America Starts Here : Kate Ericson and Mel Ziegler
Langue : anglais
Edité par MIT Press Cambridge, MA, 2005
- Livre relié
- Occasion
Vendeur : Specific Object / David Platzker, New York, NY, Etats-UnisSpecific Object / David Platzker
Vendeur AbeBooks depuis 20 mars 2018
Etat: Occasion
EUR 22,15
Quantité disponible : 1 disponible(s)
Ajouter au panierItem description from seller
216 pp.; 30.8 x 23.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY, October 1 - December 30, 2005. Traveled to List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, Massachusetts, February 9 - April 8, 2006; Austin Museum of Art, Austin, Texas, February 10 - May 6, 2007; H&R Block Artspace, Kansas City Art Institute, Kansas City, Missouri, July - October, 2007 and the Cincinnati Contemporary Arts Center, Cincinnatti, Ohio, November 10, 2007 - January 13, 2008. Edited by Ian Berry and Bill Arning. Essays by Bill Arning, Judith Hoos Fox, Kathleen Goncharov, Mary Jane Jacob, Patricia C. Phillips, Lane Relyea, Ned Rifkin, Valerie Smith and Judith Tannenbaum. With an interview between Mel Ziegler and Ian Berry. Includes contributor biographies, a checklist of the exhibition, exhibition and project history (compiled by Jen Mergel) and a selected bibliography. Very Good / Fine. 3 mm. dent to verso and very minimal rubbing of covers. Contents clean and unmarked. Due to large size and weight additional shipping charges may be required for international orders.…
N° de réf. du vendeur 35893
- Titre
- America Starts Here : Kate Ericson and Mel Ziegler
- Auteur
- Kate Ericson, Mel Ziegler, Ian Berry, Bill Arning, Judith Hoos Fox, Kathleen Goncharov, Mary Jane Jacob, Patricia C. Phillips, Lane Relyea, Ned Rifkin, Valerie Smith, Judith Tannenbaum
- Éditeur
- MIT Press Cambridge, MA
- Année de publication
- 2005
- Reliure
- Couverture rigide
- Langue
- anglais
- ISBN à 10 chiffres
- 0262012286
- ISBN à 13 chiffres
- 9780262012287
During their decade-long collaboration (1985-1995), Kate Ericson and Mel Ziegler produced some of the most influential conceptual art projects of the time. Among their witty and stimulating installations and outdoor projects was Camouflaged History, a house painted in a U.S. Army-designed camouflage pattern using 72 commercial paint colors included in the municipally-approved "authentic colors" of historic Charleston, South Carolina. The commercial name of each paint, commemorating an aspect of the city's history, is also painted on the house, revealing and illuminating the lingering Civil War-era past of the region. Like the Earthwork pioneers, Ericson and Ziegler took the whole country as their working space; but rather than impose a conspicuous work of art upon a site or situation, they devised projects that altered sites subtly, creating a patchwork of poetic narratives and histories to be excavated. The windows rescued from the old National Licorice factory in Philadelphia in the title piece America Starts Here—which takes its name from the slogan used to promote Pennsylvania tourism during the 1980s—are hung according to the location of the original windows in the factory; the cracks in the glass echo the famous cracks in two of Philadelphia's tourist attractions, the Liberty Bell and Marcel Duchamp's The Large Glass.
Kate Ericson's death from cancer in 1995 at age 39 made the body of Ericson and Ziegler's collaborative work finite. America Starts Here offers a generous selection of Ericson and Ziegler's work, with much of it reproduced in color, and provides a critical analysis of the artists' still under-appreciated position in the history of twentieth-century art. It accompanies the first retrospective exhibition of Ericson and Ziegler's work.
Copublished with The Frances Young Tang Teaching Museum at Skidmore College and List Visual Arts Center at MIT.
« Synopsis » peut appartenir à une autre édition de cet ouvrage.
À propos de l’auteur
Bill Arning is Curator at the List Visual Arts Center at MIT.
Bill Arning is Curator at the List Visual Arts Center at MIT.
Ian Berry is Associate Director for Curatorial Affairs and Malloy Curator at the Tang Teaching Museum and Art Gallery at Skidmore College.
Lane Relyea is Associate Professor and Chair of Art, Theory, and Practice at Northwestern University and the Editor-in-Chief of Art Journal. His essays and reviews have appeared in such journals as Artforum, Parkett, Frieze, Art in America, and Flash Art.
Bill Arning is Curator at the List Visual Arts Center at MIT.
