A vivid personal account of a Golden Age in classical music—the second half of the 20th century—providing a rare, behind-the-scenes view of the inner workings of a top symphony orchestra.
Nancy Shear was only fifteen when she began sneaking into Philadelphia Orchestra concerts through the stage door, and seventeen when she was hired as a member of the orchestra’s library staff to help prepare the music; one year later, she became Leopold Stokowski’s musical assistant. Being young and female, she was a pioneer in both positions.
I Knew a Man Who Knew Brahms takes readers into the homes, studios, and minds of legendary artists with whom Shear shared close personal relationships, including Stokowski, Mstislav Rostropovich, Eugene Ormandy, and others with the Philadelphia Orchestra. Many of these brilliant and talented artists were also outrageous, egocentric, and tyrannical. Throughout this book, Shear topples more than a few revered musicians from their podiums and their pedestals.
A literary welcome mat to the beautiful world of classical music, this memoir is accessible and engaging for all. It brings readers into rehearsals and concert halls, revealing the choices musicians must consider, and what conductors, players, and composers really do.
A heartwarming story about passion, determination, and survival, I Knew a Man Who Knew Brahms explores music at its core. No reader will ever listen to music the same way again.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Nancy Shear’s remarkable background includes twenty years as an orchestra librarian for the Philadelphia Orchestra and Curtis Institute, and privately for Leopold Stokowski, Lorin Maazel, and others. Her articles have appeared in major outlets, and she has written a book called The Three Tenors. Shear has lectured for the New York Philharmonic, Philadelphia Orchestra, and Caramoor Festival; hosted broadcasts of the New York Philharmonic, New Jersey Symphony, Frick Collection, and Naumburg Foundation; had her own interview programs on WNYC; and served as commentator for the American Public Radio Network. She has taught at New York University’s School of Continuing Education, NYU’s Vernon Center for Foreign Affairs, The New School, and has lectured at The Juilliard School, Manhattan School, and Mannes College of Music. Shear has also lectured on the life and work of Eleanor Roosevelt. Nancy is a graduate of Temple University and The New School.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. A vivid personal account of a Golden Age in classical musicthe second half of the 20th centuryproviding a rare, behind-the-scenes view of the inner workings of a top symphony orchestra.Nancy Shear was only fifteen when she began sneaking into Philadelphia Orchestra concerts through the stage door, and seventeen when she was hired as a member of the orchestras library staff to help prepare the music; one year later, she became Leopold Stokowskis musical assistant. Being young and female, she was a pioneer in both positions. I Knew a Man Who Knew Brahms takes readers into the homes, studios, and minds of legendary artists with whom Shear shared close personal relationships, including Stokowski, Mstislav Rostropovich, Eugene Ormandy, and members of the Philadelphia Orchestra. Many of these brilliant and talented artists were also outrageous, egocentric, and tyrannical. Throughout this book, Shear topples more than a few revered musicians from their podiums and their pedestals. A literary welcome mat to the beautiful world of classical music, this memoir is accessible and engaging for all. It brings readers into rehearsals and concert halls, revealing the choices musicians must consider, and what conductors, players, and composers really do. A heartwarming story about passion, determination, and survival, I Knew a Man Who Knew Brahms explores music at its core. No reader will ever listen to music the same way again. A vivid personal account of a Golden Age in classical musicthe second half of the 20th centuryproviding a rare, behind-the-scenes view of the inner workings of a top symphony orchestra. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9798888456620
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Hardback. Etat : New. A vivid personal account of a Golden Age in classical music-the second half of the 20th century-providing a rare, behind-the-scenes view of the inner workings of a top symphony orchestra.Nancy Shear was only fifteen when she began sneaking into Philadelphia Orchestra concerts through the stage door, and seventeen when she was hired as a member of the orchestra's library staff to help prepare the music; one year later, she became Leopold Stokowski's musical assistant. Being young and female, she was a pioneer in both positions. I Knew a Man Who Knew Brahms takes readers into the homes, studios, and minds of legendary artists with whom Shear shared close personal relationships, including Stokowski, Mstislav Rostropovich, Eugene Ormandy, and members of the Philadelphia Orchestra. Many of these brilliant and talented artists were also outrageous, egocentric, and tyrannical. Throughout this book, Shear topples more than a few revered musicians from their podiums and their pedestals. A literary welcome mat to the beautiful world of classical music, this memoir is accessible and engaging for all. It brings readers into rehearsals and concert halls, revealing the choices musicians must consider, and what conductors, players, and composers really do. A heartwarming story about passion, determination, and survival, I Knew a Man Who Knew Brahms explores music at its core. No reader will ever listen to music the same way again. N° de réf. du vendeur LU-9798888456620
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