Aftermath: The Fall and the Rise After the Event (Topographies of (Post)Modernity: Studies in 20th and 21st Century Literature in English)

ISBN 10: 8323347182 / ISBN 13: 9788323347187

Edité par Jagiellonian University Press, 2021

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N° de réf. du vendeur 390401663

Détails bibliographiques

• Titre: Aftermath: The Fall and the Rise After the Event (Topographies of (Post)Modernity: Studies in 20th and 21st Century Literature in English)
• Éditeur: Jagiellonian University Press
• Date de parution: 2021
• Langue: anglais
• ISBN à 10 chiffres: 8323347182
• ISBN à 13 chiffres: 9788323347187
• Reliure: Couverture souple
• État de l'article: New

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Synopsis

What happens in the wake of the event? Is the event's aftermath always characterised by the experience of disorder, fragmentation, and impermanence? Or, alternatively, can aftermath be seen as a new growth, a second crop of grass that can be sown and reaped and which gives rise to a new integrity, a new unity? The volume's twenty-three essays by scholars from Australia, France, Germany, India, Ireland, Luxembourg, New Zealand, Poland, Spain, and the United States re-visit the notion and representation of aftermath, understood here widely as a consequence/result/after-effect of a seminal event (to an individual, a community, society, regions or nations), and explore its transformative and life-changing characteristics. While acknowledging disastrous or catastrophic consequences of the event, Aftermath argues in favour of recognising some rejuvenating potential of its after-effects.

Topographies of (Post)Modernity: Studies in 20th and 21st Century Literature in English is a bilingual, English-Polish book series dedicated to publishing original research on 20th and 21st century literature in English. Monographs and collective volumes in the series address, but are not restricted to, the following research areas: literary genre studies, comparative literature, cultural poetics and transversality of ideas, as well as transnationalism of literature in English.

À propos de l?auteur

Robert Kusek, is an Assistant Professor in the Department of Comparative Studies in Literature and Culture at the Institute of English Studies, Jagiellonian University in Kraków. His research interests include life writing genres, the contemporary novel in English, poetics of memory and loss, as well as a comparative approach to literary studies. He is the author of two monographs, including Through the Looking Glass: Writers' Memoirs at the Turn of the 21st Century (2017), and several dozen articles published in books, academic journals, and magazines, as well as co-editor of ten volumes of articles, most notably Travelling Texts: J.M. Coetzee and Other Writers (2014). He also works at the Research Institute of European Heritage at the International Cultural Centre in Kraków.

Beata Piątek is an Assistant Professor in the Department of Comparative Literature and Culture at the Institute of English Studies, Jagiellonian University in Kraków. Her academic interests include the influence of memory on identity, collective and cultural memory, and literature as an instrument of cultural memory with particular emphasis on the question of trauma and its representation in literature and culture. She is the author of History, Memory, Trauma in Contemporary British and Irish Fiction (2014) and articles on contemporary British and Irish literature and culture. She is also working in the areas of posthumanism and animal studies.

Wojciech Szymański Wojciech Szymański is an Assistant Professor at the Department of the History of Modern Art and Culture at the Institute of Art History, University of Warsaw. He is an independent curator and art critic; member of the International Association of Art Critics (AICA), author of the book Argonauci. Postminimalizm i sztuka po nowoczesności: Eva Hesse, Felix Gonzalez-Torres, Roni Horn, Derek Jarman [The Argonauts. Postminimalism and Art after Modernism: Eva Hesse, Felix Gonzalez-Torres, Roni Horn, Derek Jarman] (2015), and numerous academic and critical texts; curator of group and solo shows and art projects. His current research focuses on visual memory of the Great War. He is a member of CRUSEV (Cruising the 1970s: Unearthing Pre-HIV/AIDS Queer Sexual Cultures) research team in the framework of HERA Grants.