« A propos de ce titre » peut appartenir à une autre édition de cet ouvrage.
Specific Object / David Platzker
New York, NY, Etats-Unis
Vendeur AbeBooks depuis 20 mars 2018
Frais d'expédition à l'intérieur de ce pays : Etats-Unis
| Article | 5 à 15 jours ouvrés | 1 à 3 jours ouvrés |
|---|---|---|
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Description de la boutique
Specific Object is a gallery, bookstore, and think-tank dedicated to art post 1958 - specifically pop, Fluxus, minimal and conceptual - with an interest in the art that informed the 1960s and 1970s, as well as artists whose works organically followed from the era. Specific Object is always interested in purchasing artwork as well as used books, ephemera and other objects of interest. Specific Object works to isolate distinct works of value - historically, monetarily and / or intellectually valuable - and show them in isolated contexts, allowing these works, or objects, their own place, space and time. The material Specific Object presented ranged from artists' publications, ephemera, prints, multiples and other editions to literature, music / audio works and unique artworks of the contemporary world. In November 2004 Specific Object acquired the inventory of Barbara Moore's bookstore Bound & Unbound. Through her bookshops Bound & Unbound and its predecessor Backworks, founded in 1976, Moore has been a seminal and innovative champion of artists working in alternative mediums. From 1998 through 2004 David Platzker was the Executive Director of the non-profit institution Printed Matter, Inc. He is also the co-author, and co-curator - with Elizabeth Wyckoff - of "Hard Pressed: 600 Years of Prints and Process" (International Print Center New York & Hudson Hills Press, 2000); and - with Richard H. Axsom - the book and exhibition entitled "Printed Stuff: Prints, Posters, and Ephemera by Claes Oldenburg : A Catalogue Raisonné 1958-1996" (Madison Art Center & Hudson Hills Press, 1997), which was awarded the George Wittenborn Award for Best Art Publication of 1997 by the Art Libraries Society of North America. He has curated exhibitions of the works of Art & Project, John Baldessari, Marcel Broodthaers, Documenta 5, Conceptual Art, Marcel Duchamp, Donald Judd, John McLaughlin, Bruce Nauman, Oldenburg, Raymond Pettibon, Dieter Roth, and Edward Ruscha in addition to commissioning or curating exhibitions at Printed Matter of Angelblood, Larry Clark, Erin Cosgrove, Meg Cranston, General Idea, Jenny Holzer, Reverend Jen, Allan Kaprow, Yoko Ono, Ryan McGinness, Sonic Youth, Tom Sachs, David Tremlett, Richard Tuttle and the Guerrilla Girls. Platzker was also the host of WPS1.org's Recorded Matter online radio program. Archived programs can be found at www.artonair.org. His writings have been included in Claude Closky: Hello And Welcome, I Love John Giorno, Jonathan Monk: In Relief (My Collection of Sol LeWitt Books - Exact Size, Shape and Occasionally Colour), 2015. From 2013 through 2018 Platzker was Curator of Drawings and Prints at The Museum of Modern Art, New York, where he curated the exhibitions "There Will Never Be Silence: Scoring John Cage's 4'33"" with Jon Hendricks; "Sites of Reason: A Selection of Recent Acquisitions" with Erica Papernik; "Gilbert & George: The Early Years; and Adrian Piper: A Synthesis of Intuitions, 1965 - 2016" with Connie Butler and Christophe Cherix. He authored essays for the catalogues "Yoko Ono: One Woman Show, 1960-1971," "Louise Lawler : Receptions," "Being Modern: Building the Collection of The Museum of Modern Art," and the critical theory volume "Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology" (MoMA Primary Documents). His additional MoMA publications include the vinyl LPs "There Will Never Be Silence," "The Thoughts of Gilbert & George," and "Antonio Dias: The Space Between" as well as the artists' books "Yoko Ono: Grapefruit" and "The Conquest of Space: Atlas for the Use of Artists and the Military" by Marcel Broodthaers. Recent writings also include "A Love Supreme: Charles Gaines and Trees," in "Charles Gaines : Palm Trees and Other Works" (Hauser & Wirth) and "John Baldessari Gets Booked" in "John Baldessari Catalogue Raisonné, Volume Six: 2011 - 2019" (Marian Goodman / Yale Univ. Press). Visit www.specificobject.com for our complete inventory.…
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Pop Art, Contemporary Art, Artists' Books, Multiples, Fluxus, Conceptual ArtProfil professionnel du vendeur
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specific object / david platzker
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