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Title: Asahi Kaho Supplement Paul Gauguin Author: Paul Gauguin Quality: Perfect Publication time: 1985 Revision: Soft Cover Publisher: Asahi Shimbun Printing time: 1990 Number of pages: 97 pages Size: 33 x 25.7 cm 213 Product Description: Asahi Kaho Supplementary Volume 14 of Special Western Art Collection, Post-Impressionist painter and sculptor Paul Gauguin's collection of works, unique decoration with a sense of formality Features: Simple and realistic screen presentation, color flattening of area, 73 works included in this book, comprehensive oil paintings of figures and partial prints, commentary on works attached after the book. Large open book (eight open books), size and size comparison of figure pieces (most of them are arranged in the same way as the city), printing effect is very unsatisfactory, original Japanese version.Paul Gauguin (1848-1903) Hokugo Impressionist painter, sculptor, representative work Where did you come from? In 1873, he started studying paintings in Takarazuka, and in 1883 he was a professional painter, and participated in the 4th Impressionist painting exhibition in a row. Written by Penglai Tower Wang Small Town, 1889, Creative Yellow Christ, 1890, after that, Takako Nikki gains a civilized society and a single heart escapes, and returns to another island on the Pacific Ocean.1894, Creative Respect Festival Written in 1897, Where have we been? Who are we? Where are we going? 1901, Leaving for Kidaijima Island in the Sept. 1903. Died in 1903. High-quality paintings have a unique sense of formality. Decoration features: simple physical appearance of screen presentation, flat color characteristics of area, highly generalized imagery in the screen, conciseness and shape and godliness, strong decorative Japanese-style beauty with high-level use of special composition and freshness Various colors, dissimilar physical organization existence, relationship between each element of the surface of the screen, form and composition existence relationship, use of the rich sense of formality, sense of order, sense of prosody and melody. Spatial special techniques, other cross-sectional visual division, color mass contrast, physical blockage, etc., creating a kind of multi-layered spatial visual effect, and space feeling. In other works, there are many hopes for nature-observing restraints, and there is a certain degree of independent territory and multi-personal significance in this kind of art, which is impossible to achieve.
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