Capturing the Mood of Democracy : The British General Election 2019

Jim Brogden

ISBN 10: 3030531376 / ISBN 13: 9783030531379

Edité par Springer International Publishing, 2020

A propos de cet article

Druck auf Anfrage Neuware - Printed after ordering - This book is about what it means to speak of a political mood. Can the electorate be in a mood How do they express it How can moods be captured in a meaningful way This book attempts to answer those questions by looking at one city during the December 2019 British general election. This is not a book about campaign strategies, target voters, turnouts and poll swings. It is about how people feel. The research approach is ethnographic. The telling of the story is lyrical. It may not be hard political science but it contributes significantly to an understanding of the health of contemporary democracy. Focusing upon the ways that voters and non-voters perform their enthusiasm or indifference, the stories that they tell, and photographic images of Bradford in what is supposed to be a vital democratic moment, this book invites readers to engage with the affective texture of an election.

N° de réf. du vendeur 9783030531379

Détails bibliographiques

• Titre: Capturing the Mood of Democracy : The British General Election 2019
• Éditeur: Springer International Publishing
• Date de parution: 2020
• Langue: anglais
• ISBN à 10 chiffres: 3030531376
• ISBN à 13 chiffres: 9783030531379
• Reliure: Buch
• État de l'article: Neu

A propos de ce titre

Synopsis

1. An Election Comes to Town.- 2. Looking for Democracy.- 3. Contesting Narratives - How Stories Fill Holes.- 4. The Poetics of a Real-Time Election.- 5. How to Capture a Political Mood.

À propos de l?auteur

Stephen Coleman is Professor of Political Communication in the School of Media and Communication, University of Leeds, UK. He is the author of How People Talk About Politics - Brexit and After (2020).

Jim Brogden is Lecturer in Visual Culture, and Programme Leader of the MA in Film, Photography, and Media in the School of Media and Communication, University of Leeds, UK. He is the author of Photography and the Non-Place: The Cultural Erasure of the City (2019).