BOOK THREE — THE WRONG MAN
Ryder Talon Stone knows the most dangerous investigations do not always involve conspiracies, old enemies, or buried secrets.
Sometimes they begin with a simple question:
Is someone telling me the truth?
At Leviathan Intelligence Agency in Sarasota, Ryder receives a call from Macy Hollis, a young woman far from the future she once imagined. She left Kansas and college behind to build a life around Wade Dobbins—an older man with a troubling history, unstable work, financial problems, and explanations for nearly everything.
Macy does not ask Ryder whether Wade is a good man.
She wants facts.
A straightforward background investigation exposes a relationship built on contradictions. Ryder finds lies about employment, money, other women, access to Macy’s accounts, and decisions she once believed were entirely her own. Wade seems to know where Macy is, who she speaks with, and when she works. He uses her car, depends on her income, and always has another explanation ready.
Yet Ryder refuses to confuse bad character with proof of a specific crime.
Wade can be dishonest without every accusation against him being true. He can be manipulative without every unanswered question having the darkest possible answer. Macy’s incomplete memories cannot simply be filled with whatever explanation seems most likely.
Ryder’s job is not to manufacture certainty.
It’s to determine what can be established.
As the investigation expands, Macy begins questioning assumptions she has lived with for months. Her father arrives from Kansas to protect her. Police, attorneys, witnesses, digital records, surveillance footage, financial evidence, and a courtroom transform the case into something far larger.
Ryder is caught between competing versions of the same events.
One side sees an obvious predator.
Another sees a deeply flawed man being blamed because everyone dislikes him.
Macy is caught between them, trying to separate what she remembers from what she was told, what she chose from what she was pressured to accept, and what the evidence can actually prove.
Then the case appears to reach its answer.
Until one piece of evidence does not fit.
A time.
A photograph.
A person who should not have been where the records place him.
Ryder has built his career on the principle that inconvenient facts do not become less true because they threaten a conclusion everyone has accepted. When new evidence begins challenging the established timeline, he is forced to examine not only Wade Dobbins but the investigation itself.
The question changes.
It’s no longer simply whether a guilty man can convince people he is innocent.
It becomes whether investigators, witnesses, attorneys, and courts can reach a reasonable conclusion—and still be wrong about something that matters.
The Wrong Man is the third Ryder Talon Stone, PI novel, a psychological courtroom thriller about memory, coercion, accountability, evidence, and the dangerous comfort of certainty.
There are no easy answers here. Only people, choices, memories, lies, and evidence that refuses to arrange itself into the story everyone wants it to tell.
Ryder understands that justice cannot depend on whether he likes the person standing accused. A dishonest man is not automatically guilty of every allegation. A sincere witness can remember something incorrectly. A truthful statement can still lead investigators toward a false assumption.
For Ryder, one principle remains nonnegotiable:
The record has to follow the evidence—even when the evidence changes direction.
Because sometimes the most difficult investigation is not proving that someone is guilty.
It is having the courage to ask whether everyone identified the wrong man.
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Paperback. Etat : new. Paperback. BOOK THREE - THE WRONG MANRyder Talon Stone knows the most dangerous investigations do not always involve conspiracies, old enemies, or buried secrets.Sometimes they begin with a simple question: Is someone telling me the truth?At Leviathan Intelligence Agency in Sarasota, Ryder receives a call from Macy Hollis, a young woman far from the future she once imagined. She left Kansas and college behind to build a life around Wade Dobbins-an older man with a troubling history, unstable work, financial problems, and explanations for nearly everything.Macy does not ask Ryder whether Wade is a good man.She wants facts.A straightforward background investigation exposes a relationship built on contradictions. Ryder finds lies about employment, money, other women, access to Macy's accounts, and decisions she once believed were entirely her own. Wade seems to know where Macy is, who she speaks with, and when she works. He uses her car, depends on her income, and always has another explanation ready.Yet Ryder refuses to confuse bad character with proof of a specific crime.Wade can be dishonest without every accusation against him being true. He can be manipulative without every unanswered question having the darkest possible answer. Macy's incomplete memories cannot simply be filled with whatever explanation seems most likely.Ryder's job is not to manufacture certainty.It's to determine what can be established.As the investigation expands, Macy begins questioning assumptions she has lived with for months. Her father arrives from Kansas to protect her. Police, attorneys, witnesses, digital records, surveillance footage, financial evidence, and a courtroom transform the case into something far larger.Ryder is caught between competing versions of the same events.One side sees an obvious predator.Another sees a deeply flawed man being blamed because everyone dislikes him.Macy