Cold War Art Worlds (Paperback). Cet article n’est pas disponible.
Langue : anglais
Edité par Leuven University Press, Leuven, 2025
- Livre broché
- Neuf

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Etat: Neuf
EUR 68,62
A propos de cet article
Paperback. Prague as a vital Cold War hub for South Asian artists.During the Cold War, the Central-European capital city Prague, along with other previously less noticed locations in the polarised post-war world, emerged as a key site where an art world of particular importance for artists from South Asia developed. By emphasising cultural mobility as a catalyst for exchange and network building, this book challenges and complicates assumptions about Cold War binaries of East and West and the polarisation between so-called totalitarian regimes and free cultures. Positioning Prague as a nexus where South-Asian modernisms intersected with multiple peoples, histories, and ideologies in the post-World War II era, it offers a narrative of decolonisation that rejected rigid systemic alignment in favour of participation across blocs by prioritising migratory aesthetics over nationalist parochialism. Well-researched and rich in archival materials, this book proposes new ways of writing art histories and makes a significant contribution to both Cold War studies and critical global modernism studies. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…
N° de réf. du vendeur 9789462704701
- Titre
- Cold War Art Worlds (Paperback)
- Auteur
- Simone Wille
- Éditeur
- Leuven University Press, Leuven
- Année de publication
- 2025
- État de l'article
- new
- Reliure
- Paperback
- Langue
- anglais
- ISBN à 10 chiffres
- 9462704708
- ISBN à 13 chiffres
- 9789462704701
During the Cold War, the Central-European capital city Prague, along with other previously less noticed locations in the polarised post-war world, emerged as a key site where an art world of particular importance for artists from South Asia developed. By emphasising cultural mobility as a catalyst for exchange and network building, this book challenges and complicates assumptions about Cold War binaries of East and West and the polarisation between so-called totalitarian regimes and free cultures. Positioning Prague as a nexus where South-Asian modernisms intersected with multiple peoples, histories, and ideologies in the post-World War II era, it offers a narrative of decolonisation that rejected rigid systemic alignment in favour of participation across blocs by prioritising migratory aesthetics over nationalist parochialism. Well-researched and rich in archival materials, this book proposes new ways of writing art histories and makes a significant contribution to both Cold War studies and critical global modernism studies.
Simone Wille, Institute of Art History, University of Innsbruck.
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