider the film as a cultural object with significant impact on animation, representations of family and horror, and fandom and subcultures. Covering topics including representations of fairy tales, Christmas media, cultural appropriation, family horror, merchandise, theme parks, and food, this work explores the film’s ongoing cultural impact.
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Filipa Antunes is Lecturer in Humanities, specialising in media and culture, at the University of East Anglia, UK. She teaches a range of modules around these subjects on the Humanities Foundation Year, the Liberal Arts degree, and the Film, Television, and Media degrees. Her main research interests are childhood and popular culture, especially when the two intersect; ratings and other forms of media regulation; boundaries between childhood and adulthood (and the culture of children and adults); and representations of childhood, parenthood, and family.
Brittany (Bee) Eldridge is an instructor at Pennsylvania State University, USA. They hold a PhD from University College London, UK. Bee is the Head of Communication for the Disney, Culture and Society Research Network (DisNet) and their Blog Editor. Along with Disney, their research focuses on modern fairy tales, adaptations, gender, queer studies, and archetypal studies. Their most recent works include "Forgive Me Mother for I have Sinned: Cinderella Meets Derrida's Forgiveness" (2020) and "The Erasure of the Elderly Hatter: 21st Century American Remakes of the Mad Hatter" (2024).
Rebecca Williams is Senior Lecturer in Communication, Cultural and Media Studies at the University of South Wales. She has published on television fans and audiences in journals including Continuum, Popular Communication, Television & New Media, Popular Music & Society, and Participations and recently edited Torchwood Declassified: Investigating Mainstream Cult Television (2013).
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Hardback. Etat : New. This edited collection considers The Nightmare Before Christmas as a milestone in animation and film history, considering the different layers of meaning and history of the film from pre-production to the present day.The Nightmare Before Christmas (Henry Selick, 1993) has become a key point of reference in negotiations of genre and the boundaries between mainstream and cult cultures, both on screen and in the spaces of fandom, and in original and retrospective reception contexts where it often becomes tangled with nostalgia. Contributors to this edited collection consider the film as a cultural object with significant impact on animation, representations of family and horror, and fandom and subcultures. Covering topics including representations of fairy tales, Christmas media, cultural appropriation, family horror, merchandise, theme parks, and food, this work explores the film's ongoing cultural impact. N° de réf. du vendeur LU-9798765113615
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Hardcover. Etat : new. Hardcover. This edited collection considers The Nightmare Before Christmas as a milestone in animation and film history, considering the different layers of meaning and history of the film from pre-production to the present day.The Nightmare Before Christmas (Henry Selick, 1993) has become a key point of reference in negotiations of genre and the boundaries between mainstream and cult cultures, both on screen and in the spaces of fandom, and in original and retrospective reception contexts where it often becomes tangled with nostalgia. Contributors to this edited collection consider the film as a cultural object with significant impact on animation, representations of family and horror, and fandom and subcultures. Covering topics including representations of fairy tales, Christmas media, cultural appropriation, family horror, merchandise, theme parks, and food, this work explores the films ongoing cultural impact. A collection of original essays on The Nightmare Before Christmas, exploring its themes, techniques, and cultural significance. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9798765113615
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Hardcover. Etat : new. Hardcover. This edited collection considers The Nightmare Before Christmas as a milestone in animation and film history, considering the different layers of meaning and history of the film from pre-production to the present day.The Nightmare Before Christmas (Henry Selick, 1993) has become a key point of reference in negotiations of genre and the boundaries between mainstream and cult cultures, both on screen and in the spaces of fandom, and in original and retrospective reception contexts where it often becomes tangled with nostalgia. Contributors to this edited collection consider the film as a cultural object with significant impact on animation, representations of family and horror, and fandom and subcultures. Covering topics including representations of fairy tales, Christmas media, cultural appropriation, family horror, merchandise, theme parks, and food, this work explores the films ongoing cultural impact. A collection of original essays on The Nightmare Before Christmas, exploring its themes, techniques, and cultural significance. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9798765113615
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