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Art and Authenticity explores a range of questions around the ideas of authenticity, originality and replication in art. The authors move far beyond the fundamental question of 'Is it genuine?' to themes and definitions surrounding authenticity as a concept operating across different periods and contexts.The chapters consider empirical aspects of art analysis but also more conceptual and theoretical understandings of authenticity. For example, is there such a thing as authentic presentation and display of artworks? Can the idea of authenticity be applied to subject-matter and style? How do the art market and the art world respond to the perceived authenticity of artworks? This book addresses a wide range of topics within the arts and will appeal to a broad readership, from students and art specialists to art-world enthusiasts.

À propos de l?auteur: Megan Aldrich is Academic Director of Sotheby's Institute of Art, London and a Fellow of the Society of Antiquaries of London. She is a specialist in antiquarian interiors and the history of the gothic revival, and has numerous publications in this field, including Gothic Revival (Phaidon, 1994). Most recently she co-edited Antiquaries and Archaists: the past in the past, the past in the present (Spire Books, 2009) with Robert Wallis. Jos Hackforth-Jones is Director of Sotheby's Institute of Art, London and a Fellow of the Royal Society of Arts. She is a specialist in the field of portraiture and cross-cultural identities and has published widely, most recently in Edges of Empire: Orientalism and Visual Culture, co-edited with Mary Roberts (Blackwell, 2005). She was lead curator of Between Worlds: Voyagers to Britain, 1700-1850 (2007), an exhibition at the National Portrait Gallery, London, for which she also edited the catalogue.

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Titre : Art and Authenticity
Éditeur : Lund Humphries
Date d'édition : 2012
Reliure : Hardcover
Etat : Good

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ISBN 10 : 1848220987 ISBN 13 : 9781848220980
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Paperback. Etat : Good. Art and Authenticity explores a range of questions around the ideas of authenticity, originality and replication in art. The authors move far beyond the fundamental question of 'Is it genuine?' to themes and definitions surrounding authenticity as a concept operating across different periods and contexts. The chapters consider empirical aspects of art analysis but also more conceptual and theoretical understandings of authenticity. For example, is there such a thing as authentic presentation and display of artworks? Can the idea of authenticity be applied to subject-matter and style? How do the art market and the art world respond to the perceived authenticity of artworks? This book addresses a wide range of topics within the arts and will appeal to a broad readership, from students and art specialists to art-world enthusiasts.Historically, the idea of scientific verification has arisen as a reaction against the perceived excesses of the connoisseurial tradition, a tradition which has fallen from favour over the last 50 years. The idea of individual 'expert knowledge' rests uneasily in the current climate. However, recent attempts by experts to develop definitive scientific methods for authenticating artworks are also proving to be problematic. Connoisseurship, it will be argued, still has its role to play within these debates.Therefore, through the broad range of artworks and perspectives developed within this volume, the book suggests that although the concept of authenticity is not without validity or usefulness, it nonetheless poses a continually moving target within the frameworks of varied cultural and historical constructs. The authors challenge a narrow interpretation of 'authenticity' as a concept applied to the art world, for the issues surrounding authenticity are rarely black and white. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. N° de réf. du vendeur GOR005955858

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Paperback. Etat : Very Good. Art and Authenticity explores a range of questions around the ideas of authenticity, originality and replication in art. The authors move far beyond the fundamental question of 'Is it genuine?' to themes and definitions surrounding authenticity as a concept operating across different periods and contexts. The chapters consider empirical aspects of art analysis but also more conceptual and theoretical understandings of authenticity. For example, is there such a thing as authentic presentation and display of artworks? Can the idea of authenticity be applied to subject-matter and style? How do the art market and the art world respond to the perceived authenticity of artworks? This book addresses a wide range of topics within the arts and will appeal to a broad readership, from students and art specialists to art-world enthusiasts.Historically, the idea of scientific verification has arisen as a reaction against the perceived excesses of the connoisseurial tradition, a tradition which has fallen from favour over the last 50 years. The idea of individual 'expert knowledge' rests uneasily in the current climate. However, recent attempts by experts to develop definitive scientific methods for authenticating artworks are also proving to be problematic. Connoisseurship, it will be argued, still has its role to play within these debates.Therefore, through the broad range of artworks and perspectives developed within this volume, the book suggests that although the concept of authenticity is not without validity or usefulness, it nonetheless poses a continually moving target within the frameworks of varied cultural and historical constructs. The authors challenge a narrow interpretation of 'authenticity' as a concept applied to the art world, for the issues surrounding authenticity are rarely black and white. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR009263995

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Aldrich, Megan; Hackforth-Jones, Jos; Bellingham, David; Clancy, Jonathan; Darby, Lis; Degen, Natasha; Downey, Anthony; Von der Goltz, Sophie; Lasic, Barbara; Riley, Noël; Vere, Bernard; Wesley, Morgan
Edité par Lund Humphries. Surrey, 2012
ISBN 10 : 1848220987 ISBN 13 : 9781848220980
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Cloth. Etat : Near Fine. Etat de la jaquette : Near Fine. 208 pages illustrations throughout. Minor indentations along the edges of the boards. A minor tear to the dustjacket at the base of the spine. Introduction by Jos Hackforth-Jones and Megan Aldrich. Further Reading. Book. N° de réf. du vendeur 025799

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Aldrich, Megan (Editor)/ Hackforth-jones, Jos (Editor)
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Hardcover. Etat : Brand New. 272 pages. 10.75x9.33x0.83 inches. In Stock. N° de réf. du vendeur zk1848220987

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