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Title: Asahi Kaho Supplementary Volume Mamoru Kumagami Author: Mamoru Kumagai Product Condition: Perfect Publication Time: 1978 Edition: Soft Cover Publisher: Asahi Shimbun Page Size: 98 Page Size: 33 x 25.7 cm 211 Product Description: Asahi Shimbun Publishing Art Feature (Hakkai Daihon), A collection of the works of Morikazu Kumagai, a modern Japanese oil painter who is extremely specific, 88 important oil paintings from each period of the teacher included in this book, 13 Japanese paintings (drawings) and calligraphic works, attached after the book Chronology and partial life reference. The special features of this book are the large number of works included, the large size of the book, the comparative size of the figures (mostly the size and size of the printed pages), the printing effect, and the original Japanese version. Among contemporary Japanese painters, Morikazu Kumaya (1880-1977) is countable. Such as the collective rejection of several art movements owned by other people during their lifetime, the medals and rewards, the collection of other rejected art history, this also has a wide influence, but the cause of the controversy that is rarely discussed in the history of contemporary art . In April 1880 (Meiji 13), Kumagai no Kamikazu was born in Tsukechi Village, Ena District, Gifu Prefecture (currently Tsukechi Town, Nakatsugawa City), Iekaka Ito. The first generation of his father, Magorokuro, was dissatisfied with his ancestral land management. At the age of 3, Kumagoku's birth mother passed away, and his father, Mrs. Kazuji, spent his early childhood in the residence of a large Kumagoku silk mill troupe in Gifu City. When he was in the third grade of junior high school, his father, Shinkyo, was living in a private house near Keio Gijuku, where his father, Kazutsugu, lived in a private house. Mamoruichi is enthusiastic about Japanese kendo with pictures, but the English is different. At the beginning of the Tokyo School of the Arts (currently the predecessor of Tokyo University of the Arts), when he was on the road of art, he received fatherly pressure. Looking for a father who was born in the business world, Geijutsu, Osho, Medical Japanese-style painter, Hanako Miyako, but Ichishin is a must-read. Finally, the father achieves a compromise, Like a Noh statue, Ichigo entered the Keio era, and the first class of the first class was possible. Fatherly tactics are good for giving away children in advance to Keio, but it's all about the school's school culture, but it's a matter of forgetting and forgetting. Mamoru Kazunari's unfavorable father, Kanan Koshin finished Keio Junior High School. There is nothing else but nothing else, listen to the lecture, do not forget the inside. Temporary Keio Tokimitsu, unstoppable first-time look at Fukuzawa Yukichi, ``Fukuo's casual kimono, waist guard's surroundings, backyard pools at the school, and a serious impression on Omiko.'' After the first semester, he retired from school during the period of Mamoru Ichijo, left for Hongo's art school, and prepared for the school. Magorokuro looks after the child with a certainty of care, no trouble, no inconvenience again. In August 1900, Mori Ikko was in the Department of Western Art at the Tokyo School of Fine Arts, and his cousin was on an artistic road. Kumagai no Kamiichi is a common figure in the history of Asian art. From 1950 to 1977, when he was 93 years old, he left the gate unheard of in the last 30 years. In 1967, he was awarded the highest Order of Culture by the Japanese government, and was disgusted by other reasons. Premature death of his father, dropout from the family path, another historical war, and loss of three children. How many births and deaths, concessionary paintings, real oil paintings, grief-indulgent beasts, final change over and over, simple style, simple style.
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