In the first collection of his essays, outspoken critic Tim Sommer challenges some conventional beliefs about rock and explains how left-of-the-dial music in the '80s turned a generation of awkward loners into a cultural community.
Sommer is a musician, journalist, record producer and radio DJ. He was an on-air news correspondent for MTV and VH1 and later did A&R for Atlantic Records, where he signed, among others, Hootie & the Blowfish.
Dispatches From the Kingdom of Outsiders contains dozens of fervent and often surprising takes on music, culture and politics, offering a powerful and entertaining corrective to the timidity of so much modern music journalism.
From his precocious emergence as a teenaged rock writer, Sommer describes the Zelig-like experiences of his life, mounts controversial arguments about well-known artists, connects music and politics in unexpected ways and reflects on a handful artists whose deaths affected him.
Grouped into seven themed sections, the book covers U2 and R.E.M. to the Beatles and Taylor Swift, Bob Dylan to Frank Sinatra and Bruce Springsteen. It also includes in-depth interviews with Dave Davies of the Kinks and a previously unpublished interview with Mark E. Smith of the Fall.
Sample chapter titles:
With its diverse collection of subjects and entertaining opinions, this colorful, rollicking collection of writing will appeal to (and perhaps infuriate) a wide variety of music fans.
Billy Idol: "Tim Sommer goes deep on a whole century of rock and pop culture, from Bowie to Buddy Bolden, Spike Milligan to Taylor Swift, and everything in between. Punk was always a state of mind, as much as a sound or a look, and this book is punk AF."
Thurston Moore, co-founder of Sonic Youth: "It was the pleasure of noise, be it from the margins or from the mainstream, that inspired Tim to pontificate so excitedly. While his “dispatches” are modestly critical and discerning, they are essentially informed by joy, an aspect of shared dialogue utterly welcoming -- and one the world necessitates now more than ever."
Geoff Edgers, national arts reporter, The Washington Post and author of Walk This Way: Run-DMC, Aerosmith, and the Song That Changed American Music Forever: "Sommer is a throwback to when people writing about music wrote whatever they wanted, took shocking takes not to garner social media attention but because they really believed in them, and did not worry about industry repercussions. He's also a little insane. This is a truly original document of the kind of smart, free, joyous writing we so rarely find anywhere today. Tim Sommer writes because he has to, not because he's trying to impress anyone, and his takes -- on the Beatles, Glenn Branca, Kent State and just about anything that pops into his brain -- are refreshingly disinterested in scoring social media points."
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Since debuting as a columnist for Trouser Press magazine when he was 16, Tim Sommer has been a participant in, witness to and catalyst for some of the pivotal moments in music history. He has worked extensively as a musician, journalist, major label creative executive, MTV and VH1 producer and VJ, record producer and club and radio DJ.
As a journalist, Sommer has contributed to the Village Voice, Sounds (UK), New York Daily News, Washington Post, New York Times, Mojo (UK), LA Weekly, The Observer, Rolling Stone, Spin, Rock and Roll Globe and many other publications.
From 1989 to 1992, Sommer was on staff at MTV and VH1 as an on-air news correspondent. For the bulk of the 1990s, he worked as an A&R rep for Atlantic Records. He signed and supervised record production for Hootie & the Blowfish, Duncan Sheik, Michael Crawford, Scott Weiland, Bruce McCulloch, 7 Year Bitch, Melissa Ferrick and King Missile.
In 2022, he published Only Wanna Be With You: The Inside Story of Hootie & the Blowfish.
