The Bridge of Beyond (Caribbean Writers Series) (English and French Edition). Cet article n’est pas disponible.
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Langue : anglais
Edité par Heinemann, 1982
- Livre broché
- Occasion

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A propos de cet article
Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
N° de réf. du vendeur G0435987704I3N10
- Titre
- The Bridge of Beyond (Caribbean Writers Series) (English and French Edition)
- Auteur
- Simone Schwarz-Bart
- Éditeur
- Heinemann
- Année de publication
- 1982
- État de l'article
- Good
- Jaquette
- No Jacket
- Reliure
- Paperback
- Langue
- anglais
- ISBN à 10 chiffres
- 0435987704
- ISBN à 13 chiffres
- 9780435987701
- Poids de l'article
- 0,35 livre
In this novel Simone Schwarz-Bart shows the survival power of the women of Guadeloupe who live in conditions of extreme poverty and deprivation and yet who are filled with dauntless courage and love for life.
« Synopsis » peut appartenir à une autre édition de cet ouvrage.
Revue de presse
“This is an infinite, celebratory novel, containing multitudes in the space of each rich sentence—a masterpiece of Caribbean literature that certainly deserves the badge of the classic.” —World Literature Today
"Most striking about this book is how magical the story is, even at its darkest. The Bridge of Beyond is a lush and entrancing fable about history and family and love. It is, truly, a hallmark of Caribbean literature." —The Nation
“An immersive experience and a very fine translation by Barbara Bray from the original French.” —The Guardian (UK)
“It is like a fable in the form of a ballad, which is to say it is poetical but not always clear. Its languorous sense of ease, dangerously close to delusion, gives scope to Simone Schwarz-Bart’s considerable gift for describing the trees and flowers of her native island.” —Paul Theroux, The New York Times
“In a literary field saturated with messianic heroes, be they poetic or proletarian, The Bridge of Beyond plunges us into a fabulous story of women, the chronicle of a mythical line of matrons: the Lougandors. Yet something would be lacking if we saw it merely as, for example, a rewriting of [Jacques Roumain’s] Masters of the Dew, where a family of women are playing their version of Manuel. In comparison with these pre-texts, Simone Schwarz-Bart innovates. She innovates by metamorphosing the Creole oral tradition.” —Maryse Condé
“Her stories seem to gleam with the polish of re-telling and are a distillation of passion and experience in which every trace of whimsicality and affectation have been squeezed out by the knowledge of real suffering. The virtues are, of course, not [the character] Toussine’s but the author’s, but so natural is this that it is easy to forget that it is a work of fiction; it is a very fine achievement.” —The Irish Times
“The book’s gift of life is so generous, and its imagery so scintillant in the sunlight of love, that we believe every word.”—John Updike, The New Yorker
“There’s magic, madness, glory, tenderness, above all abundant hope.” —Financial Times
“The language...is as luxuriant as the foliage of the Antilles.” —The Times (London)
"Most striking about this book is how magical the story is, even at its darkest. The Bridge of Beyond is a lush and entrancing fable about history and family and love. It is, truly, a hallmark of Caribbean literature." —The Nation
“An immersive experience and a very fine translation by Barbara Bray from the original French.” —The Guardian (UK)
“It is like a fable in the form of a ballad, which is to say it is poetical but not always clear. Its languorous sense of ease, dangerously close to delusion, gives scope to Simone Schwarz-Bart’s considerable gift for describing the trees and flowers of her native island.” —Paul Theroux, The New York Times
“In a literary field saturated with messianic heroes, be they poetic or proletarian, The Bridge of Beyond plunges us into a fabulous story of women, the chronicle of a mythical line of matrons: the Lougandors. Yet something would be lacking if we saw it merely as, for example, a rewriting of [Jacques Roumain’s] Masters of the Dew, where a family of women are playing their version of Manuel. In comparison with these pre-texts, Simone Schwarz-Bart innovates. She innovates by metamorphosing the Creole oral tradition.” —Maryse Condé
“Her stories seem to gleam with the polish of re-telling and are a distillation of passion and experience in which every trace of whimsicality and affectation have been squeezed out by the knowledge of real suffering. The virtues are, of course, not [the character] Toussine’s but the author’s, but so natural is this that it is easy to forget that it is a work of fiction; it is a very fine achievement.” —The Irish Times
“The book’s gift of life is so generous, and its imagery so scintillant in the sunlight of love, that we believe every word.”—John Updike, The New Yorker
“There’s magic, madness, glory, tenderness, above all abundant hope.” —Financial Times
“The language...is as luxuriant as the foliage of the Antilles.” —The Times (London)
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