Hardcover. 4to. Taylor and Francis, New York. 2012. 400 pgs. Illustrated throughout. Bound in paper covered cloth boards with titles present to the spine and the spine. Boards have light wear present to the extremities of the boards. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Photography and architecture have a uniquely powerful resonance - architectural form provides the camera with the subject for some of its most compelling imagery, while photography profoundly influences how architecture is represented, imagined and produced. Camera Constructs is the first book to reflect critically on the varied interactions of the different practices by which photographers, artists, architects, theorists and historians engage with the relationship of the camera to architecture, the city and the evolution of Modernism. The title thus on the one hand opposes the medium of photography and the materiality of construction - but on the other can be read as saying that the camera invariably constructs what it depicts: the photograph is not a simple representation of an external reality, but constructs its own meanings and reconstructs its subjects. Twenty-three essays by a wide range of historians and theorists are grouped under the themes of Modernism and the Published Photograph , Architecture and the City Re-imagined , Interpretative Constructs and Photography in Design Practices. They are preceded by an Introduction that comprehensively outlines the subject and elaborates on the diverse historical and theoretical contexts of the authors approaches. Camera Constructs provides a rich and highly original analysis of the relationship of photography to built form from the early modern period to the present day. E-028; 9.6 X 7.4 X 1.2 inches; 400 pages.

N� de r�f. du vendeur 73378

Contacter le vendeur

Signaler cet article

D�tails bibliographiques

Titre: Camera Constructs Photography, Architecture and the Modern City
�diteur: Taylor & Francis Ltd, E-367
Date de parution: 2012
Langue: anglais
ISBN � 10 chiffres: 1409421457
ISBN � 13 chiffres: 9781409421450
Reliure: Hardcover
�tat de l'article: Very Good

A propos de ce titre

Synopsis

Photography and architecture have a uniquely powerful resonance - architectural form provides the camera with the subject for some of its most compelling imagery, while photography profoundly influences how architecture is represented, imagined and produced. Camera Constructs is the first book to reflect critically on the varied interactions of the different practices by which photographers, artists, architects, theorists and historians engage with the relationship of the camera to architecture, the city and the evolution of Modernism. The title thus on the one hand opposes the medium of photography and the materiality of construction - but on the other can be read as saying that the camera invariably constructs what it depicts: the photograph is not a simple representation of an external reality, but constructs its own meanings and reconstructs its subjects. Twenty-three essays by a wide range of historians and theorists are grouped under the themes of 'Modernism and the Published Photograph', 'Architecture and the City Re-imagined', 'Interpretative Constructs' and 'Photography in Design Practices.' They are preceded by an Introduction that comprehensively outlines the subject and elaborates on the diverse historical and theoretical contexts of the authors' approaches. Camera Constructs provides a rich and highly original analysis of the relationship of photography to built form from the early modern period to the present day.

� propos de l?auteur

Andrew Higgott, the University of East London, UK. Timothy Wray is an architect, photographer and writer based in Berlin.

Les informations fournies dans la section � A propos du livre � peuvent faire r�f�rence � une autre �dition de ce titre.

