The Classic Ballet: Basic Technique and Terminology

Stuart, Muriel, Dyer, Carlus, Kirstein, Lincoln

ISBN 10: 0813016177 / ISBN 13: 9780813016177

Edité par Univ Pr of Florida, 1998

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Détails bibliographiques

• Titre: The Classic Ballet: Basic Technique and Terminology
• Éditeur: Univ Pr of Florida
• Date de parution: 1998
• Langue: anglais
• ISBN à 10 chiffres: 0813016177
• ISBN à 13 chiffres: 9780813016177
• Reliure: Paperback
• Illustrateur: Stuart, Muriel

A propos de ce titre

Synopsis

A warm welcome back to this beloved classic! For decades the standard text for ballet technique, this book-first published in 1952-presents a beginner's gudie to basic movements, steps, and terminology. Written by the staff of the School of American Ballet, it builds on the Russian tradition of Anna Pavlova and reflects the dance style of George Balanchine. The 800 masterful drawings by Carlus Dyer demonstrate proper body position, balance point, movement, and attitude of each position and step in the basic classical repertoire. As Balanchine points out in his preface, the illustrations are more accurate than photographs could possible be because they have been corrected and recorrected until they approximate the ideal. Lincoln Kirstein (with George Balanchine) founded the School of American Ballet 1934. He became its first director and remained the driving force behind both the school and the American Ballet Theatre for thrity years. Muriel Stuart, the last student of Anna Pavlova, was ballet mistress at the school for many years.

Présentation de l'éditeur

“For soundness, for clarity, for succinctness, this manual of basic ballet is the best there is anywhere.”
–Edwin Denby, The Nation

With a precision unparalleled in any other book of its kind, The Classic Ballet presents a lucid text, and nearly six hundred drawings describe and illustrate in minute detail the proper body position, balance point, movement, and attitude of each position and step in the basic classical repertory.

As George Balanchine wrote in his preface: “There are no shortcuts to great dancing, but what is necessary to remember and unalterable in its instruction may be found in this book . . . An admirable source of reference for the highest standard of practice.” It is an invaluable tool for the student or teacher of ballet–as well as a must-have treasure for the balletomane.