1999 1st edition with numerous B&W illustrations; spine uncreased and slightly faded; bottom corner of back panel creased; otherwise, a clean, tidy copy.

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Titre: Chora volume three: intervals in the philosophy of architecture: Volume 3 (CHORA: Intervals in the Philosophy of Architecture)
�diteur: McGill-Queen's University Press
Date de parution: 1999
Langue: anglais
ISBN � 10 chiffres: 077351712X
ISBN � 13 chiffres: 9780773517127
Reliure: Couverture souple
�tat de l'article: Used - Very Good. VG paperback

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Synopsis

The thirteen essays in this collection include historical subjects as well as speculative theoretical "projects" that blur conventional boundaries between history and fiction. Ricardo Castro provides an original reading of the Kogi culture in Colombia; Maria Karvouni explores philological and architectonic connections between the Greek demas (the political individual) and domus (the house); Mark Rozahegy speculates on relationships between architecture and memory; Myriam Blais discusses technical inventions by sixteenth-century French architect Philibert de l'Orme; Alberto P�rez-G�mez examines the late sixteenth-century reconstruction of the Temple of Jerusalem by Juan Bautista Villalpando; Janine Debann� offers a new perspective on Guarino Guarini's Chapel of the Holy Shroud in Turin; Katja Grillner examines the early seventeenth-century writings of Salomon de Caus and his built work in Heidelberg; David Winterton reflects on Charles-Fran�ois Viel's "Letters"; Franca Trubiano looks at Jean-Jacques Lequeu's controversial Civil Architecture; Henrik Reeh considers the work of Sigfried Kracauer, a disciple of Walter Benjamin; Irena �antovsk� Murray reflects on work by artist Jana Sterbak; artist Ellen Zweig presents a textual project that demonstrates the charged poetic space created by film makers such as Antonioni and Hitchcock; and Swedish writer and architect S�ren Thurell asks a riddle about architecture and its mimetic origins. The essays in this volume demonstrate a reconciliatory architecture that respects cultural differences, acknowledges the globalization of technological culture, and points to a referent other than itself.

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