The author lives in Stamford, CT.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. In the first collection of his essays, outspoken critic Tim Sommer challenges some conventional beliefs about rock and explains how left-of-the-dial music in the '80s turned a generation of awkward loners into a cultural community.Sommer is a musician, journalist, record producer and radio DJ. He was an on-air news correspondent for MTV and VH1 and later did A&R for Atlantic Records, where he signed, among others, Hootie & the Blowfish.Dispatches From the Kingdom of Outsiders contains dozens of fervent and often surprising takes on music, culture and politics, offering a powerful and entertaining corrective to the timidity of so much modern music journalism.From his precocious emergence as a teenaged rock writer, Sommer describes the Zelig-like experiences of his life, mounts controversial arguments about well-known artists, connects music and politics in unexpected ways and reflects on a handful artists whose deaths affected him.Grouped into seven themed sections, the book covers U2 and R.E.M. to the Beatles and Taylor Swift, Bob Dylan to Frank Sinatra and Bruce Springsteen. It also includes in-depth interviews with Dave Davies of the Kinks and a previously unpublished interview with Mark E. Smith of the Fall.Sample chapter titles: I Was Almost a Temporary Beastie BoyMeet the Beatles First Left-Handed BassistWhat Was the First Punk Rock Record?Weezers cover of Toto's Africa Is the Most Repugnant Pop Recording of All TimeHow Kent State Helped Create the Template for American Indie RockWith its diverse collection of subjects and entertaining opinions, this colorful, rollicking collection of writing will appeal to (and perhaps infuriate) a wide variety of music fans.Billy Idol: "Tim Sommer goes deep on a whole century of rock and pop culture, from Bowie to Buddy Bolden, Spike Milligan to Taylor Swift, and everything in between. Punk was always a state of mind, as much as a sound or a look, and this book is punk AF."Thurston Moore, co-founder of Sonic Youth: "It was the pleasure of noise, be it from the margins or from the mainstream, that inspired Tim to pontificate so excitedly. While his dispatches are modestly critical and discerning, they are essentially informed by joy, an aspect of shared dialogue utterly welcoming -- and one the world necessitates now more than ever."Geoff Edgers, national arts reporter, The Washington Post and author of Walk This Way: Run-DMC, Aerosmith, and the Song That Changed American Music Forever: "Sommer is a throwback to when people writing about music wrote whatever they wanted, took shocking takes not to garner social media attention but because they really believed in them, and did not worry about industry repercussions. He's also a little insane. This is a truly original document of the kind of smart, free, joyous writing we so rarely find anywhere today. Tim Sommer writes because he has to, not because he's trying to impress anyone, and his takes -- on the Beatles, Glenn Branca, Kent State and just about anything that pops into his brain -- are refreshingly disinterested in scoring social media points." Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9798999048738
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Paperback. Etat : New. New York. In the first collection of his essays, outspoken critic Tim Sommer challenges some conventional beliefs about rock and explains how left-of-the-dial music in the '80s turned a generation of awkward loners into a cultural community.Sommer is a musician, journalist, record producer and radio DJ. He was an on-air news correspondent for MTV and VH1 and later did AandR for Atlantic Records, where he signed, among others, Hootie and the Blowfish.Dispatches From the Kingdom of Outsiders contains dozens of fervent and often surprising takes on music, culture and politics, offering a powerful and entertaining corrective to the timidity of so much modern music journalism.From his precocious emergence as a teenaged rock writer, Sommer describes the Zelig-like experiences of his life, mounts controversial arguments about well-known artists, connects music and politics in unexpected ways and reflects on a handful artists whose deaths affected him.Grouped into seven themed sections, the book covers U2 and R.E.M. to the Beatles and Taylor Swift, Bob Dylan to Frank Sinatra and Bruce Springsteen. It also includes in-depth interviews with Dave Davies of the Kinks and a previously unpublished interview with Mark E. Smith of the Fall.Sample chapter titles: I Was Almost a Temporary Beastie BoyMeet the Beatles' First Left-Handed BassistWhat Was the First Punk Rock Record?Weezer's cover of Toto's "Africa" Is the Most Repugnant Pop Recording of All TimeHow Kent State Helped Create the Template for American Indie RockWith its diverse collection of subjects and entertaining opinions, this colorful, rollicking collection of writing will appeal to (and perhaps infuriate) a wide variety of music fans.Billy Idol: "Tim Sommer