Caravaggio and the Painters of the North

Cappelletti, Francesca,Capitelli, Giovanna,Lemoine, Annick,Osnabrugge, Marije,Delgado, Dolores

ISBN 10: 8415113838 / ISBN 13: 9788415113836

Edité par Museo Thyssen-Bornemisza, 2017

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Détails bibliographiques

• Titre: Caravaggio and the Painters of the North
• Éditeur: Museo Thyssen-Bornemisza
• Date de parution: 2017
• Langue: anglais
• ISBN à 10 chiffres: 8415113838
• ISBN à 13 chiffres: 9788415113836
• Reliure: hardcover
• État de l'article: Very Good

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Synopsis

Caravaggio (1571–1610) was famed in his own time for his sensitive, clear-eyed observational skills, compelling sense of drama and powerful deployment of chiaroscuro. In the first years of the 17th century, reports of the painter’s originality were already spreading widely, and observers exhorted young artists to follow his example―and follow it they did. Among the artists who incorporated elements of Caravaggio’s style in their own work, a large number came from the Low Countries, Germany and France. Including works by Caravaggio and his most important Dutch, Flemish and French followers, Caravaggio and the Painters of the North highlights both Caravaggio’s extraordinary versatility and the rich diversity of the responses to his work emerging in Northern Europe between 1600 and 1630, as well as the stimulating role of patrons and collectors.

Présentation de l'éditeur

Michelangelo Merisi da Caravaggio (Milan 1571–1610 Porto Ercole) produced a highly diverse body of work that had an enormous impact on the history of seventeenth-century art. Realist observation, a compelling sense of drama and powerful chiaroscuro all contributed to the success of his art and helped to establish his fame. The Lombard’s originality was recognized as early as 1603 by the Netherlandish painter and writer Karel van Mander. In 1604 he published a brief report on the “marvelous things” Caravaggio was doing in Rome, praising his ability “to face life and to follow nature with all its various colors.” Van Mander called it an example “for our young painters to follow” – and follow it they did. Among the artists who incorporated elements of Caravaggio’s style in their own work, a large number came from the Low Countries, Germany and France. This publication puts the impact of Caravaggio’s art on Northern European painters into sharp relief: it highlights Caravaggio’s extraordinary versatility and sheds light on the rich diversity of the responses to his painted oeuvre. All artists represented here were driven by authentic painterly passion and ambition to be innovators in their own right. Between 1600 and 1630, the artistic dialogue was effervescent, and it led to brilliant results.