Androids, Humanoids, and Other Science Fiction Monsters: Science and Soul in Science Fiction Films

Schelde Per

ISBN 10: 0814779301 / ISBN 13: 9780814779309

Edité par NYU Press, 1993

A propos de cet article

Hardcover; Hardcover in dust jacket. Clean black cloth boards with title in gold on spine. Text pages are crisp and clean. Very nice black photo illustrated dust jacket shows light rubbing. Looks nice when placed in new protective mylar. Always carefully wrapped and shipped in cardboard boxes to protect your purchase. ; B/w Photos; 8VO; 278 pages.

N° de réf. du vendeur 000695

Détails bibliographiques

• Titre: Androids, Humanoids, and Other Science Fiction Monsters: Science and Soul in Science Fiction Films
• Éditeur: NYU Press
• Date de parution: 1993
• Langue: anglais
• ISBN à 10 chiffres: 0814779301
• ISBN à 13 chiffres: 9780814779309
• Reliure: Hardcover
• État de l'article: Very Good
• État de la jaquette: Very Good

A propos de ce titre

Synopsis

Unlike science fiction literature, science fiction film has until now been largely neglected as a genre worthy of study and scholarship. This book explores science fiction (sf) films as the modern incarnation of folklore, emblematic of the struggle between nature and culture - but with a new twist. Schelde explains how technology and outer space came to represent the modern wild. The new unknown came alive in the popular imagination with the embodiments of our fears of that unknown: androids, cyborgs, genetics, and artificial intelligence gone awry. Implicit in all of these is fear, an indictment of the power of science to invade our minds and bodies, replacing the individual soul with a mechanical, machine-made one. Focusing on his analysis on 65 popular films, from "Frankenstein" and "Metropolis" to "Invasion of the Body Snatchers", "The Terminator" and "Blade Runner", Shelde brings his command of traditional folklore to this study. He decodes their curious and often terrifying images as expressions of modern man's angst in the face of a rapidly advancing culture he cannot control. This book should be interesting to anyone who is concerned with popular culture, folklore, film studies or science fiction.