This volume examines the artistic world of late Soviet unofficial art―the work that happened outside official channels, invisible to the general public―and asks what it actually took to make and sustain that world. It focuses on three interconnected concerns: how art was produced, how it was documented, and how it intervened in the official culture around it.
One of the book's central insights is that the very conditions that made unofficial art precarious also shaped it creatively. Because this work existed in hidden, inaccessible spaces, documentation wasn't just record-keeping; it became a creative act in its own right, and the tension between unofficial practice and the official world became a subject and a strategy. The volume traces these dynamics through the work of artists including Ilya Kabakov, Ėrik Bulatov, Yuri Albert, and Ewa Partum; groups like Kollektivnye Deistviia and Bosch+Bosch; and poets such as Vladimir Ėrl', Dmitri Prigov, and Andrzej Partum.
The book also makes a contemporary argument: that the survival strategies of late Soviet unofficial art―making work under constraint, outside institutions, in the margins―look remarkably familiar in 2026. To explore that connection, the volume brings historical analysis into dialogue with the work of contemporary poets Roman Osminkin and Babi Badalov.
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Ilja Kukuj is the coordinator for Russian Language Studies at the Ludwig Maximilian University of Munich. He is the author of numerous publications on Soviet film, avant-garde, and unofficial Soviet culture, and the editor of several volumes on unofficial Soviet literature. Recent publications include the Oxford Handbook of Soviet Underground Culture (coedited with Maria Engström, Tomás Glanc, Mark Lipovetsky, and Klavdia Smola, 2024), and Form and Transformation in Soviet Underground Writing (coedited with Catherine Cielepa and Ann Komaromi, 2026). Kukuj is also the coeditor (along with Riccardo Nicolosi, Brigitte Obermayr, and Tilmann Reuther) of the academic journal Wiener Slawistischer Almanach.
Brigitte Obermayr is a professor of East Slavic Literatures and Cultures at Potsdam University. Her research focuses on the literatures and cultures of Russia and the Soviet Union in the twentieth and twenty-first centuries: the avant-garde, theory of literature and culture, unofficial late Soviet literature and culture, and the political in literary discourse. She is also the editor of Dmitrii Prigov’s lyric oeuvre (a facsimile edition; in progress). Recent publications include Datumskunst.Datierte Zeit zwischen Gegebenem und Möglichkeit (2022), and Phänomenologische undempirische Kunstwissenschaften in der frühen Sowjetunion (coedited with Aage A. Hansen-Löve, 2022).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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