goes deep on a whole century of rock and pop culture, from Bowie to Buddy Bolden, Spike Milligan to Taylor Swift, and everything in between. Punk was always a state of mind, as much as a sound or a look, and this book is punk AF."Thurston Moore, co-founder of Sonic Youth: "It was the pleasure of noise, be it from the margins or from the mainstream, that inspired Tim to pontificate so excitedly. While his "dispatches" are modestly critical and discerning, they are essentially informed by joy, an aspect of shared dialogue utterly welcoming -- and one the world necessitates now more than ever."Geoff Edgers, national arts reporter, The Washington Post and author of Walk This Way: Run-DMC, Aerosmith, and the Song That Changed American Music Forever: "Sommer is a throwback to when people writing about music wrote whatever they wanted, took shocking takes not to garner social media attention but because they really believed in them, and did not worry about industry repercussions. He's also a little insane. This is a truly original document of the kind of smart, free, joyous writing we so rarely find anywhere today. Tim Sommer writes because he has to, not because he's trying to impress anyone, and his takes -- on the Beatles, Glenn Branca, Kent State and just ab. N° de réf. du vendeur LU-9798999048738
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Vendeur : Rarewaves USA, HEBRON, KY, Etats-Unis
Paperback. Etat : New. New York. In the first collection of his essays, outspoken critic Tim Sommer challenges some conventional beliefs about rock and explains how left-of-the-dial music in the '80s turned a generation of awkward loners into a cultural community.Sommer is a musician, journalist, record producer and radio DJ. He was an on-air news correspondent for MTV and VH1 and later did AandR for Atlantic Records, where he signed, among others, Hootie and the Blowfish.Dispatches From the Kingdom of Outsiders contains dozens of fervent and often surprising takes on music, culture and politics, offering a powerful and entertaining corrective to the timidity of so much modern music journalism.From his precocious emergence as a teenaged rock writer, Sommer describes the Zelig-like experiences of his life, mounts controversial arguments about well-known artists, connects music and politics in unexpected ways and reflects on a handful artists whose deaths affected him.Grouped into seven themed sections, the book covers U2 and R.E.M. to the Beatles and Taylor Swift, Bob Dylan to Frank Sinatra and Bruce Springsteen. It also includes in-depth interviews with Dave Davies of the Kinks and a previously unpublished interview with Mark E. Smith of the Fall.Sample chapter titles: I Was Almost a Temporary Beastie BoyMeet the Beatles' First Left-Handed BassistWhat Was the First Punk Rock Record?Weezer's cover of Toto's "Africa" Is the Most Repugnant Pop Recording of All TimeHow Kent State Helped Create the Template for American Indie RockWith its diverse collection of subjects and entertaining opinions, this colorful, rollicking collection of writing will appeal to (and perhaps infuriate) a wide variety of music fans.Billy Idol: "Tim Sommer goes deep on a whole century of rock and pop culture, from Bowie to Buddy Bolden, Spike Milligan to Taylor Swift, and everything in between. Punk was always a state of mind, as much as a sound or a look, and this book is punk AF."Thurston Moore, co-founder of Sonic Youth: "It was the pleasure of noise, be it from the margins or from the mainstream, that inspired Tim to pontificate so excitedly. While his "dispatches" are modestly critical and discerning, they are essentially informed by joy, an aspect of shared dialogue utterly welcoming -- and one the world necessitates now more than ever."Geoff Edgers, national arts reporter, The Washington Post and author of Walk This Way: Run-DMC, Aerosmith, and the Song That Changed American Music Forever: "Sommer is a throwback to when people writing about music wrote whatever they wanted, took shocking takes not to garner social media attention but because they really believed in them, and did not worry about industry repercussions. He's also a little insane. This is a truly original document of the kind of smart, free, joyous writing we so rarely find anywhere today. Tim Sommer writes because he has to, not because he's trying to impress anyone, and his takes -- on the Beatles, Glenn Branca, Kent State and just ab. N° de réf. du vendeur LU-9798999048738
