Art And The Committed Eye: The Cultural Functions Of Imagery (Cultural Studies)

Leppert, Richard

ISBN 10: 0813315409 ISBN 13: 9780813315409
Edité par Westview Press, 1996
Ancien(s) ou d'occasion Couverture souple

Vendeur Wonder Book, Frederick, MD, Etats-Unis Évaluation du vendeur 5 sur 5 étoiles Evaluation 5 étoiles, En savoir plus sur les évaluations des vendeurs

Honoris Librarius
Membre AbeBooks depuis 1996

Membre d'association :

A propos de cet article

Description :

Good condition. With remainder mark. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. N° de réf. du vendeur F05F-03460

Signaler cet article

Synopsis :

In Art and the Committed Eye Richard Leppert examines Western European and American art from the fifteenth to the twentieth century. He studies the complex relation between the “look” of images and the variety of social and cultural uses to which they are put and demonstrates that the meaning of any image is significantly determined by its function, which changes over time. In particular, he emphasizes the ways in which visual culture is called on to mediate social differences defined by gender, class, and race.In Part 1, Leppert addresses the nature and task of representation, discussing how meaning accrues to images and what role vision and visuality play in the history of modernity. Here he explains imagery's power to attract our gaze by triggering desire and focuses on the long history of the use of representation to enact a deception, whether in painting or advertising.Part 2 explores art's relation to the material world, to the ways in which images mark our various physical and psychic ties to objects. The author analyzes still life paintings whose subject matter is both extraordinarily diverse and deeply paradoxical—from flower bouquets to grotesque formal arrangements of human body parts. Leppert demonstrates that even in “innocent” still lifes, formal design and technical execution are imbued with cultural conflict and social power.Part 3 is devoted to the representation of the human body—as subject to obsessive gazing and as an object of display, spectacle, and transgression. The variety of body representation is enormous: pleased or tortured, gorgeous or monstrous, modest or lascivious, powerful or weak, in the bloom of life or under the anatomist's knife, clothed or naked. But it is the sexual body, Leppert shows, that has provided the West with its richest, most complex, contradictory, conflicted, and paradoxical accounts of human identity in relation to social ideals.

À propos de l?auteur:

Richard Leppert is Morse Alumni Distinguished Teaching Professor in the department of cultural studies and comparative literature at the University of Minnesota. His numerous books include Art and the Committed Eye: The Cultural Functions of Imagery , The Sight of Sound: Music, Representation, and the History of the Body , and, most recently, Essays on Music , an edition of selected essays by Theodore W. Adorno.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Détails bibliographiques

Titre : Art And The Committed Eye: The Cultural ...
Éditeur : Westview Press
Date d'édition : 1996
Reliure : Couverture souple
Etat : Good

Meilleurs résultats de recherche sur AbeBooks

There are 8 autres exemplaires de ce livre sont disponibles

Afficher tous les résultats pour ce livre