Afterimage Draw Through Process

Butler, Cornelia

ISBN 10: 0262522624 / ISBN 13: 9780262522625

Edité par MIT Press, 1999

A propos de cet article

This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1150grams, ISBN:9780262522625. N° de réf. du vendeur 5816663

Détails bibliographiques

Titre : Afterimage Draw Through Process

Éditeur : MIT Press

Date d'édition : 1999

Reliure : Couverture souple

Etat : Fair

A propos de ce titre

Synopsis :

The term "process art" describes a moment of radical, a formal experimentation in postwar American sculpture. Through the medium of drawing, Afterimage revisits process art in terms of the artists who defined the movement and suggests a transitional moment when many of its practitioners anticipated the feminist and post minimalist art of the 1970s.

The term "process art" describes a moment of radical, a formal experimentation in postwar American sculpture. Through the medium of drawing, Afterimage revisits process art in terms of the artists who defined the movement and suggests a transitional moment when many of its practitioners anticipated the feminist and postminimalist art ofthe 1970s. Nancy Grossman's use of language, for example, suggests a kind of material abstraction, and Nancy Holt's earth works and related drawings introduced content into a minimalist vocabulary. The book also explores the drawing as a residual object in works in which the process of making dictates the form of the drawing. Examples include Gordon Matta-Clark's stacked cuttings, Robert Morris' "blind time" drawings, and Sol Lewitt's folded construction drawings. Other works, such as those by Bruce Nauman and Robert Smithson, record a particular approach to body-based and process-oriented sculpture. The book, which accompanies an exhibition, contains an essay by Cornelia H. Butler on the historical ambiguity surrounding process art and one by Pamela M. Lee on temporality in work of the late 1960s. The artists included in the book are William Anastasi, Richard Artschwager, Mel Bochner, Agnes Denes, Nancy Grossman, Robert Grosvenor, Marcia Hafif, Eva Hesse, Nancy Holt, Barry LeVa, Sol Lewitt, Lee Lozano, Sylvia Plimack Mangold, Gordon Matta-Clark, Robert Morris, Bruce Nauman, Yvonne Rainer, Dorothea Rockburne, Alan Saret, Joel Shapiro, Robert Smithson, Michelle Stuart, Richard Tuttle, and Jack Whitten. Copublished with The Museum of Contemporary Art. Los Angeles.

EXHIBITION SCHEDULE: The Museum of Contemporary Art, Los Angeles Los Angeles, California April 11-August 22, 1999 Contemporary Arts Museum Houston, Texas May-July 2000 Henry Art Gallery Seattle, Washington July-September 2000

À propos de l?auteur:

Cornelia Butler is Ahmanson Curatorial Fellow at The Museum of Contemporary Art, Los Angeles, and The Robert Lehman Foundation Chief Curator of Drawings at the Museum of Modern Art, New York.