is caught between them, trying to separate what she remembers from what she was told, what she chose from what she was pressured to accept, and what the evidence can actually prove.Then the case appears to reach its answer.Until one piece of evidence does not fit.A time.A photograph.A person who should not have been where the records place him.Ryder has built his career on the principle that inconvenient facts do not become less true because they threaten a conclusion everyone has accepted. When new evidence begins challenging the established timeline, he is forced to examine not only Wade Dobbins but the investigation itself.The question changes.It's no longer simply whether a guilty man can convince people he is innocent.It becomes whether investigators, witnesses, attorneys, and courts can reach a reasonable conclusion-and still be wrong about something that matters.The Wrong Man is the third Ryder Talon Stone, PI novel, a psychological courtroom thriller about memory, coercion, accountability, evidence, and the dangerous comfort of certainty.There are no easy answers here. Only people, choices, memories, lies, and evidence that refuses to arrange itself into the story everyone wants it to tell.Ryder understands that justice cannot depend on whether he likes the person standing accused. A dishonest man is not automatically guilty of every allegation. A sincere witness can remember something incorrectly. A truthful statement can still lead investigators toward a false assumption.For Ryder, one principle remains nonnegotiable: The record has to follow the evidence-even when the evidence changes direction.Because sometimes the most difficult investigation is not proving that someone is guilty.It is having the courage to ask whether everyone i Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9798997904630
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Paperback. Etat : new. Paperback. BOOK THREE - THE WRONG MANRyder Talon Stone knows the most dangerous investigations do not always involve conspiracies, old enemies, or buried secrets.Sometimes they begin with a simple question: Is someone telling me the truth?At Leviathan Intelligence Agency in Sarasota, Ryder receives a call from Macy Hollis, a young woman far from the future she once imagined. She left Kansas and college behind to build a life around Wade Dobbins-an older man with a troubling history, unstable work, financial problems, and explanations for nearly everything.Macy does not ask Ryder whether Wade is a good man.She wants facts.A straightforward background investigation exposes a relationship built on contradictions. Ryder finds lies about employment, money, other women, access to Macy's accounts, and decisions she once believed were entirely her own. Wade seems to know where Macy is, who she speaks with, and when she works. He uses her car, depends on her income, and always has another explanation ready.Yet Ryder refuses to confuse bad character with proof of a specific crime.Wade can be dishonest without every accusation against him being true. He can be manipulative without every unanswered question having the darkest possible answer. Macy's incomplete memories cannot simply be filled with whatever explanation seems most likely.Ryder's job is not to manufacture certainty.It's to determine what can be established.As the investigation expands, Macy begins questioning assumptions she has lived with for months. Her father arrives from Kansas to protect her. Police, attorneys, witnesses, digital records, surveillance footage, financial evidence, and a courtroom transform the case into something far larger.Ryder is caught between competing versions of the same events.One side sees an obvious predator.Another sees a deeply flawed man being blamed because everyone dislikes him.Macy is caught between them, trying to separate what she remembers from what she was told, what she chose from what she was pressured to accept, and what the evidence can actually prove.Then the case appears to reach its answer.Until one piece of evidence does not fit.A time.A photograph.A person who should not have been where the records place him.Ryder has built his career on the principle that inconvenient facts do not become less true because they threaten a conclusion everyone has accepted. When new evidence begins challenging the established timeline, he is forced to examine not only Wade Dobbins but the investigation itself.The question changes.It's no longer simply whether a guilty man can convince people he is innocent.It becomes whether investigators, witnesses, attorneys, and courts can reach a reasonable conclusion-and still be wrong about something that matters.The Wrong Man is the third Ryder Talon Stone, PI novel, a psychological courtroom thriller about memory, coercion, accountability, evidence, and the dangerous comfort of certainty.There are no easy answers here. Only people, choices, memories, lies, and evidence that refuses to arrange itself into the story everyone wants it to tell.Ryder understands that justice cannot depend on whether he likes the person standing accused. A dishonest man is not automatically guilty of every allegation. A sincere witness can remember something incorrectly. A truthful statement can still lead investigators toward a false assumption.For Ryder, one principle remains nonnegotiable: The record has to follow the evidence-even when the evidence changes direction.Because sometimes the most difficult investigation is not proving that someone is guilty.It is having the courage to ask wheth Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9798997904630
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