Arvo Pärt : Sounding the Sacred

Bouteneff, Peter C. (EDT); Engelhardt, Jeffers (EDT); Saler, Robert (EDT); Albin, Andrew (CON); Bouteneff, Peter C. (CON)

ISBN 10: 0823289761 / ISBN 13: 9780823289769

Edité par Fordham University Press, 2020

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N° de réf. du vendeur 41449161-n

Détails bibliographiques

• Titre: Arvo Pärt : Sounding the Sacred
• Éditeur: Fordham University Press
• Date de parution: 2020
• Langue: anglais
• ISBN à 10 chiffres: 0823289761
• ISBN à 13 chiffres: 9780823289769
• Reliure: Couverture souple
• État de l'article: New

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Synopsis

Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. Arvo Pärt: Sounding the Sacred focuses on the representational dimensions of Pärt's music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In response, this ambitiously interdisciplinary volume asks: What of sound and materiality as embodiments of the sacred, as historically specific artifacts, and as elements of creation deeply linked to the human sensorium in Pärt studies? In taking up these questions, the book "de-Platonizes" Pärt studies by demystifying the notion of a single "Pärt sound." It offers innovative, critical analyses of the historical contexts of Pärt's experimentation, medievalism, and diverse creative work; it re-sounds the acoustic, theological, and representational grounds of silence in Pärt's music; it listens with critical openness to the intersections of theology, sacred texts, and spirituality in Pärt's music; and it positions sensing, performing bodies at the center of musical experience. Building on the conventional score-, biography-, and media-based approaches, this volume reframes Pärt studies around the materiality of sound, its sacredness, and its embodied resonances within secular spaces.

À propos des auteurs

Peter C. Bouteneff is Professor of Systematic Theology at St. Vladimir's Orthodox Theological Seminary, where he also directs the Institute of Sacred Arts and the Arvo Pärt Project. He is the author of Arvo Pärt: Out of Silence (SVS Press, 2015).

Jeffers Engelhardt is Associate Professor of Music at Amherst College. His research deals broadly with music, religion, European identity, and media. His books include Singing the Right Way: Orthodox Christians and Secular Enchantment in Estonia (Oxford, 2015) and the co-edited volume Resounding Transcendence: Transitions in Music, Religion, and Ritual (Oxford, 2016).

Robert Saler is Research Professor of Religion and Culture and Associate Dean at Christian Theological Seminary in Indianapolis, where he also serves as Executive Director of the Center for Pastoral Excellence. He is the author of Between Magisterium and Marketplace (Fortress, 2014), Theologia Crucis (Cascade, 2016), and All These Things into Position: What Theology Can Learn from Radiohead (Cascade, 2019).

Andrew Albin is Associate Professor of English and Medieval Studies at Fordham University. His scholarship in the fi eld of historical sound studies examines embodied listening practices, sound's meaningful contexts, and the lived aural experiences of historical hearers--in a word, the sonorous past--as an object of critical inquiry. His work has been recognized with grants and fellowships from the American Council of Learned Societies, the Medieval Academy of America, the Pontifical Institute of Mediaeval Studies, and the Yale Institute of Sacred Music. He is the author of Richard Rolle's Melody of Love: A Study and Translation with Manuscript and Musical Contexts (PIMS, 2018).

Maria Cizmic is Associate Professor in the Humanities and Cultural Studies Department at the University of South Florida, where she teaches courses that integrate musicology into an interdisciplinary curriculum. She is author of Performing Pain: Music and Trauma in Eastern Europe (Oxford, 2012). In addition to music and trauma studies during the late socialist period, her areas of research and teaching include twentieth-century American experimental and popular music; film music; disability studies; and performance, technology, and mediation. Her work can also befound in Twentieth-Century Music, American Music, and Music, Sound, and the Moving Image.