Description de la librairie

I have been selling books for more than 20 years. I am a specialist in out of print and rare academic titles, art, history, military history and what I like to loosely describe as "Old and Interesting." Here is a helpful list of book terms that I use: Terms for Describing Condition These terms apply to books, dust jackets and magazines. As New is when the book is in the same immaculate condition in which it was published. There are no defects and the dust jacket, if issued with one, is perfect. Fine approaches the condition of "As New," but without being crisp. There may be minor defects, which are noted. Very Good describes a book that does show some small signs of wear but no tears on either binding or paper. Any defects are noted. Good describes the average used and worn book that has all pages or leaves present. All defects are noted. Fair is a well-worn book that has complete text pages but may lack endpapers, half title page, etc. All defects are noted. Poor describes a book that is sufficiently worn so that its only merit is as a reading copy. This book may be soiled, scuffed, stained or spotted and may have loose joints, hinges, pages, etc. All defects are noted. Ex-library books are always noted as such regardless of condition. Book Club Editions (BCE) are always noted as such regardless of condition. Boards are the actual hardcover material of the cover, front and back. Bookplate is usually a square illustrated sticker on which an owner writes his or her name, or on which the author has signed his or her name. Bumped refers to the bent or rounded corners of the boards. Browning or tanning refers to brown or tan looking pages or page edges that appear in some older books. Chip is a tiny piece missing from the edge of the dust jacket. Closed tear is a tiny rip in the dust jacket, but no material is missing (as in a chip). It can be "shut" and protected from further tearing with a Mylar cover. Cocked means the book is no longer square. If laid down, the book appears to be pushed (slanted) forward or backward from the spine. Creasing is where the dust jacket or pages have been bent, and then returned to its original state. Dampstain is a tan or gray stain resulting from water or other liquid damage. End papers or pastedowns are the sheets of paper pasted onto the inner covers, joining the book block to the covers. One side of the sheet is pasted to the inside cover, the other is left free (see FFEP). FFEP stands for front free-endpaper. This is the first page of any book. Though usually blank, it is a common place for an inscription. Foxing is the term used for the rust colored spots which occur on paper. This is the result of oxidation of both organic and iron impurities left behind during the paper making process. Front, top or bottom edge: These are the outside page edges. Loose is what happens to a book which has been read several times. The cover easily flaps open and the pages do not return to a tight condition. Heal or tail is the bottom of the spine. Head is the top of the spine. Mass-Market paperback is the most common paperback book, about four inches wide and seven inches high. Seen most often as "popular" fiction, science fiction and romance books. Mylar cover is the clear film that most fine bookshops use to cover and protect the dust jackets. Spine separation occurs at the head (top) of the spine where the fingers grab and pull the book from the shelf. After repeated pulling, the glue holding the outer spine board to the inner binding separates. Sunned is the fading of paper or binding as a result of sun exposure. Trade paperback is a softcover book which is generally large in size and made of better quality materials than a Mass-Market paperback. Wraps are the outer covers of a softcover (paperback) book or pamphlet.

Visitez la page d�accueil du vendeur

Informations commerciales relatives au vendeur

Last Exit Books
VA, U.S.A.

Conditions de vente et de livraison

Conditions g�n�rales de vente

All items described to the best of my ability.

Returns are considered if the item is sent within 14 days of receipt with an
email explanation sent to me first or if the item fails to match the description
or if there was damage to the order. All refunds processed upon the receipt of
the book.

If you send a check please be aware that I will ship the book only when the
check clears.

If you are sending a money order from overseas please make sure that it is an
INTERNATIONAL MONEY ORDER, otherwise a...

Pour plus d'information

Droit de r�tractation

Si vous �tes un consommateur, vous pouvez vous r�tracter du pr�sent contrat dans les conditions indiqu�es ci-dessous. Etre un consommateur signifie �tre une personne physique qui agit � des fins qui n'entrent pas dans le cadre de son activit� commerciale, industrielle, artisanale ou lib�rale.

Informations standardis�es sur la r�tractation

Droit de r�tractation:

Vous avez le droit de vous r�tracter du pr�sent contrat sans donner de motif dans un d�lai de quatorze jours.

Le d�lai de r�tractation expire quatorze jours apr�s le jour o� vous-m�me, ou un tiers autre que le transporteur et d�sign� par vous, prend physiquement possession du dernier bien, lot ou pi�ce.

Pour exercer le droit de r�tractation, vous devez nous Apollo Books, 9-20 35th Ave, Suite 3L, 11106, Long Island City, New York, U.S.A., 1 718-255-6504, notifier votre d�cision de r�tractation du pr�sent contrat au moyen d'une d�claration d�nu�e d'ambigu�t� (par exemple, lettre envoy�e par la poste, t�l�copie ou courrier �lectronique). Vous pouvez utiliser le mod�le de formulaire de r�tractation mais ce n'est pas obligatoire. Vous pouvez �galement remplir et transmettre une d�claration claire � cette fin sur notre site internet � �Vos commandes� dans �Votre compte�. Si vous utilisez cette option, nous vous enverrons sans d�lai un accus� de r�ception de la r�tractation sur un support durable (par exemple, par courriel).

