Prince's artist book revisits his 1-2-3-4 series cheekily compounding found photographs of various group sizes
This compilation of works on paper by American appropriation artist Richard Prince (born 1949) belongs to a series titled 1-2-3-4. Beginning around 2008, Prince began sequencing found photographic portraits into a simple headcount--one person, two people, three people, four people: 1-2-3-4. This process, applied to musicians, actors, celebrities and anonymous individuals, transforms photographs into performing acts: solo artist, duo, trio, quartet. The numbers 1-2-3-4 act like the count-in to a punk/garage rock song (by The Rascals, The Modern Lovers or The Ramones), an archetypical pop-song time signature. Numbering the images gives the sequence an immediate stamp of action, while the appropriation of jersey numbers makes a sport of it. Prince has repeatedly returned to the 1-2-3-4 device, including his long-deleted Instagram handle, @richardprince1234. In a chapter of his autobiographical memoirs It's a Free Concert, Prince recalls attending the 1969 Woodstock Festival: "We could hear Country Joe and the Fish coming in from over the fields...'And it's one two three what are we fighting for? / Don't ask me I don't give a damn / Next stop is Vietnam / Whoopee we're all gonna die.'"
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Vendeur : Hennessey + Ingalls, Los Angeles, CA, Etats-Unis
Hardcover. Etat : New. N° de réf. du vendeur 317708
Quantité disponible : 1 disponible(s)
Vendeur : MIRE BOOKS, Paris, France
Couverture rigide. Etat : Neuf. Edition originale. This compilation of works on paper by American appropriation artist Richard Prince (born in 1949) is part of a series entitled 1-2-3-4. Beginning in 2008, Prince began sequencing found photographic portraits into a simple count: one person, two people, three people, four people: 1-2-3-4. This process, applied to musicians, actors, celebrities and anonymous individuals, transforms the photographs into acts of performance: solo artist, duo, trio, quartet. The numbers 1-2-3-4 act like the count-in of a punk/garage rock song (by The Rascals, The Modern Lovers or The Ramones), an archetypal pop song rhythm signature. The numbering of the images gives the sequence an immediate sense of action, while the appropriation of jersey numbers turns it into a sport. N° de réf. du vendeur ABE-1761316285007
Quantité disponible : 1 disponible(s)