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Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In his first collection of essays, critic Tim Sommer challenges some conventional beliefs about rock and explores how left-of-the-dial music in the '80s turned a generation of awkward loners into a cultural community. Sommer is a musician, journalist, record producer and radio DJ. He was an on-air news correspondent for MTV and VH1 and later did A&R for Atlantic Records, where he signed, among others, Hootie & the Blowfish. Dispatches From the Kingdom of Outsiders contains dozens of fervent and often surprising takes on music, culture and politics, offering a powerful and entertaining corrective to the timidity of so much modern music journalism. From his precocious emergence as a teenaged rock writer, Sommer describes the Zelig-like experiences of his life, mounts controversial arguments about well-known artists, connects music and politics in unexpected ways and reflects on a handful artists whose deaths affected him. Grouped into seven themed sections, the book covers U2 and R.E.M. to the Beatles and Taylor Swift, Bob Dylan to Frank Sinatra and Bruce Springsteen. Sample chapter titles: I Was Almost a Temporary Beastie BoyMeet the Beatles' First Left-Handed BassistWhat Was the First Punk Rock Record Weezer's cover of Toto's 'Africa' Is the Most Repugnant Pop Recording of All TimeHow Kent State Helped Create the Template for American Indie RockWith its diverse collection of subjects and entertaining opinions, this colorful, rollicking collection of writing will appeal to (and perhaps infuriate) a wide variety of music fans. Billy Idol: 'Tim Sommer goes deep on a whole century of rock and pop culture, from Bowie to Buddy Bolden, Spike Milligan to Taylor Swift, and everything in between. Punk was always a state of mind, as much as a sound or a look, and this book is punk AF.'Thurston Moore, co-founder of Sonic Youth: 'It was the pleasure of noise, be it from the margins or from the mainstream, that inspired Tim to pontificate so excitedly. While his 'dispatches' are modestly critical and discerning, they are essentially informed by joy, an aspect of shared dialogue utterly welcoming -- and one the world necessitates now more than ever.'. N° de réf. du vendeur 9798999048738
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Paperback. Etat : new. Paperback. In the first collection of his essays, outspoken critic Tim Sommer challenges some conventional beliefs about rock and explains how left-of-the-dial music in the '80s turned a generation of awkward loners into a cultural community.Sommer is a musician, journalist, record producer and radio DJ. He was an on-air news correspondent for MTV and VH1 and later did A&R for Atlantic Records, where he signed, among others, Hootie & the Blowfish.Dispatches From the Kingdom of Outsiders contains dozens of fervent and often surprising takes on music, culture and politics, offering a powerful and entertaining corrective to the timidity of so much modern music journalism.From his precocious emergence as a teenaged rock writer, Sommer describes the Zelig-like experiences of his life, mounts controversial arguments about well-known artists, connects music and politics in unexpected ways and reflects on a handful artists whose deaths affected him.Grouped into seven themed sections, the book covers U2 and R.E.M. to the Beatles and Taylor Swift, Bob Dylan to Frank Sinatra and Bruce Springsteen. It also includes in-depth interviews with Dave Davies of the Kinks and a previously unpublished interview with Mark E. Smith of the Fall.Sample chapter titles: I Was Almost a Temporary Beastie BoyMeet the Beatles First Left-Handed BassistWhat Was the First Punk Rock Record?Weezers cover of Toto's Africa Is the Most Repugnant Pop Recording of All TimeHow Kent State Helped Create the Template for American Indie RockWith its diverse collection of subjects and entertaining opinions, this colorful, rollicking collection of writing will appeal to (and perhaps infuriate) a wide variety of music fans.Billy Idol: "Tim Sommer goes deep on a whole century of rock and pop culture, from Bowie to Buddy Bolden, Spike Milligan to Taylor Swift, and everything in between. Punk was always a state of mind, as much as a sound or a look, and this book is punk AF."Thurston Moore, co-founder of Sonic Youth: "It was the pleasure of noise, be it from the margins or from the mainstream, that inspired Tim to pontificate so excitedly. While his dispatches are modestly critical and discerning, they are essentially informed by joy, an aspect of shared dialogue utterly welcoming -- and one the world necessitates now more than ever."Geoff Edgers, national arts reporter, The Washington Post and author of Walk This Way: Run-DMC, Aerosmith, and the Song That Changed American Music Forever: "Sommer is a throwback to when people writing about music wrote whatever they wanted, took shocking takes not to garner social media attention but because they really believed in them, and did not worry about industry repercussions. He's also a little insane. This is a truly original document of the kind of smart, free, joyous writing we so rarely find anywhere today. Tim Sommer writes because he has to, not because he's trying to impress anyone, and his takes -- on the Beatles, Glenn Branca, Kent State and just about anything that pops into his brain -- are refreshingly disinterested in scoring social media points." This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9798999048738
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