"As an abundant compendium of translated classical Chinese texts concerning the symbiosis of life experience and creativity, Jason Kuo's The Chinese Artist Grows Old: Aging and Creativity is a valuable resource for scholars, teachers, artists, and curious readers alike. It also revives the classical Chinese genre of cultural writing called 'brush notes, ' by which Kuo's commentaries link the historical excerpts but do not over-determine their meanings. The result, which combines fluid translations and transcriptions of classical Chinese texts alongside original artworks, is a sort of exhibition tour, in which Kuo enables readers to have a direct conversation with the past as much as with him."
- Michael J. Hatch, Associate Professor of Art History, Trinity College, and author of Networks of Touch: A Tactile History of Chinese Art, 1790-1840
"The Chinese Artist Grows Old: Aging and Creativity is a significant addition to the growing literature on the intersection of art and aging. It concisely introduces a diverse range of artists-spanning almost one thousand years-and provides rich context by drawing on contemporaneous literature. Generously illustrated, it is a welcome contribution that will support the development of a more international perspective on the idea of late artistic style."
-Peter L. Doebler, Kettering Curator of Art, Dayton Art Institute
"In The Chinese Artist Grows Old: Aging and Creativity, Jason Kuo has written, with tremendous erudition and critical insight, a fascinating account of how Chinese artists-poets, calligraphers, and painters-from the imperial past to our own time strive to create works of art as they age, often overcoming illness and many other associated difficulties. The book is a major contribution to the current debates in art history and literary studies on late and old-age style.
-Hanwei Wang, Professor of Art History, Nanjing Normal University; author of Studies on the Calligraphy of Dunhuang Documents in the Southern Dynasties
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Buch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Huang Pin-hung (1865-1955) occupies a very special position in the history of modern Chinese art. The art of Huang Pin-hung demonstrates the persistence of tradition and the limits of continuities as well as changes in modern Chinese culture. The period during which he lived and worked was marked by turbulent changes in China's cultural and political landscape. Like many intellectuals of his generation, he was deeply concerned with the question of 'old' versus 'new,' and his voluminous writings on art frequently discuss the relationship between tradition and innovation. This concern is reflected throughout his long career as an artist, as he constantly sought to break new ground and to explore new creative territory within the parameters of the Chinese ink-painting language. One of the most outstanding aspects of Huang's career is his late maturity as an artist. While he began his training at an early age, his immense talent only came to full bloom during the last fifteen years of his life. Yet, because of this late maturing, his late paintings are imbued with the concentrated power of a lifetime of artistic creation, and possess an internal richness and complexity that is truly inimitable. Through a discussion of his transformation of tradition, in particular his late work, this book hopes to suggest how his late work embodies the vitality and potentiality for renewal of the Chinese cultural tradition. This is a revised and updated version of the first edition (April 2004), which includes research based on essential new materials: the proceedings of an international conference on Huang Pin-hung organized by the China Academy of Art Research in Beijing, the correspondence between Huang Pin-hung and his contemporaries (publisged in 2005), and the catalog of the major exhibition of Huang Pin-hung's works at the Che-chiang Museum in July of 2004. N° de réf. du vendeur 9798987589359
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