Synopsis
Two decades of Black Panther stories in one action-packed volume!
Return to Wakanda for more tales of the Black Panther — beginning with T’Challa setting off on far-out adventures that could only be conceived by his legendary co-creator, Jack Kirby! The King of Comics sets the King of Wakanda on an epic quest to discover the startling secret of King Solomon’s Frog that sees him encounter alien races, battle eternal samurai warriors and more! Then brace yourself for an epic battle between the Black Panther, the Avengers and Ulysses Klaw! T’Challa returns to the American South to root out the evil Soul Strangler’s cult! And things get personal as the Panther’s search for his long-lost mother leads him on a brutal hunt like no other set against the violence of South African apartheid. Back in Wakanda, the winged menace called Solomon Prey swears vengeance on the king! Plus: The Panther prowls in a series of rarely seen tales!
COLLECTING: Black Panther (1977) #1-15, Marvel Two-in-One (1974) #40-41, Marvel Team-Up (1972) #87, Marvel Premiere #51-53, Defenders (1972) #84-86, Iron Man Annual (1970) #5, Black Panther (1988) #1-4, Black Panther: Panther's Prey (1991) #1-4; material from Marvel Team-Up (1972) #100; Marvel Comics Presents (1988) #13-37, #148; What The--?! (1988) #9; Solo Avengers (1987) #19; Marvel Super-Heroes (1990) #1; Marvel Fanfare (1982) #60; Fantastic Four Unlimited (1993) #1
Written by Jack Kirby, Ed Hannigan, Peter B. Gillis, Don Mcgregor & More
Penciled by Jack Kirby, Jerry Bingham, Denys Cowan, Dwayne Turner & More
À propos de l'auteur
Born Jacob Kurtzberg in 1917 to Jewish-Austrian parents on New York’s Lower East Side, Jack Kirby came of age at the birth of the American comic book industry. Beginning his career during the rising tide of Nazism, Kirby and fellow artist Joe Simon created the patriotic hero Captain America. Cap’s exploits on the comic book page entertained millions of American readers at home and inspired U.S. troops fighting the enemy abroad. When World War II ended, the public’s interest in super heroes waned; Kirby turned his artistic talents during the 1950s to other genres, such as monsters, Westerns and crime — as well as the first-of-its-kind Young Romance Comics. In 1961, Kirby returned to super heroes to illustrate what would become the defining issue in Marvel Comics history: Fantastic Four #1. Written by Stan Lee, the team’s debut revolutionized the industry overnight. In contrast to the staid artwork of his predecessors, Kirby’s illustrations seemed to leap off the page with eye-popping action and drama. For the next decade, Kirby and Lee would introduce a mind-boggling array of new characters — including the Avengers, the Hulk, Thor, Iron Man, the Silver Surfer and the X-Men. Taken together, Kirby’s groundbreaking work with Lee formed the foundation of the Marvel Universe. In the early 1970s, Kirby moved to DC Comics, where his boundless creativity continued. He returned to Marvel in 1975, writing and illustrating Captain America and introducing his final major concept, the Eternals. With the explosion of TV animation during the 1980s, Kirby’s talents turned to the small screen. Comic fans quickly recognized his work on such series as Thundarr the Barbarian and Turbo Teen. Kirby died in 1994, but his influence on the comic book industry is as strong as ever. His work has inspired a generation of professional artists and modern writers who continue to explore his vast universe of concepts and characters.Ed Hannigan’s Marvel cover art spanned an array of titles and genres: Amazing Spider-Man, Avengers, Captain America, Daredevil, Marvel Team-Up, Rom: Spaceknight, Thor, Weird Wonder Tales and more. He took over the first Black Panther series from Jack Kirby himself; when the book was canceled, Hannigan continued Panther’s storyline in Marvel Premiere. On Defenders, he wrote some issues, penciled others, and provided both script and art for more. At DC, he drew covers for Batman, Detective Comics, World’s Finest and other titles, also writing and drawing miniseries League of Justice and Skull and Bones.
Born Jacob Kurtzberg in 1917 to Jewish-Austrian parents on New York’s Lower East Side, Jack Kirby came of age at the birth of the American comic book industry. Beginning his career during the rising tide of Nazism, Kirby and fellow artist Joe Simon created the patriotic hero Captain America. Cap’s exploits on the comic book page entertained millions of American readers at home and inspired U.S. troops fighting the enemy abroad. When World War II ended, the public’s interest in super heroes waned; Kirby turned his artistic talents during the 1950s to other genres, such as monsters, Westerns and crime — as well as the first-of-its-kind Young Romance Comics. In 1961, Kirby returned to super heroes to illustrate what would become the defining issue in Marvel Comics history: Fantastic Four #1. Written by Stan Lee, the team’s debut revolutionized the industry overnight. In contrast to the staid artwork of his predecessors, Kirby’s illustrations seemed to leap off the page with eye-popping action and drama. For the next decade, Kirby and Lee would introduce a mind-boggling array of new characters — including the Avengers, the Hulk, Thor, Iron Man, the Silver Surfer and the X-Men. Taken together, Kirby’s groundbreaking work with Lee formed the foundation of the Marvel Universe. In the early 1970s, Kirby moved to DC Comics, where his boundless creativity continued. He returned to Marvel in 1975, writing and illustrating Captain America and introducing his final major concept, the Eternals. With the explosion of TV animation during the 1980s, Kirby’s talents turned to the small screen. Comic fans quickly recognized his work on such series as Thundarr the Barbarian and Turbo Teen. Kirby died in 1994, but his influence on the comic book industry is as strong as ever. His work has inspired a generation of professional artists and modern writers who continue to explore his vast universe of concepts and characters.
Jerry Bingham has penciled covers and/or stories for Black Panther, Iron Man and several Spider-Man titles. At DC, he penciled, inked and colored Mike Barr’s controversial Batman: Son of the Demon graphic novel, and penciled covers for Spectre, Warlord and DC’s Babylon 5 adaptation. He has also illustrated stories for Batman Confidential and First Comics’ Warp. During the 1990s, he became a production artist in the film industry, designing props and special effects.
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