Pour que le d�lai de r�tractation soit respect�, il suffit que vous transmettiez votre communication relative � l'exercice du droit de r�tractation avant l'expiration du d�lai de r�tractation.

Effets de la r�tractation :

En cas de r�tractation de votre part du pr�sent contrat, nous vous rembourserons tous les paiements re�us de vous, y compris les frais de livraison (� l'exception des frais suppl�mentaires d�coulant du fait que vous avez choisi, le cas �ch�ant, un mode de livraison autre que le mode moins co�teux de livraison standard propos� par nous) sans retard excessif et, en tout �tat de cause, au plus tard quatorze jours � compter du jour o� nous sommes inform�s de votre d�cision de r�tractation du pr�sent contrat. Nous proc�derons au remboursement en utilisant le m�me moyen de paiement que celui que vous aurez utilis� pour la transaction initiale, sauf si vous convenez express�ment d'un moyen diff�rent; en tout �tat de cause, ce remboursement n'occasionnera pas de frais pour vous.

Nous pouvons diff�rer le remboursement jusqu'� ce que nous ayons re�u le bien ou jusqu'� ce que vous ayez fourni une preuve d'exp�dition du bien, la date retenue �tant celle du premier de ces faits.

Vous devrez renvoyer ou rendre le bien, � Apollo Books, 9-20 35th Ave, Suite 3L, 11106, Long Island City, New York, U.S.A., 1 718-255-6504, sans retard excessif et, en tout �tat de cause, au plus tard quatorze jours apr�s que vous nous aurez communiqu� votre d�cision de r�tractation du pr�sent contrat. Ce d�lai est r�put� respect� si vous renvoyez le bien avant l'expiration du d�lai de quatorze jours. Vous devrez prendre en charge les frais directs de renvoi du bien. Votre responsabilit� n'est engag�e qu'� l'�gard de la d�pr�ciation du bien r�sultant de manipulations autres que celles n�cessaires pour �tablir la nature, les caract�ristiques et le bon fonctionnement de ce bien.

Exceptions au droit de r�tractation

Le droit de r�tractation ne s'applique pas � :

la fourniture d'un contenu num�rique (dont livres �lectroniques) non fourni sur un support mat�riel (tel qu'un CD ou un DVD), si vous avez accept� au moment de la passation de votre commande que nous commencions la fourniture de celui-ci et renonc� � votre droit de r�tractation ;
la fourniture d'un journal, d'un p�riodique ou d'un magazine, sauf pour les contrats d'abonnement � ces publications.

Formulaire de r�tractation

(A compl�ter et renvoyer seulement si vous souhaitez-vous r�tracter du pr�sent contrat)

A l'attention de : (Apollo Books, 9-20 35th Ave, Suite 3L, 11106, Long Island City, New York, U.S.A., 1 718-255-6504)

Je vous notifie par la pr�sente ma r�tractation du contrat portant sur la vente des produits suivants :

num�ro de commande :

Command� le/re�u le :

Mon nom et mon adresse :

Signature (seulement si ce formulaire est notifi� en version papier) :

Date

Conditions d'exp�dition

Orders usually ship within 2 business days. Shipping costs are based on books weighing 2.2 LB, or 1 KG. If your book order is heavy or oversized, I will contact you to let you know that a shipping surcharge might be required.

Every book that is shipped domestically ships with a USPS tracking number. If you need the number, please email me.

Most books going overseas (unless it is 4to or larger) are shipped via USPS Global Priority Mail.

Frais d?exp�dition � l?int�rieur de ce pays�: Etats-Unis

Frais d?exp�dition � l?int�rieur de ce pays�: Etats-Unis
Quantit� command�e	5 � 14 jours ouvr�s	3 � 6 jours ouvr�s
Premier article	EUR 6.01	EUR 12.05

Les d�lais de livraison sont fix�s par les vendeurs et varient en fonction du transporteur et du lieu. Les commandes transitant par les douanes peuvent �tre retard�es et les acheteurs sont responsables de tous les droits ou frais associ�s. Les vendeurs peuvent vous contacter au sujet de frais suppl�mentaires afin de couvrir toute augmentation des co�ts d'exp�dition de vos articles.